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Writers' News

New Literary Agent Listing: Kerry Glencorse

firstwriter.com – Monday February 24, 2020

Always on the lookout for new talent, especially in the areas of literary and upmarket commercial fiction; well-written genre fiction, including crime, thrillers, women’s fiction, and historical. And on the non-fiction side: memoir, narrative non-fiction, popular science, natural science, social and cultural history.

[See the full listing]

More city, less village

thebookseller.com – Saturday February 22, 2020

Last month at the Association of Authors’ Agents (AAA) a.g.m., I stepped down from AAA Committee after six years, the last two in the role of president. I am proud to have worked for a trade association whose value for its members is unquestionable. I am not referring to our informative or social events, or our advocacy for agents and authors to publishers and in the public sphere, though they are great. Rather, to the fact that —because any cowboy can call themselves a literary agent—membership of the AAA is the only simple way for an agent to convey their seriousness and reliability as a professional. All our agencies commit to abide by our Code of Practice and its associated guidelines, you see. 

 Beyond that joint commitment, and our fiduciary duty to put our clients’ interests first, the AAA is a pretty broad church in many enjoyable ways. But although many AAA members are actively engaged in the project of making our profession more inclusive, we are still an undeniably white, middle-class group, for the most part.

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5 Tips For Writing Interesting Characters

thenerddaily.com – Sunday February 16, 2020

There is an abundance of writing advice articles out there that you can get from social media or the internet, all with different tips and suggestions to help you on your writing journey. For me, I think these five tips can help you plan out and write a character well, even if you don’t actually write them until later.

1. Don’t presume that you know everything about your character.

People automatically assume that you should know every single thing about your character, because it makes sense, since you’re the writer and you’ll need to expand on them throughout your story. What people don’t know is that your character is allowed to keep their secrets, especially since they will develop throughout the series, naturally.

Maybe your character has a fear of rejection… Their backstory may be planned by you, but there may be quirks to their character which can lead you to a totally different backstory later, told by your character and told to you as well.

[Read the full article]

Here’s why you'll want to enter Filmarket Hub's Pilot Contest

filmdaily.co – Sunday February 16, 2020

Here at Film Daily, we’re all about supporting screenwriters. We also love a good screenwriting contest! That’s why we, along with our friends at online marketplace Filmarket Hub, are thrilled to announce the launch of their new screenwriting competition focused on English language TV pilots. 

The competition will be open until the 31st March 2020, after which the six semi-finalists, three finalists and the winning pilot will be announced throughout the month of June.

[Read the full article]

What is the difference between traditional publishing, self publishing?

pe.com – Friday February 14, 2020

I used to imagine myself standing at a forked path, manuscript in hand, wondering whether to pursue self-publishing or traditional. I pored over websites analyzing the pros and cons of each.

What these resources don’t convey, though, is that these are not the only two publishing routes that exist, and that increasingly, other options are blurring the boundaries between what seemed like two distinct choices.

Traditional publishing used to just be “publishing.” There were a limited number of people in the world who had access to the physical resources needed to print and distribute a book so they acted as gatekeepers. Of course, people have hand-written and distributed writing for a long time, but publishing houses, with Richard Hoe’s patent of the first rotary press in 1846, could circulate paperbacks, introduced to the United States only one year earlier.

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New Magazine Listing

firstwriter.com – Friday February 14, 2020

Publishes: Articles; Essays; Fiction; Nonfiction; Poetry;
Areas include: Culture; Humour; Politics; Short Stories;
Markets: Adult;
Preferred styles: Satirical

Describes itself as "America's leading voice of interesting and unexpected left-wing political criticism, cultural analysis, short stories, poems and art". Submit pitch using online form on website.

[See the full listing]

New Magazine Listing

firstwriter.com – Wednesday February 12, 2020

Publishes: Essays; Fiction; Nonfiction; Poetry;
Areas include: Short Stories;
Markets: Adult;
Preferred styles: Literary

Publishes poetry, fiction, and essays / creative nonfiction. Accepts submissions during specific submission windows. See website for details and for themes.

[See the full listing]

Amazon-owned Audible and major publishers settle lawsuit over audiobook translation feature

geekwire.com – Monday February 10, 2020

Amazon-owned Audible and a group of major book publishers settled a copyright lawsuit filed last year over a feature called Captions that transcribes audiobooks to text.

The settlement between Audible and the seven publishers that sued the company last year — Hachette, HarperCollins, Macmillan, Penguin Random House, Simon & Schuster, Chronicle Books and Scholastic — is sealed. However, a proposed dismissal and injunction document filed last week says Audible is barred from “creating, generating, reproducing … written text derived from the audiobook versions of Publishers’ Works for any product or service created or offered by Audible,” unless it gets authorization first.

[Read the full article]

New Magazine Listing

firstwriter.com – Monday February 10, 2020

Publishes: Fiction;
Areas include: Sci-Fi; Short Stories;
Markets: Adult

Website publishing daily flash fiction up to 600 words. Accepts all kinds of science fiction. Submit via form on website.

[See the full listing]

How to be a film writer

source.wustl.edu – Sunday February 9, 2020

Joey Clarke, AB ’07, moved to Los Angeles after graduation in hopes of making it as a film writer. He worked a variety of low-level jobs but admits he didn’t put the effort he needed into writing. A relationship and a change of scenery helped kick-start his film writing career, and in 2018 he won the Academy Awards’ Nicholl Fellowship in Screenwriting for his script Miles. Here, he shares some tips about what has worked for him and how writing for film is — and isn’t — the same as other types of writing.

[Read the full article]

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