Traditional Publishing

Writers' News

New Literary Agent Listing: Charles Walker – Wednesday January 6, 2021

In nonfiction deals mainly in history and memoir. In fiction, leans toward literary fiction, although it can contain historical and crime and very occasionally sci-fi. Send query by email to assistant.

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Publishers Association in the UK are happy with Brexit Deal – Tuesday January 5, 2021

With a trade deal between the UK and EU finally, in place, the Publishers Association in the UK has heaved a sigh of relief as this will ensure uninterrupted trade with the European Union. The UK government and the European Union had time till December 31, 2020, to finalize the terms of the new relationship between them as the transition period comes to an end.

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New Literary Agent: Kay Peddle – Monday January 4, 2021

Looking for books that spark discussion, that have the potential to change opinions and reveal hidden aspects of a familiar story. Interested in narrative nonfiction; literary memoir; cookery and food writing; travel writing; nature writing; journalism with a social justice angle; politics; current affairs; history and popular science.

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Announcing the Winner of the 2020 Writing Contest – Sunday January 3, 2021

We at love a good blurb that compels us to read the book. Capturing people’s attention in as few words as possible is the name of the game.

A few months ago, we launched a writing contest that is all about book blurbs. The basis of the competition is simple: Write a blurb about a completely made-up, nonexistent book that would make people want to read the story. The person with the best blurb would win $500.

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Zoom Book Tours: 5 Authors on Publishing in a Pandemic – Friday January 1, 2021

WRITING A BOOK is a lonely pursuit, one that can take years of solitary work. Selling a book is another story. Authors give talks in cramped storefronts, schmooze at luncheons, and learn to casually discuss their belabored creative project as commercial content. The publicity circuit can be dispiriting, sleazy, and exhausting. It can also be exhilarating, liberating, and fun—a chance for people who spend a lot of time alone with their thoughts to feel like someone’s heard them. This year, releasing a book into the world became another task largely undertaken solo, at home, staring at a screen. The Covid-19 pandemic forced the publishing industry to reimagine its process for convincing people to buy its latest offerings. Even the industry’s fanciest nights, like the National Book Awards gala, took place as digital events, with participants glammed up and sitting at home.

WIRED asked the writers behind five of our favorite 2020 tomes to tell us what it was like to release a book during quarantine. Here’s what they said.

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Why this forgotten punctuation mark should be revived – Thursday December 24, 2020

The first writing systems were continuous streams of type. Punctuation did not appear until the third century BC, when Greek librarian Aristophanes introduced the period to signal pauses while reading aloud. In the eighth century, English scholar Alcuin of York introduced the question mark to signal uncertainty. In the 14th century, Florentine leader Coluccio Salutati introduced the exclamation mark to signal intensity. Since then, punctuation has played a larger role than we ever could have thought—we have chosen one of these three marks to end every sentence since.

Jump forward to 1962, when New York ad executive Martin Speckter spotted a new typographic trend. Ads were asking excited, exclamatory questions, using “?!” to end the sentences. The cumbersome pairing and wasted space irritated him.

As the editor of the magazine Type Talks, he was in a position to suggest a solution. He wrote an article proposing a new end mark: the interrobang. Its name combined interro for interrogate and bang—printers’ slang for the exclamation mark. Its design combined the question mark and exclamation mark.

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A Mysterious Phishing Scam Is Roiling the Publishing Industry – Tuesday December 22, 2020

The publishing industry has become the target of an international phishing scam, according to the New York Times. What usually happens is this: The author of a book will receive an email that appears to have been sent by their agent or editor, requesting the most recent draft of their manuscript. Not suspecting anything out of the ordinary, the authors attach the document, and then...nothing. They later realize that the person to whom they replied was not their agent or editor, but never do they learn what has happened to their manuscript. The manuscripts don’t seem to end up anywhere on the internet, and no one ever gets in touch with the writer or publishing house to demand a ransom or anything of the sort.

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Announcing the 2021 National Magazine Awards Categories & Call for Entries – Tuesday December 22, 2020

TORONTO, Dec. 21, 2020 /CNW/ - The National Media Awards Foundation is thrilled to announce the call for entries and to unveil the lineup of categories for the 44th annual National Magazine Awards. The lineup includes 29 categories and two special, prestigious awards: Magazine Grand Prix and the Foundation Award for Outstanding Achievement.

The Foundation is also pleased to introduce an exciting, cross-programming initiative. National Magazine Awards participants are invited to submit their work to a series of seven unique categories, and these entries will compete among those submitted to the Digital Publishing Awards (DPA) and National Magazine Awards: B2B (NMA) programs. A single panel of judges will evaluate all entries, with winners announced across all three programs.

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Julie Burchill's publisher cancels book contract over Islam tweets – Wednesday December 16, 2020

The journalist Julie Burchill has had a book contract cancelled after her publisher said she “crossed a line” with her Islamophobic comments on Twitter.

Burchill’s publisher, the Hachette imprint Little, Brown, said it had decided not to publish Welcome to the Woke Trials because she had used indefensible language when communicating with the journalist Ash Sarkar.

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'It’s been a rollercoaster': how indie publishers survived - and thrived - in 2020 – Wednesday December 16, 2020

Six months ago, independent publishers Jacaranda and Knights Of were warning publicly that their income had fallen to almost zero. They weren’t the only small publishers struggling. With bookshops and distributors closing, a survey from the Bookseller at the time found that almost 60% of small publishers feared closure by the autumn. No bookshops meant no knowledgeable, passionate booksellers pressing new books they loved on to customers; no events and no travel meant that crucial avenues for introducing new writers had disappeared.

The stars had been looking very happily aligned for Oneworld in March. The independent publisher had three of its biggest books scheduled for the month – a novel from Women’s prize winner Tayari Jones, Silver Sparrow; a new thriller from the bestselling crime author Will Dean, Black River; and Damien Love’s novel for older children, Monstrous Devices. It had printed point-of-sale materials, invested in marketing, advertising, printing.

Then came the first national lockdown. “Silver Sparrow came out on the Thursday and then on the Monday the bookshops shut,” says Juliet Mabey, the publisher whose impeccable taste saw Oneworld win two Booker prizes in a row with novels from Marlon James and Paul Beatty. “It was incredibly frustrating and stressful.”

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