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How the Publishing World Is Muscling In on Hollywood Deals: For Authors, “The Future Is Multihyphenate”

hollywoodreporter.com – Thursday May 26, 2022

his June, when the Netflix film Spiderhead hits the streamer, something revolutionary will happen — but blink and you’ll miss it. Before the opening scene of the dystopian drama starring Miles Teller, Chris Hemsworth and Jurnee Smollett, the New Yorker logo will appear on the screen. The script is an adaptation of a 2010 George Saunders short story, published in the magazine under the title “Escape From Spiderhead.” The film was produced by Condé Nast Entertainment (CNE), one of the first major projects under the group’s new president, studio veteran Agnes Chu.

Spiderhead’s path to the screen is part of a new push to rethink the traditional page-to-screen pipeline — which insiders on both ends of the dealmaking equation say is meant to bolster the authors behind the IP Hollywood covets.

For decades, book agents would identify the upcoming titles on their publishing slates best fit for film or television, pitch to counterparts at the major Hollywood agencies, and then sit back as producers and film creatives picked the most promising projects and shepherded them the rest of way. “There had to be a better way to get authors a place at the table,” says Todd Shuster, co-CEO of Aevitas Creative. The lit agency has developed several pipelines to secure more autonomy for authors and their representation, including a first-look deal with Anonymous Content that allows literary agents to serve as producers. One fruit of this union was the 2020 Netflix movie The Midnight Sky, adapted from the novel Good Morning, Midnight by Aevitas literary agency client Lily Brooks-Dalton. Directed by and starring George Clooney, the film reached Netflix’s No. 1 spot in 77 countries, giving Shuster, who has a producer credit, the confidence that the model could work.

[Read the full article]

Morton Janklow, Groundbreaking Literary Agent, Dies at 91

variety.com – Thursday May 26, 2022

Morton Janklow, one of the nation’s most powerful literary agents who elevated the power of the profession in advocating for authors, died Wednesday morning of heart failure at his home in Water Mill, N.Y.. He was 91 years old.

Janklow’s clients included the likes of Sidney Poitier, Sidney Sheldon, Danielle Steel, Jackie Collins, Nancy Reagan and Ted Turner. His death was confirmed by publicist Paul Bogards to The New York Times.

Janklow began his career as a literary agent in 1972 when his client and friend William Safire asked him to help with a book he was writing about President Richard Nixon. The corporate attorney educated himself on the publishing industry and successfully negotiated a contract for Safire’s book. After the Watergate scandal broke, the book’s publisher attempted to back out of the $250,000 contract.

[Read the full article]

New Imprint Listing: Boathooks Books

firstwriter.com – Thursday May 26, 2022

Publishes books on boating of all kinds.

[See the full listing]

The one line that's missing from all the writing advice

bookriot.com – Tuesday May 24, 2022

I started writing as an adult in 2009. I’d scribbled many poems and “novels” as a child and teen, but I had a West Wing-based epiphany in my early 30s (it’s a long story) and started writing seriously then.

Alongside the joy of getting to know my characters and daydreaming a plot into existence, I also read a lot of books on the craft of writing. Studying, I could do. I know school isn’t for everyone, and that I benefit from a lot of white and neurotypical privilege, but I loved school. Looking back now, I think part of what I loved about it was the (mostly) reliable nature of it. I grew up in Belgium in the 1980s, and there was a lot of listening to teachers, making notes neatly in my exercise books, learning things by heart for tests and reciting them at the chalkboard. I was good at following rules, and I liked the fact that a certain kind of input meant a certain kind of mostly predictable output.

I knew, of course, that art is less predictable than that. It was also apparent early on as I started writing that I thought outside the box of what fiction, at least British and American fiction, requires to be considered publishable. But still, if pressed, I would have said that learning my craft and persevering would eventually result in publication. I knew that it might be a long road (five years, maybe!), but if I learned about how to submit to agents, I would eventually find my place in the publishing world.

[Read the full article]

New Literary Agent Listing: Maria Bell

firstwriter.com – Tuesday May 24, 2022

Drawn to adult literary fiction and YA that break conventions in form, voice and character. In both fiction and nonfiction, she’s partial to stories involving the natural world, queer identities, baseball, and all those that grapple with conflicts and truths from which most of us instinctively distance ourselves.

[See the full listing]

Little magazines in Instagram era, a tete-a-tete with independent writer Subhankar Das

indiablooms.com – Monday May 23, 2022

Welcome to the world of little magazines, mimeo editors, outlaw poets, chapbooks and experimental writing. IBNS caught up with Subhankar Das, an independent writer, literary activist, poet, blogger, publisher and film producer, to answer some of the questions pertaining to the future of little magazines and small publications in the era of Instagram.

The Little Magazines movement is a world of its own where unknown writers, unpublished poets and unsung litterateurs and activists share their literary exertions and thoughts with well-knit think alike groups spread across the globe.

But how is this child of the mimeograph revolution of the 60s and 70s coping up with the ever-evolving digital universe where the rules of publication and the way we share information have vastly changed. Is digital revolution an existential threat to Little Magazines or will it bring boundless opportunities and unlock limitless creativity?

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A Conversation About Music, Memory, and the Topographies of Writing

lithub.com – Saturday May 21, 2022

In November of 2019, just months before COVID hit, I met Mesha Maren in person at the Miami Book Festival, in what would turn out to be my last in-person event for a while. Both of us had debut novels out that year, and a few months prior to that meeting Mesha had interviewed me for the Chicago Review of Books. Having a debut novel when you aren’t friends with many writers or people in publishing can be daunting and lonely if you’re on tour, so I was delighted when Mesha reached out to meet up. While having dinner, I learned that Mesha had written a novel that took place on the border, and I don’t recall whether I shared that I was finishing what would become my story collection Valleyesque.

[Read the full article]

TRU Community Gathering Via Zoom - A Conversation With Literary Agents: How Shutdown Has Changed The Business

broadwayworld.com – Saturday May 21, 2022

A dependable haven for artists in isolation, Theater Resources Unlimited (TRU) is now into its second year of non-stop weekly Community Gatherings this Friday, having offered to date over 100 conversations and unlimited camaraderie since April 17, 2020. TRU hosts their Community Gatherings every Friday at 5pm ET via Zoom, to explore the creation of art and theater in the time of COVID-19, and these crucial conversations continue going forward as theater reopens. Ask questions, bring answers, be part of a community - it's an opportunity to network with theater professionals and talk about how we kept theater alive during shutdown, and what we are doing now, going forward.

[Read the full article]

Ex-Pavilion publisher Dunnicliffe sets up Spring Literary agency

thebookseller.com – Wednesday May 18, 2022

Following the sale of Pavilion Children’s Books to HarperCollins, publisher Neil Dunnicliffe has left to set up his own agency, Spring Literary. 

The agency will focus on the children’s market, representing both authors and illustrators. 

Dunnicliffe said he is representing some of the talent he worked with at Pavilion, including Pam Smy, shortlistee for the Greenaway and Waterstones Children’s Prizes, and John Broadley, winner of the New York Times illustrated children’s book of the year 2021. The agency has also signed Nibbies-shortlisted Ian Eagleton and Klaus Flugge-longlisted Ian Morris and Flora Delargy. 

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Andrews UK acquires Devon-based publisher Arthur H Stockwell

thebookseller.com – Wednesday May 18, 2022

Bedfordshire-based media publishing and distribution company Andrews UK has acquired Devon publisher Arthur H Stockwell.  

Arthur H Stockwell was originally established in 1898 in London before relocating to North Devon during the Second World War. It is one of the oldest surviving UK publishers having been family owned since that time by the Stockwell family.

Following the acquisition, Arthur H Stockwell operations have now been transferred to Bedfordshire at its own offices in West Wing Studios.  

[Read the full article]

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