firstwriter.com's database of literary agents includes details of 702 English language literary agencies that don't charge reading fees, and haven't received negative assessments in any of the rating services we check. The database is continually updated: there have been 31 listings added or updated in the last month. With over a dozen different ways to narrow your search you can find the right literary agent for your book, fast.
The Lindsay Literary Agency is sponsoring a scholarship place for an "under-represented" writer of children's fiction at the Winchester Writers’ Festival 2018.
Open to unagented YA and middle grade writers, of any age, from an under-represented background (including but not limited to LGBTQIA, BAME and people with disabilities), the scholarship will cover the cost of three days at the festival which takes place 15th - 17th June.
The scholarship includes access to all workshops and talks at the Winchester Writers’ Festival, four one-to-one appointments with industry experts, all meals, accommodation and travel.
ICM Partners has acquired The Sagalyn Agency, the Washington D.C.-based literary agency that reps leading journalists, historians, biographers, scientists, thought leaders and novelists. The deal comes four years after ICM and Raphael Sagalyn’s company formed an alliance that melded Sagalyn’s strong nonfiction author list and ICM’s roster dominated by fiction authors.
After more than a decade working in various aspects of publishing, from managing print production to editorial to selling rights at Kids Can Press, Kelvin Kong has launched his own literary agency. K2 Literary represents a small list of authors including Matt Cahill, Andrew Wilmot, and Teri Vlassapoulos.
Q&Q asked Kong – who recently left his post as agent and rights manager at the Rights Factory, and who continues to teach literary rights management for Ryerson University’s publishing certificate program – about his new endeavour.
It’s a 21st-century twist on the traditional over-the-transom manuscripts: Twitter pitch events. While authors have been making initial connections online with agents for several years, since author Brenda Drake launched the Pitch Wars contest in 2012, Twitter events have exploded in popularity in the last year or two. Besides #PitMad, the Twitter offshoot of Pitch Wars, these days authors and agents can establish a connection via #DVPit (for diverse books), #PitDark (horror/mysteries), #PBPitch (picture books), #KidPit (children’s literature, from board books to YA), #SFFPit (Science Fiction and Fantasy), and other hashtags.
Rob Riley recently acquired an agent using firstwriter.com's database of literary agencies. We asked him about his writing, and how he found success.
In last month's article, Avoiding literary agency scams (fwn 44), we identified the warning signs to watch out for in order to avoid bad agents. In this article I'll be reversing the question and providing tips on how to find good agents.
In 2006, Robert W. Morgan acquired an agent using firstwriter.com's database of literary agencies. Eighteen months on, he's repeated the same success by placing his latest work with another agent, again found through firstwriter.com. We asked him about his writing, and how he found success.
James R. Larson recently acquired an agent using firstwriter.com's database of literary agencies. We asked him about his writing, and how he found success.
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