firstwriter.com's database of literary agents includes details of 2,418 English language literary agents and agencies that don't charge reading fees. The database is continually updated: there have been 81 listings added or updated in the last month. With over a dozen different ways to narrow your search you can find the right literary agent for your book, fast.
Laura Longrigg is retiring at the end of September 2022 after 25 years at MBA Literary Agents as an agent and director of the company.
Longrigg started her publishing career as assistant to Mic Cheetham at Abner Stein, before becoming an editor at HarperCollins, Hutchinson Heinemann and Penguin. In 1994 she joined Jennifer Kavanagh’s agency.
Since 1997 she has been a literary agent at MBA, where her clients have included Clare Morrall, Alex Dahl, Cathy Woodman and Rosanna Ley.
Literary agent Morwenna Loughman is departing Bev James Management to join The bks Agency.
Loughman has previously worked as an editor at Ebury, Bonnier and HarperCollins with authors including Hilary Mantel, Nigel Slater, Anna Jones, Marie Kondo, Brené Brown and Tim Ferriss, as well as commissioning books such as Body Positive Power by Megan Jayne Crabbe (Vermilion) and Ask Me His Name by Elle Wright (Lagom). She has since worked as a literary agent at Bev James Management.
Loughman said: “I’m over the moon to be joining the brilliant team at bks. I’ve long admired their spirit, warmth and tenacity, which, when combined with their unparalleled industry expertise, makes an unbeatable combination. The fact that they are also some of the loveliest people in publishing is the icing on the cake.”
Sterling Lord, the uniquely enduring literary agent who worked for years to find a publisher for Jack Kerouac’s “On the Road” and over the following decades arranged deals for everyone from true crime writer Joe McGinniss to the creators of the Berenstain Bears, has died. He had just turned 102.
Lord died Saturday in a nursing home in Ocala, Florida, according to his daughter, Rebecca Lord.
“He had a good death and died peacefully of old age,” she told The Associated Press.
Sterling Lord, who started his own agency in 1952 and later merged with rival Literistic to form Sterling Lord Literistic Inc., was a failed magazine publisher who became, almost surely, the longest-serving agent in the book business. He stayed with the company he founded until he was nearly 100 — and then decided to launch a new one.
For our back-to-school program for writers after the summer recess, IWOSC returns with its annual Literary Agents Panel: a candid and thorough discussion of the factors that go into whether a book or screenplay — or an author — gets past the gatekeepers. If you choose the route of traditional publishing, it’s more important than ever to have trustworthy, dependable, and knowledgeable representation to guide your book or screenplay (and you!)
We will concentrate on books as well as film/TV. And through the magic of Zoom, we will include New York agents as well as LA and Southern California-based agents on the program.
Rae Phillips recently acquired an agent using firstwriter.com's database of literary agencies. We asked her about her writing, and how she found success.
In last month's article, Avoiding literary agency scams (fwn 44), we identified the warning signs to watch out for in order to avoid bad agents. In this article I'll be reversing the question and providing tips on how to find good agents.
In 2006, Robert W. Morgan acquired an agent using firstwriter.com's database of literary agencies. Eighteen months on, he's repeated the same success by placing his latest work with another agent, again found through firstwriter.com. We asked him about his writing, and how he found success.
One area of business where women dominate the statistics is a sector of the publishing industry. As a result, the number of female literary agents has steadily increased over time. According to Zippia, 58.5% of agents are women. The publishing landscape has changed with the advancement of technology, making self-publishing more accessible and streamlined. These changes impact the desire, the need and the chances of signing with a literary agent. Even though more authors are turning to print-on-demand options to publish their books, traditional publishing still has prestige. It’s been reported that the odds of working with a literary agent are 1 in 6,000, based on the number of inquiries one receives and the number of new authors the agent is looking to sign for the year.
For over two decades, Jennifer Unter, founder of the Unter Agency, has helped new authors land deals with publishing houses. As a respected agent within the industry, she speaks at conferences around the country. Most recently, she’s been asked to participate in The Atlanta Writers Conference in November. Her clients have won many awards, including Indie Next, Reading the West Award, Bank Street Best Book of the Year Award and Green Earth Book Award. Although she expands her roster of authors annually, she’s strategic in her selection.
“A lot of authors look at what’s happening with the biggest players, the best sellers or even the very popular series,” Unter shares. “They say, ‘Oh, well, Penguin Random House is doing this for that person. Why wouldn’t they do that for me?’ They don’t realize how many books are published, how many authors really get little to no publicity, and how much they have to do themselves. So the really successful authors are the ones who come in knowing that and have a platform and know-how to be on social media and play that game in a good way. The ones who think things are being handed to them are the ones who are going to not have a realistic expectation of what publishing is like.”
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