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Order:'s database of literary agents includes details of 2,410 English language literary agents and agencies that don't charge reading fees. The database is continually updated: there have been 61 listings added or updated in the last month. With over a dozen different ways to narrow your search you can find the right literary agent for your book, fast.

News – September 29, 2023

Aparna Kumar is joining David Godwin Associates as a literary agent on 2nd October. She will be helping to manage David Godwin’s long list of clients as well as acquiring her own.

Kumar, who has recently completed her MSc in Media and Communications at the London School of Economics, has worked in publishing for six years. Most recently, she was an editor at Penguin Random House India, where she commissioned literary fiction, creative non-fiction and poetry. – September 20, 2023

Milly Reilly has joined Colwill & Peddle as a literary agent. She brings with her a list of non-fiction and literary fiction authors, including Dr Annabel Sowemimo, Gabrielle de la Puente and Zarina Muhammad, among others. 

Reilly started her career at First Story before joining Jo Unwin Literary Agency in 2017, originally as Unwin’s assistant. She said: "Kay and Charlotte are phenomenal agents. Their transparent and collaborative ethos is a force for good in the industry, and I’m delighted to be joining their agency.

"I am so grateful to Jo and the wider team – Rachel, Donna and Daisy – for my time at JULA, and all that I’ve learnt at the company. It has been a joy and privilege to work with such intelligent and inspiring colleagues, and I will miss them very much." – September 14, 2023

According to a new report, a number of UK-based publishers and literary agents have taken to publicly announcing that rather than any white and/or straight authors, they would almost exclusively prefer to work with those who come from ‘underrepresented’ demographic groups.

This information was first brought to public attention by UK news outlet The Telegraph, whose investigation into the matter identified four publishing houses whose public facing materials promoted this rhetoric.

One such publisher was Ash Literary, the children’s book specialists perhaps best known for producing the Marv series, who on the ‘Submissions‘ section of their official website inform prospective writers that “We are actively seeking voices that have historically been underrepresented, particularly with tropes that are often said to be ‘over done’.”

“For example, we are not interested in stories about white able bodied WW2 evacuees but would welcome that story from a disabled, LGBTQ+ or BIPOC perspective,” they add. “If your book is about an identity that is not yours, we will not be a good fit. This includes books based the experiences of family members and friends.” – September 14, 2023

Jenny Simpson, previously at CAA, has joined Paper Literary as a subsidiary rights and literary agent. She joins founder Catherine Cho, agent Katie Greenstreet and editorial consultant Melissa Pimentel. 

Simpson began her publishing career at ICM Partners in New York in the subsidiary rights department. She was promoted to agent in 2021, handling all domestic subsidiary rights on behalf of the department, with a focus on audiobook and first serial rights. 

She has negotiated and sold rights at significant six-figure levels on behalf of prize-winning and bestselling authors and journalists. During her time at ICM (now CAA), Simpson worked across the publishing and podcasting departments, servicing clients in their ventures into the original audio and podcast marketplaces.


By J. Paul Dyson

For as long as there have been writers eager to get published, there have been con artists ready to prey upon them for a quick buck. Nowadays, the internet is rife with phony literary agencies offering writers false hope in return for a small (or not-so-small) sum of money. In this article I'll look at some of the ways you can spot a dodgy agency, and avoid your time, money, and aspirations being abused. While none of the points below guarantee by themselves that an agency is dubious, together they can make a compelling case, and they should all make you tread a little more cautiously.

Adrienne Schwartz recently acquired an agent using's database of literary agencies. We asked her about her writing, and how she found success.

James R. Larson recently acquired an agent using's database of literary agencies. We asked him about his writing, and how he found success.

Charlie Carroll recently signed a deal with the esteemed Paterson Marsh literary agency, as a result of searching's database of over 850 literary agents. We asked him about his writing, and how he found success.

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