firstwriter.com's database of literary agents includes details of 2,531 English language literary agents and agencies that don't charge reading fees. The database is continually updated: there have been 71 listings added or updated in the last month. With over a dozen different ways to narrow your search you can find the right literary agent for your book, fast.
News
Buchwald has hired Sola Fasehun and Tim Patricia to its motion picture and television literary departments, respectively.
Fasehun got her start working under Academy Award-winning producer Michael Phillips at Lighthouse Productions. She then spent six years as a film production, sales, and distribution consultant at Submarine Entertainment/Deluxe. She joins Buchwald from UTA, where, as a member of their team, she helped spearhead the agency’s Diversity initiative.
UPDATED with WGA and ATA statements and more details: Another full-service agency and Association of Talent Agents member, APA, has reached a deal with the WGA. The agency, which immediately will resume its representation of writers, also said it will bring the Television and Motion Picture Literary businesses together under the banner of APA Scripted Literary.
APA is the latest member of the Association of Talent Agents to break ranks and sign the guild’s new franchise agreement. Its deal comes just days after fellow full-service agency Gersh also signed with the WGA. The other four association members to make WGA deals are Buchwald, also a full-service agency; literary boutiques the Rothman Brecher Ehrich Livingston agency and the Kaplan Stahler Agency; and Pantheon. Non-ATA member Verve, also lit-focused, was the first mid-size agency to reach an agreement with the WGA last May.
Abrams Artists Agency announced it is starting the new year with a round of promotions at the company that include upping three to partner, six to senior agent, and the minting three new agents.
The Los Angeles-based Amanda Marzolf has been upped to partner in Abrams alternative programming, digital media, licensing & branding division. Since joining Abrams in 2014, Marzolf has focused on the development of social media/digital personalities and spearheaded the agency’s podcasting business.
Longtime Abrams agent James Murray has taken on the title of partner within the voice-over division. Since he joined Abrams in 2008, Murray has worked across commercial, television, feature animation, interactive, promos, and narration, including representing talent in hit television shows and feature films.
Becky Brown and Lucy Morris have both been promoted to agents at Curtis Brown's books department.
Brown becomes an agent at the firm's heritage division, having taken up the role of associate agent in September last year, joining Norah Perkins to expand the agency’s list of literary estates. Curits Brown said she had been instrumental in bringing in a raft of new ones, including Nancy Spain and Pamela Frankau.
She first joined in 2017 to support Jonny Geller’s office, having previously worked at A M Heath and publishers Macmillan and Bloomsbury.
Morris, who joined in 2014 as assistant to Karolina Sutton and became an associate agent last year, is promoted to agent in the books department.
Articles
In 2006, Robert W. Morgan acquired an agent using firstwriter.com's database of literary agencies. Eighteen months on, he's repeated the same success by placing his latest work with another agent, again found through firstwriter.com. We asked him about his writing, and how he found success.
Adrienne Schwartz recently acquired an agent using firstwriter.com's database of literary agencies. We asked her about her writing, and how she found success.
Rae Phillips recently acquired an agent using firstwriter.com's database of literary agencies. We asked her about her writing, and how she found success.
Yesterday I shared part 1 of my interview with literary agent Iris Blasi of Carol Mann Agency about getting your nonfiction manuscript published. Today, Blasi discusses the specifics of selling memoir as a genre, author submission deal breakers, and how authors can best position themselves to get signed by an agent.
You mentioned memoir, where you’re basically selling yourself. Is memoir different in terms of what it takes to sell one?
The ways memoirs are pitched to agents and publishers is different. Generally in the nonfiction world, books can be sold on proposal. That’s the summary, comp titles, marketing and publicity section, about the author, annotated table of contents and a couple sample chapters that show how you would do this if you had an advance and a book deal. The flip side is that on the fiction side, the vast majority of fiction is sold with a completed manuscript.
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