firstwriter.com's database of literary agents includes details of 684 English language literary agencies that don't charge reading fees, and haven't received negative assessments in any of the rating services we check. The database is continually updated: there have been 20 listings added or updated in the last month. With over a dozen different ways to narrow your search you can find the right literary agent for your book, fast.
The Madeleine Milburn Literary Agency will tomorrow (22nd July) launch a competition to find unpublished authors.
The theme of this year’s ‘Madeleine Milburn Summer Writing Competition’ is ‘make us scared’, and entrants can send any genre of writing as long as it fits the brief. Writers from anywhere in the world that are un-agented and unpublished are eligible, although their manuscripts must be in English.
Former Orion editor Julia Silk is forging a new career path as a literary agent in association with MBA Literary Agents.
Silk, who has worked as an editor for 15 years, most recently with Orion, will be building her own client list with a focus on commercial fiction, crime and thrillers, extending to accessible literary fiction "if a voice really grabbed me".
She is also open to proposals for "platform-driven non-fiction", in the areas of parenting and lifestyle, fashion, style and beauty, as well as narrative non-fiction and memoir.
Framson had been at UTA for eight years. She started in the agency’s mailroom in 2008 and worked in the TV lit department as an agent for the past four years. Clients who will stay with her in her new role as manager and become clients of Kaplan/Perrone include Justin Brenneman (Quantico), Kyle Flynn, Kathleen Hale, Danielle Henderson (Divorce), Emily Hirshey (The Ranch), Matt Hausfater (Undateable), Deirdre Mangan (iZombie), Morgan Margraf & Jerica Lieberman (Mistresses) and Jack Lawrence Mayer (Single Long).
Brannen comes from the Rothman Brecher Agency, where she was an agent in the TV lit department for the past three years. She began her career as an assistant in the Motion Picture Literary department at CAA then went on to work for various producers and filmmakers before joining the Gersh Agency, where she worked as agent for two years.
Rae Phillips recently acquired an agent using firstwriter.com's database of literary agencies. We asked her about her writing, and how she found success.
In 2006, Robert W. Morgan acquired an agent using firstwriter.com's database of literary agencies. Eighteen months on, he's repeated the same success by placing his latest work with another agent, again found through firstwriter.com. We asked him about his writing, and how he found success.
Adrienne Schwartz recently acquired an agent using firstwriter.com's database of literary agencies. We asked her about her writing, and how she found success.
For as long as there have been writers eager to get published, there have been con artists ready to prey upon them for a quick buck. Nowadays, the internet is rife with phony literary agencies offering writers false hope in return for a small (or not-so-small) sum of money. In this article I'll look at some of the ways you can spot a dodgy agency, and avoid your time, money, and aspirations being abused. While none of the points below guarantee by themselves that an agency is dubious, together they can make a compelling case, and they should all make you tread a little more cautiously.
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