firstwriter.com's database of publishers includes details of 2,766 English language publishers that don't charge authors any fees for publishing their books. The database is continually updated: there have been 46 listings added or updated in the last month. With over a dozen different ways to narrow your search you can find the right publisher for your book, fast.
News
A poet said his career skyrocketed within the liberal literary scene by taking on minority personas to promote his work to publishers.
Aaron Barry, 29, of Vancouver, experienced the most success when he posed as writers with identities far from his own, even if the poems were blatantly 'trash.'
His reasoning behind the scheme was simple - to prove the poetry world is more concerned with writers' identities than the quality of their work.
'My thinking was that, if the industry - from small magazines to full-on publishing imprints - could get away with showing a clear preference toward certain groups and, in that same vein, a clear bias against other groups,' Barry began to DailyMail.com.
'Then there was nothing to say that such power couldn't be abused in the future, whether it be to adhere to shifting trends or politics, or to discriminate against additional demographics.
'Such treatment would leave writers in a state of peril and anxiety, forever having to look over their shoulders while navigating their careers.'
From 2023 to 2024, Barry had managed to fool 30 respected literary journals around the globe and got about 50 of his 'nonsensical' poems published.
He published dozens of pieces as Adele Nwankwo, a 'gender-fluid member of the Nigerian diaspora,' including one titled After Coming Out: A Wrestling Promo.'
The Novelry, an online creative writing school founded by Booker Prize–longlisted author Louise Dean, has launched a $100,000 writing prize aimed at reaching writers outside traditional publishing circles. With submissions closing July 31, the Next Big Story competition has already received over 5,000 entries and expects to reach more than 10,000 total submissions. An entry requires the first 1,500 words of manuscript and a $15 admission fee, submitted through Submittable.
Dean said the competition aims to reach nontraditional writers. "What I'm really interested in is reaching people who would exclude themselves from writing way before they got to apply for scholarships and bursaries," she told PW. "These are the sort of people who would have been where I was and made the assumption that to be a writer, you've got to be clever or posh. I don't think I had those, therefore, I won't. But I discovered that in fact, you don't need either of those, and they can be quite detrimental."
The competition requires only the first three pages of a novel concept, an approach Dean said targets "real people who probably love really high drama, high concept things" and "probably heavy consumers of genre fiction."
SAN DIEGO, CA, UNITED STATES, July 12, 2025 /EINPresswire.com/ -- New "Bestseller Blueprint" Guarantee Program Cuts Through Publishing Guesswork, Using Analytics to Land Titles on Amazon, WSJ, and USA Today Lists
Bestsellers LLC, the publishing industry's first data-engineering partner for authors, today launched its flagship Guarantee Program designed to propel books into bestseller rankings through algorithmic targeting, strategic launch sequencing, and hyper-optimized Amazon campaigns. Unlike traditional publishers or à la carte services, Bestsellers LLC treats every book as a "product launch," deploying market analytics to secure visibility, sales velocity, and category dominance.
"The publishing industry runs on hope; we run on data," said the CEO of Bestsellers LLC. "Most authors invest thousands into editing and cover design, only to sell 50 copies. Why? No customer targeting, no Amazon SEO, and no launch science. Our engineers map niches, reverse-engineer algorithms, and deploy precision ads, turning manuscripts into revenue-generating assets."
Ten years since its inception, award-winning Scottish book publisher 404 Ink has announced it will close next summer. Established in July 2016 by Heather McDaid and Laura Jones-Rivera, 404 Ink has published books by authors including Chris McQueer, Helen McClory and Nadine Aisha Jassat. Last July, the publisher released Victor & Barry’s Kelvinside Compendium by Alan Cumming and Forbes Masson. When we spoke to Laura in February, she talked about some of the struggles the industry is facing.
The publishers described their first book, Nasty Women (inspired by Donald Trump’s infamous description of Hilary Clinton during the US presidential debate in 2016), as ‘a collection of essays, interviews and accounts on what it is to be a woman in the 21st century’. Acclaimed author Margaret Atwood backed the book's Kickstarter appeal, describing it as ‘an essential window into many of the hazard-strewn worlds younger women are living in right now.’ We awarded 404 Ink the top spot in our annual Hot 100 in 2017.
Their ambitious, non-fiction Inklings series, described as ‘small books with a big impact’, is responsible for dozens of titles covering subjects as diverse as colonialism, foot fetishism, Doctor Who, women in hip hop, and the relationship between apocalyptic fiction and contemporary society.
Articles
Not so long ago, writing and publishing your own book was just a pipe dream for many of us.
It wasn’t so much getting the words down on paper which was putting us off.
It was more the expense of either finding an agent and a publisher or paying through the nose to print dozens of copies yourself which might have ended up unsold and gathering dust in the garage.
But that is resoundingly no longer the case. Digital publishing and online booksellers such as Amazon have been an absolute game-changer.
You've had the killer idea, you've developed your book characters, planned and plotted, and found the motivation to finally write the novel you've always dreamed about.
You may even have found an agent. But when it comes to a publishing a book, how does the industry actually work?
There are so many stages, so many edits and buzzwords - it can feel impossible to navigate. Before my first novel, Five Steps To Happy, came out last year, I felt utterly lost, confused about the role of an editor and full of questions about the publishing process.
If you feel the same, fear not. In this piece I'll explain the publishing industry, rounding up the people who know to answer the most common questions about writing a book.
When Hachette Book Group acquired Workman Publishing, HBG CEO Michael Pietsch observed that Workman was one of the biggest, if not the biggest, remaining independent trade publishers left in the U.S. Based on available data, a case could indeed be made that Workman was the largest of its kind. Which has raised a question in publishing circles: why are there so few independent publishers of size? There is a dearth of what can be called midsize publishers that fall between the Big Five and the many independent publishers with sales of $20 million or less.
The Houghton Mifflin Harcourt trade division, with 2020 sales of $192 million, was what could have been considered a mini-major before it was acquired by HarperCollins. The Scholastic trade group, with sales of $355 million in the fiscal year ended May 31, is a major player in the children’s trade market, but as part of a $1.3 billion publisher, it is clearly not independent. Other trade publishers that could be considered midsize that are also part of larger companies are Disney’s publishing division and Abrams, which is owned by the French company La Martinière Groupe, which was itself acquired by Media Participations.
Signing a contract with even a brand-name traditional book publisher initially feels like a ticket to Nirvana. You may expect, for example, your new publisher to set you up with a big fat advance, a multi-city promotional tour, your very own personal PR rep and multiple copies of your book on every bookshelf in the nation (and Canada) for as long as you and your book shall live.
But to understand how book publishers really work, study this list of what I call the four great “myths” of traditional book publishing. Then, by all means, proceed to seek out a publisher if that’s your goal but do so with your eyes wide open. Your relationship with your publisher will run much smoother if you recognize its pitfalls as well as its glories.
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