firstwriter.com's database of book publishers includes details of 1,890 English language publishers that don't charge authors any fees for publishing their books. The database is continually updated: there have been 25 listings added or updated in the last month. With over a dozen different ways to narrow your search you can find the right publisher for your book, fast.
MORE than six years ago, the members of a Sydney book club came up with the idea of writing a book together to fund a trip to Russia.
The women, who called themselves the Book Sluts because they would read anything, were in the Blue Mountains on a weekend away drinking vodka and discussing Fyodor Dostoyevsky’s Crime and Punishment.
Authors and publishers are increasingly hiring “sensitivity readers” to screen books for culturally offensive material before sending them to market.
A cultural climate that has the publishing industry increasingly under the microscope by fans has created a demand for specialized book scanners. Individuals are paid a small fee, roughly $250 per manuscript, to look for content deemed problematic.
The Council of the Publishers Association of New Zealand (PANZ) today announced the appointment of Catriona Ferguson to the role of Association Director.
Catriona is currently the Chief Executive of the New Zealand Book Council and was previously a Literary Advisor for Creative New Zealand. She brings a wealth of knowledge to the Association, particularly in the areas of grants and funding – and equally a life-long passion for books, reading and outstanding creative content.
Faber & Faber’s chief executive has called for publishers to oppose crackdowns on free speech and the rise of so-called fake news. Stephen Page made his comments after the publisher of TS Eliot, Kazuo Ishiguro and Costa book of the year winner Sebastian Barry scooped the Frankfurt book fair independent trade publisher of the year award.
Traditional book publishers. They were once known as the titans of the book publishing industry. In the Baby Boomer era, self-publishing was an unknown concept. You needed a traditional publisher if you wanted the best chance to succeed with your book.
During that time, there was significantly less competition for publishers and authors, meaning more book sales for both parties.
Over time, traditional publishers (especially The Big 5) gradually started to exploit authors by offering lower royalties and seizing the author’s publishing rights.
Never judge a book by its cover. So the saying goes, yet consumers do it all the time. Every publisher and bookseller knows that covers sell books. But do consumers also form expectations from looking at the cover? Well, based on the results of some of the initial reader analytics data at Jellybooks, we think they do.
In this inaugural column, I’ve been asked to offer up some predictions for digitization in publishing in 2017. The problems—and solutions—of digitization are more complex than the question of e-books vs. print books. By and large, that divide has stabilized; print books are clearly still a strong part of the market, and e-books have their attributes (instantaneous purchase, no bundles to lug around, changeable font size).
As I discussed in my November column, there are many venues to explore in getting your writing project published. From traditional publishing to print-on-demand services and from hybrid to self-publishing options, there are many considerations in terms of profitable publishing options for your book and what will increase the potential success, financial and critical, of a written project.
Submit a listing
If you run, are involved in, or just know of a publisher not included in our publishers database, you can suggest a new listing by clicking here. You can also use this form for suggesting amendments to existing listings.
To view our inclusion policy, click here.