firstwriter.com's database of book publishers includes details of 1,905 English language publishers that don't charge authors any fees for publishing their books. The database is continually updated: there have been 20 listings added or updated in the last month. With over a dozen different ways to narrow your search you can find the right publisher for your book, fast.
It was a novel that made history after it was turned down by more than 100 publishers. Robert Pirsig, author of “Zen and the Art of Motorcycle Maintenance” has died. He was 88-years-old. Aaron Dickens reports.
Like many publishers who accept unsolicited manuscripts, we receive a large number of submissions every week. This means hours spent wading through many emails as we try to give every author feedback on their work. Writers often try to arrange meetings with publishers, convinced that meeting the publisher in person will persuade them to publish the book, but with only so many hours in a day this isn’t always feasible.
Four of the five large publicly held trade publishers managed to improve their operating margins in 2016 over 2015, despite generally weak revenue performances.
Penguin Random House, which reported its results last week, saw revenue fall 9.6% in 2016, to €3.36 billion, but since EBITDA (earnings before interest, taxes, depreciation, and amortization) dropped only 3.6%, its operating margin in the year rose to 16%, from 15% in 2015. In a letter to employees, PRH CEO Markus Dohle said that a key to maintaining strong profitability levels has been the company’s commitment to “preserving a vital and vibrant bookselling community” as well as “maximizing efficiencies in our cutting-edge supply chain.” Dohle also noted PRH’s long-term commitment to print—“even when it was in decline earlier this decade”—and its use of technology to increase the reach of its books.
Have you ever dreamed of writing a book that becomes a bestseller? Could you be the next Agatha Christie, queen of the crime novel? Well, here's your chance to make that fantasy come true.
Last year, we launched the Daily Mail First Novel competition with the prize of a £20,000 publishing deal with one of the world's biggest and most respected publishers, Penguin Random House.
I do quite a bit of writing, and every so often the idea of publishing a book crosses my mind. Normally, thoughts like “I should write a book!” fall into the same category as “we should start a band,” or “let’s buy a bar!” Still, sometimes my interest gets the best of me, and I do a bit of digging into what it would take to get published.
Fortunately, I have a trusted resource close to home. My business partner’s wife, Maury Ankrum, recently went through the process of writing a book and getting published, and she was more than willing to share a few things she’s learned throughout her journey.
Several years ago, as an aspiring novelist with stardust in my eyes, I used to spend most of my waking hours in Yahoo’s Books and Literature chatroom in the company of fellow aspiring writers. I clearly remember how one of the main topics of conversations used to be the number of rejection slips one had received on that particular day (or the previous week), agents/publishers who had requested a synopsis or proposal, and those who had just not bothered to respond. All of us were united by the looming sense of uncertainty, suspense, and the palpable realisation that the odds were firmly stacked against us.
Today, having spent more than seven years on the other side, first as a consultant and then an agent, I think many writers have wrong notions about rejections. While most books are rejected because of poor quality and incompetence (as they should be), there are several other factors that play a role in publishing decisions. And these affect “good” books too.
Once dismissed as vanity books, the success of EL James has paved the way for a new generation of novelists who have found fame and fortune after publishing themselves online.
Never judge a book by its cover. So the saying goes, yet consumers do it all the time. Every publisher and bookseller knows that covers sell books. But do consumers also form expectations from looking at the cover? Well, based on the results of some of the initial reader analytics data at Jellybooks, we think they do.
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