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firstwriter.com's database of book publishers includes details of 1,987 English language publishers that don't charge authors any fees for publishing their books. The database is continually updated: there have been 21 listings added or updated in the last month. With over a dozen different ways to narrow your search you can find the right publisher for your book, fast.

News

globalbankingandfinance.com – November 27, 2018

Lerner Publishing Group announced today the acquisition of Zest Books. Zest Books publishes young adult nonfiction books on entertainment, history, science, health, fashion, and lifestyle advice. Zest Books will operate as an imprint of Lerner Publishing Group. As part of Lerner, Zest will launch at least 10 new titles in 2019, and further expansion of the list is planned future seasons.

YA nonfiction is extremely important and relevant to todays teens, who deserve quality lifestyle advice and who are many times at the forefront of complicated current events. As teens continue to educate themselves and engage, YA nonfiction has become one of the fastest growing genres in publishing, said Hallie Warshaw, publisher and creative director of Zest Books. Lerner will be a great home for Zest Books because it ensures that Zest will continue to publish relevant and compelling YA nonfiction, while providing the support and expertise to become an even larger player in the marketplace.

publishersweekly.com – November 14, 2018

Peachtree Publishers has announced that Trustbridge Global Media has acquired the Atlanta-based children’s publishing company, as of November 7. Moving forward, the publisher will be known as Peachtree Publishing Company Inc. Founded in 1977, Peachtree publishes children’s books spanning from board books and picture books to middle grade and young adult fiction and nonfiction. Peachtree also maintains a backlist of adult titles, with an emphasis on Southern authors. Trustbridge Global Media is an affiliate of Trustbridge Partners, a Shanghai-based private equity and venture capital firm.

publishersweekly.com – November 13, 2018

Prometheus Books, which is nearing its 50th anniversary, has sold its two genre imprints to Start Publishing.

Founded in 1969 by the late Paul Kurtz in Amherst, N.Y. to publish provocative, progressive, and independent nonfiction, Prometheus expanded into fiction in 2005 with the launch of Pyr, which focuses on science fiction and fantasy novels. In 2011 it added the crime fiction imprint Seventh Street Books. Pyr has a backlist of 170 titles, while Seventh Street's backlist stands at about 90.

thebookseller.com – November 10, 2018

Publica is a new publishing platform that using blockchain and cryptocurrency technology to innovate how books are funded, distributed, bought, and read. For readers, libraries and institutions Publica offers “books without borders” via an ereader-wallet app for digital book ownership, which is portable to any device. For authors and publishers, it offers personalised online storefronts, designed to their own business models and at their own prices, with their book sales cryptographically protected by a global peer-to-peer blockchain network.

Articles

firstwriter.com

In April 2011, Marion Grace Woolley found her first publisher through firstwriter.com's database of publishers. A year later, she has published three books with two different publishers, both from our listings.

huffingtonpost.com

Traditional book publishers. They were once known as the titans of the book publishing industry. In the Baby Boomer era, self-publishing was an unknown concept. You needed a traditional publisher if you wanted the best chance to succeed with your book.

During that time, there was significantly less competition for publishers and authors, meaning more book sales for both parties.

Over time, traditional publishers (especially The Big 5) gradually started to exploit authors by offering lower royalties and seizing the author’s publishing rights.

publishersweekly.com

When Simon & Schuster announced in late February that it is canceling Milo Yiannopoulos’s book, Dangerous, many in the publishing industry reacted with a sigh of relief. The six-figure book deal that the right-wing provocateur landed at Threshold Editions, S&S’s conservative imprint, late last year caused a wave of criticism—from various factions of the media, the public, and the house’s own authors. And, though it’s still unclear what ultimately motivated the publisher to yank the book, the fervor that the alt-right bad boy’s deal caused put some on alert. Could other publishers be pressured into canceling books by controversial conservatives? Does the industry have a double standard for authors on the right? Does it matter?

publishersweekly.com

I've fallen in love with printed books. Again. Especially those for children.

Twenty years into my book publishing career—which included marketing for trade book publishers and founding a children's imprint—I had the opportunity to go digital, move into the future, hang out with the cool guys, play games, do the bicoastal thing, and grow a ponytail.

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