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Order:'s database of publishers includes details of 2,772 English language publishers that don't charge authors any fees for publishing their books. The database is continually updated: there have been 31 listings added or updated in the last month. With over a dozen different ways to narrow your search you can find the right publisher for your book, fast.

News – May 29, 2024

Literary agent Jo Unwin is leaving the Jo Unwin Literary Agency (JULA) and starting a new career outside publishing.

Unwin, who founded JULA in 2013, has discovered and championed new voices throughout her career. She has helped establish prizewinners such as Candice Carty-Williams and Kit de Waal, and to have worked with Booker Prize nominees Gabriel Krauze and Stephen Kelman, as well as bestsellers such as Emma Flint, A J Pearce and Jenny Colgan. 

Her non-fiction authors range from Charlie Brooker and Philomena Cunk to Richard Ayoade, the poet Brian Bilston along with children’s authors such as Sarah Moore Fitzgerald and Nadia Shireen. – May 25, 2024

The children’s author Anthony Horowitz has said writers should not be instructed to make their books more diverse.

The author of the Alex Rider novels has previously sparked controversy over his views on the subject. In 2017, he was criticised by other children’s authors when he claimed he had been “warned off” writing Black characters in his books.

Speaking at the Hay festival in Powys, he said he was aware of reflecting diversities in his work but said the need to be inclusive should not be imposed.

“There are as many female murderers in my books as male ones,” he said.

“I am very pro equal opportunities, I am very pro multiethnic, I am very pro books being about as much of the world as you can fit into a single book. What I’m not pro is anybody telling me that that is what I have to do. There is a difference.” – May 8, 2024

The number of UK audiobook downloads increased by 17% between 2022 and 2023, according to new data from the Publishers Association (PA).

Revenue from audiobooks rose 24% across the same period to £206m in 2023, reflecting an increase in the number of audiobook downloads from 50m to 59m, the trade body said.

Over five years, UK audiobook revenue has more than doubled. “It’s fair to say that audio is now a really serious part of the publishing portfolio,” said the PA’s chief executive, Dan Conway. “Audiobooks have established themselves as a major route to market for consumers of books in this country”.

These figures reflect the way the audiobook market has evolved. Spotify made audiobooks available to its Premium subscribers in October, while Audible has expanded from single-narrator audiobooks to those with large, starry casts and sound effects. Sam Mendes-produced audiobooks of David Copperfield and Oliver Twist featuring Ncuti Gatwa, Helena Bonham Carter and Nicola Coughlan were released in the past two years, and there are plans to release new audiobooks of all seven Harry Potter titles, voiced by a cast of more than 100 performers. – April 20, 2024

Rizzoli International Publications, the New York City-based subsidiary of Italian publishing house Mondadori Group, will acquire Chelsea Green Publishing, the 40-year-old White River Junction company known for its titles on the politics and practice of sustainable living.

Mondadori announced on April 15 that Rizzoli will pay $5 million for the Vermont company and its London subsidiary, Chelsea Green Publishing UK Ltd. The deal is expected to close by June 30.

"This partnership aligns perfectly with our vision of promoting meaningful content that resonates with global audiences while addressing crucial issues related to sustainability and eco-friendly living," Rizzoli's CEO and president Stefano Peccatori said. Rizzoli International publishes illustrated books about fashion, interior design, art, architecture, photography, travel, sports and food. The company began in 1964 as a New York City bookstore, which still operates.


In 2021 author, poet and teacher Kate Clanchy gained an unwelcome new accolade: the award for the most liberal target of a cancellation yet. Clanchy’s much-celebrated Some Kids I Taught and What They Taught Me, about her experiences of teaching poetry to disadvantaged children around the UK, won the Orwell Prize in 2020. But a year later, thanks to a handful of the book’s sentences being shared out of context on social media, she found herself publicly shamed by today’s self-appointed moral guardians. She went from being applauded for bringing poetry to working-class children to being humiliated into accepting sensitivity-reader approved rewrites of her work.

It might be a new year but Clanchy’s punishment beating continues. It was announced last week that plans for a woke rewrite of Some Kids I Taught had been dropped – not because it was a God-awful idea to begin with, but because Clanchy and her publisher, Pan Macmillan, have decided to part company ‘by mutual agreement’.

The publisher’s statement notes: ‘Pan Macmillan will not publish new titles nor any updated editions from Kate Clanchy, and will revert the rights and cease distribution of Some Kids I Taught and What They Taught Me and her other works.’ This is an astonishing attempt by a publishing company to distance themselves from an author and her work.

I've fallen in love with printed books. Again. Especially those for children.

Twenty years into my book publishing career—which included marketing for trade book publishers and founding a children's imprint—I had the opportunity to go digital, move into the future, hang out with the cool guys, play games, do the bicoastal thing, and grow a ponytail.

In April 2011, Marion Grace Woolley found her first publisher through's database of publishers. A year later, she has published three books with two different publishers, both from our listings.

Traditional book publishers. They were once known as the titans of the book publishing industry. In the Baby Boomer era, self-publishing was an unknown concept. You needed a traditional publisher if you wanted the best chance to succeed with your book.

During that time, there was significantly less competition for publishers and authors, meaning more book sales for both parties.

Over time, traditional publishers (especially The Big 5) gradually started to exploit authors by offering lower royalties and seizing the author’s publishing rights.

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