firstwriter.com's database of magazines includes details of 2,395 English language magazines from around the world. The database is continually updated: there have been 56 listings added or updated in the last month. With over a dozen different ways to narrow your search you can find the right magazine for your writing, fast.
Samantha Campbell, a first-year M.F.A. student in fiction writing in the U of A Program in Creative Writing and Translation in the Fulbright College of Arts and Sciences has co-founded Black Moon Magazine, an online literary arts journal featuring fiction and poetry.
According to its mission statement, Black Moon Magazine "dedicates itself to the discovered intersections of mixed-medium, art, and diversity."
Shopping in the pandemic often means buying supplies for working, cooking and exercising at home. But consumers are also looking for ways to pass the time, and for some, that means picking up a magazine while they're out and about.
Those who braved a drug store, supermarket or newsstand this past month may have seen in the magazine section copies of Better Homes & Gardens' "Secrets of Getting Organized," Delish's "Keto Comfort Foods" and Time's collector's edition on the Korean pop band, BTS.
But these are not traditional magazines. They are what some in the media industry call "bookazines" — a blend of books and magazines — and in recent years, they have become more crucial to publishers' success.
The US’s prestigious Poetry magazine has doubled down on its decision to publish a poem by a convicted sex offender as part of a special edition dedicated to incarcerated poets, telling critics that “it is not our role to further judge or punish [people] as a result of their criminal convictions”.
The magazine, which has been running since 1912 and is published by the Poetry Foundation, has just released its new issue focusing on work by “currently and formerly incarcerated people”, their families and prison workers. It includes a poem by Kirk Nesset, a former professor of English literature who was released from prison last year after serving time for possessing, receiving and distributing child sexual abuse images in 2014. The investigation found Nesset in possession of more than half a million images and films of child sexual abuse.
Last fall, three students came together with the idea of developing a new publication to connect Dartmouth undergraduates with the wider literary world. This December, the efforts of Frances Mize ’22, Avery Saklad ’21 and Ethan Weinstein ’21 came to fruition in the first edition of Meetinghouse, a literary magazine that has already attracted submissions from over 1,200 authors and poets from around the world.
Disappointed by the lack of opportunity to edit, read and publish professional work at Dartmouth, founders Mize, Saklad and Weinstein began working on Meetinghouse under the guidance of creative writing professors Alexander Chee and Peter Orner. The project was funded in part through a $6,830 grant from the Leslie Center for the Humanities.
Weinstein said he felt inspired to create Meetinghouse due to the absence of literary magazines in the Dartmouth community — an absence highlighted after he struggled to find opportunities to use his English major in a professional capacity during an off term.
Literary magazines need love too. Which is why we like to celebrate them here on Book Riot! We’ve had a Literary Magazines 101 to get you started, discussed general short fiction magazines, science fiction/fantasy magazines, and we’ve even had a how-to post on reading (and writing for) science fiction magazines in particular. But today I want to give a little love to my current obsession: dark fiction. Though you can find dark fiction stories in a lot of different literary magazines, including most of the SFF magazines above, this post is a tribute to those literary magazines that specialize in the macabre, whether it’s horror, dark fantasy, or positively grim science fiction.
As both an author and library employee, I’m intrigued by libraries that publish literary magazines. Since so many libraries offer services for local writers and writer organizations, it seems like a natural extension.
In fact, last month I had the pleasure of being a judge—along with authors Sarah McGuire and Peter Raymundo—for the Osceola Library System’s third annual literary contest for kids aged 8–17. The theme was “There’s a Monster in My Lit Mag!” and while the ceremony for the winners has been cancelled, the winners will be read in an upcoming episode of the library’s Nonfiction Friends podcast by Jonathan, the amazing Youth Specialist who coordinated the contest.
Reading the mission statements of Irish literary journals, a common theme emerges: the desire to offer writers the space to develop ideas that may not otherwise find a platform. From the more established titles such as Dublin Review, Crannóg and The Stinging Fly, which published its first issue 20 years ago this month, to more recent outlets like The Bohemyth, Banshee and gorse, fostering talent new and old is the backbone of “the little magazine”.
A vibrant journal scene with a roots-up feel to it has developed in Ireland in the past decade. There are currently in the region of 30 publications across print and online media seeking submissions multiple times a year. This has coincided with a growing enthusiasm for creative writing in general, with all of the major colleges in Ireland and many other cultural organisations offering programmes ranging from evening courses for beginners to two-year MFAs (Master of Fine Arts).
Australia’s literary journals are produced in a fragile ecosystem propped up by a patchwork of volunteer labour, generous patrons and, with any luck, a small slice of government funding.
The Sydney Review of Books, the Australian Book Review and Overland were among a group of publications who sought four-year funding from the Australia Council in 2020 but were unsuccessful.
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