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News
The publisher of Writer's Digest, Popular Woodworking and other niche magazines has filed for Chapter 11 bankruptcy amid plummeting subscriptions and advertising revenue.
New York-based F+W Media asked for court protection from its creditors on Sunday after it nearly ran out of money, according to a court filing.
The company's publications include more than 50 specialized titles in arts and crafts, writing, design, knitting and the outdoors. It also publishes books, holds consumer and trade events and sells products online.
A competition has been launched in a bid to find the next big crime writer, with the prize of a two year book deal up for grabs.
The Big Issue magazine has joined forced with Avon (part of the HarperCollins publishing house) to promote the venture, and submissions are invited from across the UK.
Selwa Anthony is ensconced on an avocado-green leather sofa, a chihuahua reclining on either side of her. The leading literary agent is small but commanding, a diminutive grande dame with sharp brown eyes and long purple fingernails. As always, she is carefully coiffured and glamorously dressed, as if her next appointment were a cocktail party. But Anthony's mood on this warm afternoon is more defiant than festive. "Everything I've done in my life has been boots and all," she says.
Literary agents are behind-the-scenes people. Their job is to foster writers' careers and secure them good publishing deals: they rarely make news in their own right. Yet Anthony has had a central role in not one but two headline-grabbing court cases in the past year. First, she was in the thick of a battle over the estate of her friend Colleen McCullough, best-known as the author of the blockbuster outback saga The Thorn Birds. Then came the showdown with her former star client, bestselling mystery-romance writer Kate Morton. Anthony, who initiated the legal action against Morton, ended up feeling that her own professional reputation was on trial. In the witness box, she was grilled for hours. "It was terrible, terrible, terrible," she says, as sunlight streams into her harbourside Sydney apartment.
Publishes fiction and nonfiction graphic novels. Send query by email or by post with one-page synopsis and at least eight pages of sequential art (up to 5MB if sending by email). See website for full guidelines.
Articles
Reading the mission statements of Irish literary journals, a common theme emerges: the desire to offer writers the space to develop ideas that may not otherwise find a platform. From the more established titles such as Dublin Review, Crannóg and The Stinging Fly, which published its first issue 20 years ago this month, to more recent outlets like The Bohemyth, Banshee and gorse, fostering talent new and old is the backbone of “the little magazine”.
A vibrant journal scene with a roots-up feel to it has developed in Ireland in the past decade. There are currently in the region of 30 publications across print and online media seeking submissions multiple times a year. This has coincided with a growing enthusiasm for creative writing in general, with all of the major colleges in Ireland and many other cultural organisations offering programmes ranging from evening courses for beginners to two-year MFAs (Master of Fine Arts).
When you are an aspiring writer, it is always important to develop your craft as the years progress. You want your writing to grow with you. Helping your writing grow could mean you spend a lot of time writing, or you have majored in the field at your chosen college.
When Anupama Krishnakumar and Vani Viswanathan started the online literary magazine Spark in January 2010, they weren’t sure how many issues they would be able to put out into the world. In January 2018, they celebrated eight years of the magazine and in April, their 100th issue will be released.
Putting out a literary magazine every month for eight years has its challenges, especially when running it alongside professional and personal commitments. Each month, the magazine focuses on a theme, ranging from “Navarasas” to “Life Online” to “Shopping”, features writing across genres and is freely available to read without advertising or a subscription fee. In an interview with Scroll.in, the co-founders spoke about their individual understanding of how the magazine has survived, the practical approach to running a non-commercial venture, how they choose what submissions to feature, the pressures of multiple responsibilities, and the changes in creative writing online.
There’s nothing new under the sun. This old saw is one of the first things you learn on the job if you’re a writer, artist, or other drudge who tries to earn a living making things up.
I can still remember my astonishment when, a few years after my first book for kids was published by Henry Holt in 1994, an almost ridiculously similar children’s title (though in pop-up form) came out from Little Simon.
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