New Agent Listing: Will Lippincott
firstwriter.com – Thursday November 26, 2020
Agent based in Los Angeles. Interested in politics, journalistic narratives, history, health, technology, and memoir, with a special focus on multi-media storytelling.
Penguin Random House to Buy Simon & Schuster for $2.175 Billion
lunch.publishersmarketplace.com – Wednesday November 25, 2020
ViacomCBS announced Wednesday morning that it has a definitive agreement to sell Simon & Schuster to Penguin Random House for $2.175 billion in cash, “from existing liquid funds.” The transaction is expected to close in 2021, with S&S ceo Jonathan Karp telling staff that will “likely” happen “in the second half of 2021 at the earliest.” It is subject to regulatory approvals — primarily in the US — and competing bidders such as HarperCollins parent News Corp. have already declared they believe “it will clearly be a serious antitrust issue.” Bertelsmann has already indicated it does not expect approval issues. (Internal PRH documents on “messaging” with industry partners about the deal acknowledges “rumors” they “will face antitrust challenges because of our size” and asserts “these are not grounded in fact and we assume may be perpetuated by competitors.”) The agreement includes a termination fee in the event the acquisition fails to win approval.
CBC launches Breakthrough Writers' Programme
thebookseller.com – Wednesday November 25, 2020
The Curtis Brown Creative Writing School is launching a Breakthrough Writers’ Programme, which features fully funded courses, mentoring and scholarships for underrepresented writers.
The programme – which is intended to run for a minimum of three years – aims to seek out writers and deliver teaching and industry advice, through interaction with successful authors, agents and publishers.
The programme of courses and mentoring is fully funded by Curtis Brown Group and its literary agents. Opportunities are targeted to address specific barriers to entry and will commence in February 2021.
New Literary Agent Listing: Zoe Ross
firstwriter.com – Monday November 23, 2020
Works with a list of writers ranging from exciting new voices in literary fiction and narrative non-fiction, to award-winning food writers and academics. With a background in modern languages and psychoanalysis, she has a particular taste for stylish prose, sly humour and complex characterisation in fiction, and for challenging ideas and questions of identity across all genres.
Does Twitter pitching work?
thebookseller.com – Sunday November 22, 2020
As this week’s FutureBook20 conference has shown, this is a year where change is at the top of the agenda for the publishing industry. And when it comes to changing the sort of books that get published and the sort of authors whose voices are heard, broadening the acquisition process is crucial.
Approaching literary agencies and publishers can feel intimidating to new writers, especially those who feel they don’t traditionally ‘belong’ in the trade. One way publishers, agencies and individual agents and editors have been trying to broaden the net and make the process feel more approachable is through social media.
But does it work?
US-based pitching project #PitchMad, and Curtis Brown’s UK equivalent, #PitchCB, are two of the highest-profile examples. Richard Pike, who was one of the Curtis Brown agents supervising the hashtag, explains the rationale behind the initiative.
2021 edition of Writers' Handbook now available to buy
firstwriter.com – Saturday November 21, 2020
The 2021 edition of firstwriter.com’s bestselling directory for writers is out now, and represents the biggest overhaul of the book to date!
The number of listings of literary agents, publishers, and magazines has increased dramatically – from just over 1,300 in the last edition to over 3,000 in the new one. In fact, there are so many new listings that we've increased the page size by 70% to accommodate them. The new page size makes the book even easier to use as a physical object: while thicker books with smaller pages refuse to stay open on the page you want, the 2021 edition of The Writers' Handbook is much happier to lay open at the page you leave it on.
Publishers are 'scared' of funny novels
chortle.co.uk – Friday November 20, 2020
British publishing is scared of funny novels, according to Caimh McDonnell.
The former stand-up, turned author said he first released his witty thrillers himself because he couldn’t find a publisher who would take them.
Even though his next title, The Stranger Times, is being released by a traditional company, Transworld, he said: ‘A couple of editors said they didn’t want to put in a big offer because they were scared of the funny.
New Literary Agent Listing: Robert Kirby
firstwriter.com – Friday November 20, 2020
I have an interest in science, psychology, cultural history and environmental issues. I enjoy gripping adventure fiction, speculative fiction and emotionally driven commercial fiction. Submissions should be sent to my assistant by via email, with a synopsis and first three chapters. Please do not send submissions via the post.
'NYT' Says HC, PRH Top Contenders to Buy S&S
publishersweekly.com – Wednesday November 18, 2020
In a New York Times story this morning, the paper reported that the country’s two largest trade book publishers are the leading candidates to buy the country’s third largest trade publisher. HarperCollins and Penguin Random House are favored, and were cited as such after private equity firms reportedly dropped out of the bidding.
Several international publishers had been thought to be looking at S&S as well, with France's Vivendi believed to still have interest.
New Literary Agent Listing: Sarah Levitt
firstwriter.com – Wednesday November 18, 2020
Most interested in narrative nonfiction in the areas of popular science, big ideas, history, humor, pop culture, memoir, and reportage, in addition to voice-driven literary fiction with a bold plot and fresh, imaginative characters. She’s excited by strong female and underrepresented voices, the strange and speculative, and projects that ignite cultural conversation.