Traditional Publishing

Writers' News

New Publisher Listing: Mensch Publishing – Thursday August 18, 2022

No mission statement nor other worthy but meaningless platitudes. Its aim is simply to help authors reach readers with minimal intervention and maximum impact and to reward them proportionately.

[See the full listing]

Writing a Romance versus Writing a Mystery – Wednesday August 17, 2022

Is there that big a difference between falling in love and solving a murder? 

Um, yes, there is, especially when writing about love and murder. For me, it’s not just about content but about the craft and process of writing in those separate genres. I find it fascinating that although I’ve been writing for over twenty years, my beginning process for writing cozy mysteries is vastly different than it is for writing in the romance genre. 

I started writing romances because I love to read them. It’s not a billion dollar industry for nothing! Comprised of formulaic and original plots, as well as a guaranteed happily ever after (HEA,) the genre breeds voracious readers who want engaging lead characters, a romantic main plot, and that all-important HEA (or HFN—happily for now, which has become accepted in the genre.) 

[Read the full article]

New Publishing Imprint Listing: Red Feather – Wednesday August 17, 2022

Seeks to create groundbreaking sacred tools with a purpose that are made with pride, giving honor to the subject matter of each and every project.

[See the full listing]

New Magazine Listing: Shorts Magazine – Wednesday August 17, 2022

Online magazine published four times a year, and includes short fiction, flash fiction, sci-fi, life writing, poetry, essays, science, research, opinion pieces, monologues, drama, top ten lists, photography, featured artists.

[See the full listing]

New Literary Agent Listing: Beniamino Ambrosi – Wednesday August 17, 2022

Represents English-language nonfiction and literary fiction, and authors in translation.

[See the full listing]

Self-Publishing Versus Traditional Publishing: Pros And Cons For Leaders To Consider – Tuesday August 16, 2022

Whether you’re a storyteller looking to share the next great work of fiction or a businessperson sharing advice in a book, publishing can unlock many doors.

But the tides are changing in the publishing industry—no longer do traditional publishers have a chokehold on publication. Leveraging my experience as a USA Today bestselling author, I'd like to weigh in on both avenues to publishing your book.

[Read the full article]

New Magazine Listing: The Soho Review – Tuesday August 16, 2022

Humor magazine based in New York. Constantly looking for jokes, cartoons, poems, and short stories. Pitch ideas by email.

[See the full listing]

Unwritten — The crisis in creative writing – Monday August 15, 2022

When she sat down to craft her debut novel in 2020’s lockdown, months after finishing her undergraduate degree, Diana Reid had never considered a career in writing before. An incisive debut about the interplay of sexuality, feminism, and power at an Australian university campus, Love and Virtue (2021) surfaced to overflowing critical acclaim and was named Book of the Year by the Australian publishing industry in June. 

But, in hindsight, it very well might not have been written.

“It kind of terrifies me, actually,” Reid says. “I was so dependent on this very freak circumstance [lockdown] before I actually sat down and opened a blank word document.”

[Read the full article]

Writers and Liars: On Fact, Fiction, and Truth – Sunday August 14, 2022

I’ve often heard authors say that fiction is merely lies. George R. R. Martin has said that “we’re writing about people who never existed and events that never happened…[a]ll those things are essentially untrue.” Norman Spinrad characterizes these fictional lies as differentiating the genre from “biography, history, or reportage.” The list of writers with this viewpoint goes on and on. There’s even a fiction writing group, for whom I once had the pleasure of being a guest speaker, called the Pocono Liars Club.

It’s not hard to understand this perspective. As a novelist, I do make things up for a living. But I believe the job of the author is to tell emotional truths, and that the best way to do that is rarely by relaying facts and figures or repeating events just as they happened. Journalism and documentaries have an important place and often use the same toolbox as fiction does, however, fiction is uniquely suited to truth-telling because humans have storytelling baked into our DNA. We understand the world best through stories, and these are an incredible way to arrive at something approaching a universal truth.

[Read the full article]

Richard Charkin: Dear Literary Agent – Friday August 12, 2022

Friends and colleagues, I may sometimes have given the impression that I hold literary agents in lower esteem than they feel they deserve.

Indeed, I’ve sometimes lumped together all professions with agency in their names as 10-percenters and slightly below the salt. Think of travel agents, estate agents—realtors in the United States sounds better—talent agents, football agents, all of whom seem to cream off money from unwary individuals and add very little.

Indeed, when I was at Oxford University Press, we were once asked by a distinguished literary agent if he could come to Oxford to meet the editors of the various disciplines in order to offer them choice manuscripts by his authors. We agreed on the condition that he paid us £1,000 [US$1,222] for access to our very busy editors, who had plenty of authors without the intercession of a literary agent. He declined.

[Read the full article]

Page of 310 59