Traditional Publishing

Writers' News

Leading Audiobook Producer Greenlights Publishing Company For Independent Authors – Wednesday March 1, 2023

Lantern Audiobooks builds on the decades-long history of audiobook production with world-class publishing services and global distribution.

ATLANTA, Feb. 28, 2023 /PRNewswire/ -- Lantern Books launches as the world's first full-scale audiobook production and publishing company dedicated to independent authors. For decades, Lantern Audio has been a trusted audiobook production partner for the largest publishers in the world. Recognizing the importance of catering services to independent authors, Lantern now offers full-scale publishing and studio services. The award-winning team at Lantern Books is dedicated to helping indie authors navigate through important decisions and the process of creating, distributing and marketing an audiobook.

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Leicestershire MP accuses James Bond publishers of censorship over classic novel rewrites – Tuesday February 28, 2023

Andrew Bridgen has hit out at rewrites to the classic James Bond novels, claiming it is “censorship”. The MP for North West Leicestershire has added his name to the vocal critics to the move, but publishers have defended their decision.

Mr Bridgen, who is still suspended by the Conservative Party for spreading misinformation on Covid-19 vaccines, spoke out after it emerged that Ian Fleming Publications were making alterations to classic Bond novels ahead of the 70th anniversary of Casino Royale’s publication this spring.

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The New, Weirdly Racist Guide to Writing Fiction – Tuesday February 28, 2023

Since its 2021 publication, Craft in the Real World has attained immense popularity in the tiny world of graduate creative writing programs. On Twitter, other writers of color gushed about this book to me, saying it “opens your brain” and “decolonizes storytelling.” Its author, Matthew Salesses, was a professor at Oklahoma State when the book was published, but has since taken up a teaching position in one of America’s most prestigious training grounds for fiction professionals, Columbia University’s MFA program in creative writing. Salesses has also become a magnet for controversy: One of his Columbia Aniversity syllabi went viral several weeks ago (to both criticism and applause) because it requires graduate students in his workshop to name the gender and race of their characters upon “first introduction.”

But what does it mean to decolonize storytelling? In practice, a new strain of unease has crept into the discourse within writing workshops. This unease primarily manifests in a verbal tic: A student will give a reading of the story under discussion, and then immediately negate their own critique. For instance, they might say the pacing is too slow, then say: “But I dunno, maybe nothing really needs to happen in a story.” If they say the writing isn’t descriptive, they add: “But some cultures really prioritize telling over showing.” If they think the characters are flat, or even stereotypical, they might state this opinion, then perseverate: “Some audiences prefer their characters to be types, though.”

Seen in one light, this is a positive development. Students are taking into account the author’s intentions and reading the story’s purported flaws in the most generous light. They’re also making at least a gesture at interrogating received wisdom.

But the natural next question is, “What stories do you like where nothing happens? What good stories are mostly told in summary? What are some ways for a flat character to be appealing?”

To these questions, you’ll normally receive embarrassed silence. They have no idea. If asked to name an authority for their opinions, these students will often point to Craft in the Real World, which claims that Western notions of craft—the West’s ideas about what makes for a good story—are often inapplicable to nonwhite writers and people writing from non-Western traditions. For instance, Salesses’ book insists repeatedly that a writer who hews to Western notions of craft will likely consider Chinese stories to be boring or think that African characters are flat. As Salesses repeatedly says, some stories simply aren’t meant for white people.

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Blake Friedmann literary agency launches second online open week for writers – Tuesday February 28, 2023

The Blake Friedmann Literary Agency will run a week dedicated to demystifying publishing and agenting, and supporting writers seeking representation. From Monday, 6th March, the agency will share agent blogs on a variety of agenting and publishing topics. It will also run book giveaways across its social media accounts until 10th March. 

The aim is to offer insights into what an agent does, how to navigate the submission process to find an agent, and how an author and agent work together. There will also be a focus on understanding the publication process, earning income as an author through rights sales, as well as getting into the agenting or publishing industries. 

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New Literary Agent Listing: Edwina de Charnace – Tuesday February 28, 2023

She loves stories centring on relationships and group dynamics and will read anything promising answers to the question of belonging (a start will do). Has a soft spot for writing from or about East Asia.

[See the full listing]

Roald Dahl once said he would set an ‘enormous crocodile’ on publishers if they changed his work – Monday February 27, 2023

Roald Dahl's comments from 40 years ago about "setting an enormous crocodile" on his publishers if they changed his work have shed light on what the late author would have thought of attempts to censor him.

Dahl was recorded specifically saying that he would be outraged by the idea of censorship after his death, and joked that he would send the title character from his book The Enormous Crocodile to deal with his publishers.

The Daily Telegraph had reported that recent versions of children's favourites by Dahl, who died in 1990, had been changed by publisher Puffin Books, a division of Penguin Random House, to remove descriptions of characters as "fat" and "ugly" in books including Charlie and the Chocolate Factory and Matilda.

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ChatGPT showed me just how far it is from writing a blockbuster – Sunday February 26, 2023

10,000 hours. That’s how long, at least according to author Malcolm Gladwell, it’s supposed to take to master a craft. Or, if you’re an AI a matter of months, weeks, or days.

When I read that ChatGPT is now such an adept writer it’s already authored hundreds of books on Amazon’s self-publishing service, I experienced a mini freakout. To be clear, OpenAI’s groundbreaking chatbot is not publishing these tomes on its own. People are working with ChatGPT to develop themes, stories, and chapters for their books.

My immediate reaction was, “I’m doomed.” But as the icy chill of that cold reality receded, I considered something else. Anyone can write and publish a book, and most of them won’t be very good.

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Thrillers, Yes—Join the Genre

By G. Miki Hayden
Instructor at Writer's Digest University online and private writing coach – Sunday February 26, 2023

5 Ideas for Finally Making BIG Money

Don’t say I told you this, but Murder Your Employer: The McMasters Guide to Homicide is listed by Amazon as one of its big sellers already this year. It’s also a thriller. The book is from Simon and Schuster.

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Roald Dahl publisher to release original versions after backlash – Sunday February 26, 2023

LONDON, Feb 24 (Reuters) - Roald Dahl's famous children's books including "Charlie and the Chocolate Factory" and "Matilda" will be published uncensored later this year said publisher Puffin, bowing to pressure after a public outcry over modernised versions.

British Prime Minister Rishi Sunak was among those to have criticised the "airbrushing" of literature on Monday after a report in The Daily Telegraph showed 2022 versions of the children's books had removed or changed references to gender, race and physical appearance to avoid causing offence.

The "enormously fat" Augustus Gloop from "Charlie and the Chocolate Factory" was just "enormous" in last year's version, while Mrs Twit from "The Twits" was no longer "ugly". News of the changes sparked a national debate.

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New Literary Agent Listing: Chelsea Hensley – Friday February 24, 2023

In general, here are some of the things I love to see in a manuscript: Intricate plots and complex emotional arcs; Whipsmart protagonists who aren’t afraid to get their hands dirty. There’s nothing I love more than a main character who throws themselves into the thick of things and doesn’t look back; Female friendship, partnerships, rivalries, and everything in between are high up on my wishlist. Girls, girls, girls basically. I prefer narratives to be female driven, and I’d love to see more F/F romantic pairings; I’m a big fan of spies, assassins, thieves and other rogue-ish characters; I love, love, love heists; and I’d love to see some great antiheroes or characters embarking on redemption arcs.

[See the full listing]

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