New Publishing Imprint Listing: Adlard Coles
firstwriter.com – Tuesday May 17, 2022
Nautical imprint of large international publisher. Happy to accept unsolicited submissions, but response only if interested. Send all submissions by email with the word "submission" in the subject line.
New Literary Agent Listing: Justin Nash
firstwriter.com – Tuesday May 17, 2022
Looking for thrillers and crime fiction of all types; book club and historical fiction that moves me and makes me think (including novels featuring fantasy/mythology) and SF. In non-fiction, books which open up the conversation and take me on a journey.
Channel 4 launches scheme to identify new TV drama writing talent in South West England
channel4.com – Tuesday May 17, 2022
Channel 4 has launched a scheme designed to identify and support new TV drama writers in the West and South West of England.
The Channel 4 TV Drama New Writers scheme will give 12 writers six months of specialist support which will include in-person workshops and training, mentoring and introductions to scripted drama production companies. After completing the scheme, participants will be able to submit a first draft script for consideration and feedback from Channel 4’s Drama Commissioning Editor, Gwawr Lloyd.
Gwawr said: “Ensuring that the Nations and the Regions are represented in its dramas is a real priority for Channel 4. As a broadcaster, we have a history of discovering and nurturing new talent - it’s something that we are passionate about.
“Launching this TV Drama New Writers scheme is a fantastic opportunity for the channel to identify talent from the region and to work with them to help us get authentic, original stories on screen - reflecting audiences back on themselves. It’s the perfect opportunity for the Channel 4 Bristol Hub to collaborate with our local partners to give stories that matter the platform they deserve.”
New Literary Agent Listing: Sarah Jane Freymann
firstwriter.com – Monday May 16, 2022
In nonfiction, interested in spiritual, psychology, self-help, women/men’s issues, books by health experts (conventional and alternative), cookbooks, narrative non-fiction, natural science, nature, memoirs, cutting-edge journalism, travel, multicultural issues, parenting, lifestyle. In fiction, interested in sophisticated mainstream and literary fiction with a distinctive voice. Also looking for edgy Young Adult fiction.
Kathy Lette: ‘Older women buy most books so why won’t publishers give them what they want?’
inews.co.uk – Sunday May 15, 2022
The author, whose books have sold 573,275 physical copies in the UK since 1998 believes literature is failing to keep up with the phenomenon of women aging disgracefully
Older women are easily the biggest consumers of fiction. So why is it so hard for an internationally best-selling author to get novels about them published?
That’s the conundrum that Kathy Lette says she has faced. The author, who helped invent “chick lit”, has used an interview with i to reveal the hard time she has had getting publishers to accept fiction about menopausal women who are enjoying life.
“I’m struggling to get publishers interested in books that celebrate older women in a positive way,” she says. “They’re saying, ‘I don’t know if there’s a market for this.’
“If you’re not the hot, young new thing, they’re reluctant to think that you have an audience out there. But, of course, it’s older women who buy books.”
How This Literary Agent Built An Established Agency, Shares Best Practices For Signing A Contract
forbes.com – Sunday May 15, 2022
One area of business where women dominate the statistics is a sector of the publishing industry. As a result, the number of female literary agents has steadily increased over time. According to Zippia, 58.5% of agents are women. The publishing landscape has changed with the advancement of technology, making self-publishing more accessible and streamlined. These changes impact the desire, the need and the chances of signing with a literary agent. Even though more authors are turning to print-on-demand options to publish their books, traditional publishing still has prestige. It’s been reported that the odds of working with a literary agent are 1 in 6,000, based on the number of inquiries one receives and the number of new authors the agent is looking to sign for the year.
For over two decades, Jennifer Unter, founder of the Unter Agency, has helped new authors land deals with publishing houses. As a respected agent within the industry, she speaks at conferences around the country. Most recently, she’s been asked to participate in The Atlanta Writers Conference in November. Her clients have won many awards, including Indie Next, Reading the West Award, Bank Street Best Book of the Year Award and Green Earth Book Award. Although she expands her roster of authors annually, she’s strategic in her selection.
“A lot of authors look at what’s happening with the biggest players, the best sellers or even the very popular series,” Unter shares. “They say, ‘Oh, well, Penguin Random House is doing this for that person. Why wouldn’t they do that for me?’ They don’t realize how many books are published, how many authors really get little to no publicity, and how much they have to do themselves. So the really successful authors are the ones who come in knowing that and have a platform and know-how to be on social media and play that game in a good way. The ones who think things are being handed to them are the ones who are going to not have a realistic expectation of what publishing is like.”
You’ll want to vomit, cry, die or sleep forever: what happens when you finish writing your book
theguardian.com – Friday May 13, 2022
One of my main fears before submitting a book is that I will die in the hours before the deadline, and all the work I will have done will be for nothing because the publisher will only have an outline and the completed book itself will remain on a password-protected hard drive and ultimately buried in landfill.
I have long associated handing in a book and dying because the two seemed connected on some subterranean, unconscious level. Finishing a major project is a form of death – something has ended. But finishing is not something you hear much about in all the short courses, podcasts, MFAs, online articles and books on the creative process.
It’s all about starting, developing characters, a writing routine, pitching to agents and marketing. But you never get told about the end, about the toll on body and brain cells of the work, and those strange weeks that follow the handing in of a manuscript where you gradually try and re-enter the world, often with the awkward gait of a newborn foal, but the aching back, neck, shoulders and arms of a pit labourer.
After I handed in my manuscript, the following 24 hours were fraught. I left my phone at Southern Cross Station and my laptop in a restaurant, and then once my phone had been retrieved, I lost it again. Two weeks on and I still feel like I’m in some sort of twilight zone, not quite reintegrated with the world.
So what happens when you finish a book?
A Brutal—and True—Piece of Writing Advice from Toni Morrison
lithub.com – Friday May 13, 2022
The very first time I saw Toni Morrison in person was at an event in Boston, at a church, along with hundreds of people. The Beloved tour. I attended as a reader, as a Morrison fan. I’d had plenty of reader-only experience with books, but I knew next to nothing formal about writing then. Reading as a writer is a higher calling, and a whole different world. I had no writing tools at the time, though I did have some facility; I loved words—but the tools you need to write stack up and can be complicated. I could identify and define imagination, but I did not know the concepts of setting or drama or scene. I knew that language was critical, but how few words I knew then! I was hungry, eager, reaching—but I was ignorant of exactly what writers needed to know and do.
Is there a secret to writing a bestselling book?
smh.com.au – Friday May 13, 2022
How do I write thee? Let me count the ways … no, there are too many to count. Every writer has made their own journey, and no two are quite alike. So how can you possibly teach anyone how to write, say, a novel?
Despite the difficulties, there have probably never been so many writing courses and guides on offer, and people eager to take them up. Two of the latest books by Australian writers are perfect illustrations of how different writing advice can be. Both are eminently absorbing, encouraging and inspiring for the novice. In other ways, they are poles apart.
Writer’s essay on why she plagiarized her book removed for … plagiarism
theguardian.com – Wednesday May 11, 2022
An author’s online essay on why she used plagiarized material in a novel pulled earlier this year has itself been removed after editors found she had again lifted material.
Jumi Bello’s essay, I Plagiarized Parts of My Debut Novel. Here’s Why appeared just briefly on Monday on the website Literary Hub. Bello’s debut novel, The Leaving had been scheduled to come out in July, but was cancelled in February by Riverhead Books.
“Earlier this morning Lit Hub published a very personal essay by Jumi Bello about her experience writing a debut novel, her struggles with severe mental illness, the self-imposed pressures a young writer can feel to publish, and her own acts of plagiarism,” the publication announced. “Because of inconsistencies in the story and, crucially, a further incident of plagiarism in the published piece, we decided to pull the essay.”