New Literary Agent Listing: Michaela Whatnall
firstwriter.com – Thursday December 2, 2021
Strong interest in children’s literature, from picture books up through middle grade and young adult novels and graphic novels. In the adult fiction space, they are particularly seeking character-driven speculative fiction, sci-fi/fantasy, and other genre fiction that features historically underrepresented characters. They are also interested in nonfiction for both children and adults, especially narrative nonfiction in the areas of history, the creative arts, and lifestyle.
Level Up Your Reading: Become a Literary Magazine Volunteer Reader
bookriot.com – Thursday December 2, 2021
For avid readers, sometimes books can lose their appeal. You might get burned out or are unable to find the joy in keeping up with all the latest book releases. You could take a break in reading altogether, but there are other opportunities to level up your reading skills while putting your eye for detail to good use. One of those opportunities to become a literary magazine reader.
I had the great privilege of reading for two literary magazines in the past — The Missouri Review and The Masters Review — and both experiences proved invaluable to me as a reader and writer. It opened up my eyes to the blood, sweat, and tears that editors and readers put into these small but mighty publications. From a writer’s perspective, it also created an added respect for editors.
The Ultimate Guide To Become A Food Writer
salonprivemag.com – Tuesday November 30, 2021
Becoming a food writer is not easy. It takes lots of dedication, time, and determination to make it in this industry. If you’ve ever dreamed of becoming a food writer, the world of writing is wide open to you. It doesn’t matter if you want to write about restaurants, cookbooks, or even your recipes.
There are plenty of opportunities out there for budding writers who want to make their mark on this industry. Just follow these five steps, and soon enough, you’ll be writing articles for publications like Bon Appetit Magazine and The New York Times Food Section.
So you want to become a better writer? Be a better reader.
eu.usatoday.com – Tuesday November 30, 2021
People who write habitually – for work or for fun, journal entries or blog posts, book reports or short stories – often want to put their better foot forward, but the eccentricities and minutiae of the English language can be extraordinarily daunting.
As a professional word person, I know this as well as anyone: There’s always so freaking much to remember, from the basic differentiation between treacherous homophones (their, they’re, there), to the fine points of grammar (subject-verb agreement! the dreaded subjunctive!), to where to put the punctuation. (Some days I’m tempted to save up all the commas, colons and periods and dump them at the end of whatever I’m writing and leave it to the reader to sort out.)
These things are important, to be sure: God is in the details, they tell us, but so, they tell us, is the devil. And sometimes I’m simply asked for simple big-ticket advice on improving one’s writing.
New Literary Agent Listing: Isabel Mendia
firstwriter.com – Tuesday November 30, 2021
Interested in representing a range of nonfiction, including cultural criticism, narrative reportage, politics, and history.
New Magazine Listing: the6ress
firstwriter.com – Monday November 29, 2021
Publishes poetry, art, and word art. See website for submission windows and issue themes.
Writing for our young readers is the most important fiction of all
independent.ie – Sunday November 28, 2021
Some years ago, the novelist Martin Amis gave an interview in which he asserted that the only circumstances under which he would write a children’s book were if he had suffered a serious brain injury. “In my view,” he said, “fiction is freedom and any restraints on that are intolerable.”
Leaving aside the fact that it’s ridiculous to think that writing children’s fiction places any restraints on the author at all – if anything, it has the opposite effect – the most surprising element of the quote is Amis’s haughty disregard for young adult fiction. One could make the case that it’s the most important fiction of all. After all, is there a serious adult reader or writer out there who has not enjoyed a lifetime of reading because they discovered a love of books when they were young?
The Brontës, the Shelleys, Kingsley and Martin Amis: new research suggests literary relatives share similar writing styles
theconversation.com – Thursday November 25, 2021
From Jane Austen to James Patterson, every author has their own way of writing. And that writing is often discussed in terms of “style”. Essentially, style refers to “how” something is written – it is more concerned with form than content. So when, for example, someone remarks that they “enjoyed the story” but “didn’t like how it was written”, they are commenting on the style.
If you want to see an example of different styles in action, just compare something like The Hobbit by JRR Tolkien to Ulysses by James Joyce. The Hobbit is written for a general audience, it’s a good old-fashioned story told through clear, accessible language. Ulysses is a more difficult read, full of obscure terms, complex phrasing, and cryptic references to other materials.
New Magazine Listing: Angela Poetry Magazine
firstwriter.com – Wednesday November 24, 2021
Accepts poetry submissions from everyone on Earth and orbiting spacecraft. Publishes poems that are curious, humorous, and generally on the lighter side of life. Read the Submissions page and follow the guidelines to submit.
The long and short-form of it: podcasts that will teach you how to write
theguardian.com – Tuesday November 23, 2021
Whether you are plotting, drafting, staring at a blank page, or keen to get tips from the pros … if you want to be an author, there’s a podcast for that
New Yorker Fiction
In this monthly podcast, a celebrated writer selects a short story from the New Yorker’s archive to read and discuss with the magazine’s fiction editor, Deborah Treisman. The pleasure here lies as much in the pairings of authors with material as it does the stories themselves: Margaret Atwood reading Alice Munro, or Andrew Sean Greer reading Dorothy Parker, or Tessa Hadley reading John Updike. There is much to be learned about the craft and discipline of short fiction writing from the subsequent discussions, too. A recurring point: fewer words is always better. Also, check out The New Yorker: The Writer’s Voice, where writers read their own stories.
Approaching its 10th anniversary [...]