Giles Foden on the art of writing
irishtimes.com – Thursday April 27, 2017
The foreword to The Ogham Stone, UL’s journal of creative writing, explores what language can do and the craft of its featured writers.
New Literary Agency Listing
firstwriter.com – Tuesday April 25, 2017
Handles: Fiction; Nonfiction
Areas: Autobiography; Biography; Cookery; Crime; Health; Historical; Lifestyle; Mystery; Psychology; Science; Suspense; Technology; Thrillers; Women's Interests
Markets: Adult; Children's; Youth
Agency handling speakers and authors. Will consider all fiction and nonfiction, but particularly interested in General fiction, Mystery/suspense/thriller/crime, Women's fiction, Children's and YA (fiction); and Biography/memoir, Technology, Science, History, Personal development, Health (including popular psychology), Cookery and lifestyle (nonfiction). Send query by email only. See website for full guidelines.
Accepting imperfections will improve your writing
churchcentral.com – Sunday April 23, 2017
For me to proclaim, “You’re not perfect!” might sound a bit jarring or insulting. But it’s true. And, once you accept that, it will set you free. Free to be a better writer. Not to mention a better spouse, parent, or pastor.
Why do I say that? I’ve spent more than 40 years as a writer and editor. And I have learned that at the heart of good writing is accepting your imperfections. While good writing is a complex subject that takes a lifetime to even begin to master, there are a few secrets. All are rooted in human fallibility.
The Secrets of Writing in Multiple Genres
publishersweekly.com – Saturday April 22, 2017
Sarah Dalton writes young adult novels. She’s earned a following among fans of YA genre fiction with such speculative series as Blemished, Mary Hades, and White Hart. Dalton’s big break, however, came under her pen name, Sarah A. Denzil.
Denzil is the author of Silent Child, a psychological thriller about a kidnapped boy, which was the top-selling book in the paid digital category on amazon.co.uk. The thriller was also a top-10 Amazon bestseller in the U.S. and hit #1 in such categories as kidnapping and crime. It’s the English author’s third foray into adult fiction, with her thrillers Saving April (also a top 100 Kindle bestseller in the U.K.) and The Broken Ones released in 2016.
Writing and publishing in two genres under her real name as well as a pen name has been a learning experience for Dalton. “I first and foremost read as many psychological thriller books as I could,” she says of her decision to switch genres. She also followed media coverage of high-profile crimes and kidnappings. “Crime thrillers are trickier,” she notes.
Dalton says that her YA books are relatively “research free,” which allows her to make everything up. So when it came to a setting for Silent Child, Dalton compromised: the setting is a realistic-but-fictional English village. Writing about an actual place comes with constraints, she explains.
New Magazine Listing
firstwriter.com – Friday April 21, 2017
Publishes: Essays; Fiction; Nonfiction; Poetry;
Areas include: Short Stories;
Preferred styles: Literary
Submit up to 6 poems, up to two short shorts, one story, or one essay per submission. Accepts submissions online only, between September 1 and May 1. Submission service charges $3 per submission.
David Mamet to Teach Online Drama Writing Course
variety.com – Thursday April 20, 2017
David Mamet, the Pulitzer Prize-winning playwright, screenwriter, and director of such works as “Glengarry Glen Ross,” “American Buffalo,” and “Wag the Dog” will offer his first-ever online writing class through Silicon Valley startup MasterClass.
The class, which will cost $90, will launch later in the spring. In the course, Mamet will teach writing for both the theater and screen, with lessons on how to structure a plot, create compelling characters, write dialogue, and create a compelling scene. Pre-enrollment for Mamet’s class is open now (at this link).
Need Some Writing Inspiration? 7 Poems To Get The Creative Juices Flowing
bustle.com – Monday April 17, 2017
Often, people look for ways to avoid distractions, especially during important work. And, really, what could be more important than your writing? The process of transforming your wildest ideas, your most daring stories, your most beautiful daydreams — well, that's worthy of all your focused energy and then some. Though most of us know the above, that doesn't make it any easier to combat the kagillion-horned monster known as Writers Block. Fortunately, spending a few short minutes with a good poem can get you back at that keyboard — and more synched in with your writing than ever.
Writer seeks Kindled spirit: Six novelists reveal how to self-publish successfully
dailymail.co.uk – Sunday April 16, 2017
The dawn of the digital era means that authors can self-publish their books – and make a fortune. Laura Silverman asks six independent novelists to reveal the secrets of clicking with your readership.
The Devilâ€™s Door: A call for contributions
dark-mountain.net – Thursday April 13, 2017
Each year, we publish two books: a spring anthology which follows in the line of our early issues, and an autumn special issue, whose editors get to play with other ways of making a Dark Mountain book, while pushing deeper into a theme on which this project touches. We started doing this two years ago with Techne, followed by last October’s Uncivilised Poetics. This year, we are planning a special issue on the theme of ‘the sacred’. Today, as we announce our call for contributions, Dark Mountain co-founder Dougald Hine explains why we chose this theme, what we understand by it, and the different approach we are taking to the submissions process this time around.
Kameron Hurley: How to Write a Book in a Month
locusmag.com – Monday April 10, 2017
We all want to learn how to write books faster. The pace of the news cycle today has heated up to such an extent that for those of us who aren’t in the 1% of writers, if we don’t come out with a book a year, it feels like the world has forgotten us amid the buzz of ever more intensifying world horror. I’m not immune to this pressure. Juggling a day job, a book a year (writing), a book a year (promoting), and completing various freelance articles like this one takes its toll. Stuff goes out late. It’s pushed out. It squeezes in just under the wire (like this column). At some point when you’re on the writing treadmill, it feels like you’ve gotten so behind that you’ll never catch up again.