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Writers' News

'The goal is to be as big as Penguin': Ilford writer on her publishing company for teen authors

ilfordrecorder.co.uk – Tuesday August 24, 2021

An Ilford woman who launched a publishing company for young authors is celebrating the publication of its seventh book. 

Eleni Sophia, 22, founded Perspective Press after being frustrated by publishers’ lack of interest in teenage writers. 

“When I was 13 I had written a novella but I was constantly getting rejected from publishers because I was too young,” she claimed. 

[Read the full article]

The Books Briefing: How Fan Fiction Reimagines the Writing Process

theatlantic.com – Monday August 23, 2021

When The Last Jedi came out, some viewers had déjà vu: Certain aspects of the movie’s plot were strikingly similar to the events in several popular stories on the fan-fiction site Archive of Our Own. The coincidence may seem strange, but in many ways it’s unsurprising that the people who were thinking most deeply about a franchise—its creators and devotees alike—would come to the same conclusions about each character’s fate. That alignment might be seen as a testament to both the series’ deep world-building and its fans’ insight.

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Writing the Magical Realism Novel

By Lakshmi Raj Sharma
Novelist and Professor of English

firstwriter.com – Monday August 23, 2021

Why are Salman Rushdie and Gabriel García Márquez such extra ordinary novelists? The answer is complex. But a reason for their unique achievement is that apart from what virtually every great novelist does – telling the story in a new way in a new vocabulary – they also write in a mode which is hellishly difficult. This mode of narration is called Magical Realism, which Rushdie oversimplifies by defining as the improbable presented as the mundane. That, however, is just the tail of magical realism. The reality of magical realism is intricately connected with the tale on which it is harnessed. It relates more to feeling than to thought though there is a perpetual undercurrent of thought in it. The magical part relates to the feeling because one can have any kind of feeling. But the thought which is often related to some form of oppression is wrapped in the true voice of feeling.

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Line-up revealed for Bloody Scotland crime-writing festival

thenational.scot – Thursday August 19, 2021

AUTHORS Stephen King, Karin Slaughter and Ian Rankin are among those who will be taking part in a hybrid crime-writing book festival next month.

The Bloody Scotland festival will feature in-person events while some authors will join digitally from elsewhere, with audiences able to watch live in Stirling or online.

King, Kathy Reichs, Slaughter, Lee Child and Linwood Barclay are among those who will be beamed into the city’s Albert Halls where interviewers will be present to question them in front of a live and digital audience.

[Read the full article]

The most VITAL Writing Trick You Can Know!

signalscv.com – Tuesday August 17, 2021

I love reading. I am the kind of person that devours books, like an undulating blob of paper, ink, and Harry Potter references. Part of the reason that I’m doing the job that I’m doing now is because I love reading- and because I love reading, I love writing. 

I’ve always loved creating my own stories, even when I was a little kid. When I used to play-wrestle with my little brothers, we would all become Superheros and Villains of our own creation. We had a plethora of lore, powers, and abilities that we would make up at random, which at the time was as thrilling as getting a Jackpot Capital bonus

When I got older, I put that energy into Dungeons and Dragons. Now that I’m even older (and, coincidentally, with a lot more responsibilities and a lot less time on my hands), I put that creative energy into writing. However, there is a huge difference between writing what you love and writing something that other people are going to love. One of the easiest mistakes to make as a writer is forgetting the single most vital aspect of writing a good story: Character arcs. 

[Read the full article]

Hachette Book Group in deal to acquire Workman Publishing

apnews.com – Monday August 16, 2021

NEW YORK (AP) — The publisher of such bestsellers as the “What to Expect” books for parents and the “Brain Quest” educational series has reached an agreement to be acquired by Hachette Book Group.

Workman Publishing has been an independent company for decades, and also includes the literary imprint Algonquin and the nature publisher Timber Press. Hachette is one of the world’s largest book publishers, with authors ranging from Donna Tartt and James Patterson to J.K. Rowling and David Sedaris.

The acquisition will be subject to approval from the Department of Justice.

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Murder Books 101: The Rise of True Crime, From Highbrow to Cash Cow

tor.com – Saturday August 14, 2021

Conventional wisdom claims that true crime writing wallowed in the gutter, dirty and disreputable, until Truman Capote lifted it out of its own filth and washed it clean with the sweat of his literary gift. Earlier efforts are dismissed as crude attempts at what Capote would accomplish with grace and skill. Those were the rough drafts, but Capote’s 1966 In Cold Blood is the masterpiece.

The fact is, the financial triumph of Capote’s In Cold Blood (and the film version the following year) had as much to do with literary achievement as the fact that Capote was a white man who belonged to the right clubs and subscribed to the right magazines. His achievement transformed the marketplace, making true crime respectable in the same way that Maus and Watchmen turned comic books into “graphic novels” in 1986. Capote’s book allowed people to camouflage their morbid fascination with murder and mayhem beneath the seal of literature. In the old days, ministers gave their blessing to true crime to make it acceptable. Now, it was The New Yorker.

In Cold Blood changed how true crime was read, not how it was written. Most of what Capote did, other writers were already doing.

[Read the full article]

PRH and Amanda Gorman Launch Creative Writing Award for Poetry

publishersweekly.com – Saturday August 14, 2021

Penguin Random House has announced its partnership with Amanda Gorman, the youngest inaugural poet in U.S. history, to launch the Amanda Gorman Award for Poetry, a new creative writing award focused on poetry for public high school students. With a first-place prize of $10,000, the award will recognize a student for an original literary composition in English for poetry. Submissions for the award open on October 1, 2021, and close on February 1, 2022.

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High points and pitfalls of writing in different genres, by Gail Aldwin

femalefirst.co.uk – Wednesday August 11, 2021

It’s considered good advice for authors to aim for success in one genre of writing and stick to it. There are few literary agents who seek to represent authors working across genres and publishers prefer to nurture writers in one area. This supports the development of a brand that makes it easier to promote and market a succession of publications and helps to generate a substantial readership. For many emerging writers there’s satisfaction in finding a niche but this approach doesn’t suit everyone. To invest all my creative energy into one area is a huge commitment, and it might mean overlooking other projects that bring their own rewards.

When I started as a writer, my ambition was to have The String Games published – a novel about the legacy of a missing child. It took five years to reach my goal and during that time, I enjoyed success with short fiction when Paisley Shirt a collection of flash fiction was published and thanks to a competition win, adversaries/comrades a poetry pamphlet found a home. As it took such a long time to develop my novel, it seemed sensible to work on short-term projects alongside it. This helped to build the creative stamina to bring my novel to completion. It’s great to have enjoyed success in other areas of writing but there are challenges in writing across genres which I’ll share:

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The Hurdles of Finding an Agent

publishersweekly.com – Sunday August 8, 2021

As a first-time author lacking the platform I knew agents wanted, I decided to self-publish my first book—and it was a success. For my second book, I wanted to go the traditional route and find an agent. However, there was one thing I wasn’t sure about: Could I frame the success of my first book as an element of my platform? Or should I refrain from telling agents that there’d been a first book at all?

I started writing For Those About to Rock, a middle grade rock ‘n’ roll book, four years ago. My nine-year-old son and I shared a love of music, and I tried to find him a children’s book about musicians, but came up short. I decided I’d write my own: it would be like Good Night Stories for Rebel Girls—which features profiles of groundbreaking women written in a kid-friendly style—but about rock musicians. I made a list of 50 seminal bands and musicians across several decades and genres, including Aretha Franklin, Led Zeppelin, BjÖrk, Jimi Hendrix, Beyoncé, the Cure, and Run DMC.

[Read the full article]

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