Artificial intelligence and the art of reader-driven publishing
thebookseller.com – Monday July 25, 2016
In March a novel co-authored by an artificial intelligence (AI) algorithm moved into the second round of submissions for a national literary contest in Japan. What may have seemed like momentary buzz suddenly gave the publishing industry pause. Is technology capable of replicating the human process involved in creating something as powerful as the written word?
While a world where robots rank on the New York Times bestseller list is still light years away, the industry is starting to acknowledge the impact that AI is having on publishing.
Booktrackâs Days are Numbered
goodereader.com – Sunday July 24, 2016
Booktrack is a company that develops soundtracks to books. It started in 2011 and has raised around three million dollars to stay in business. Their technology didn’t seem to take off with consumers and the only way to listen to them is with their proprietary app. I fear Booktrack’s days are numbered.
Booktrack took advantage of most of the hype surrounding the enhanced e-book phenomenon of 2010 to 2012. This is when EPUB 3, Kindle Format 8, iBooks Author and various initiatives were highly touted as the next big thing in digital publishing. Major publishers have failed to embrace audio, video and interactive elements in their e-books because customers have not embraced it. Most of the e-books that do leverage their technology are only available in a few apps and have limited content. The only segment to actually make interactive elements a viable business model is education.
10 Self-Publishing Trends to Watch
publishersweekly.com – Saturday July 23, 2016
The future of publishing is fraught with opportunity and peril. Here are 10 trends shaping your future as a writer and/or publisher.
The rise of e-books: Ten years ago, e-books accounted for less than 1% of the trade book market. Today, e-books account for about 25% of dollar sales and 40%–50% of units. Although the rate of growth has slowed for e-books, the affordability and accessibility of digital will continue to erode print readership.
How to Write a Thriller
wsj.com – Friday July 22, 2016
The works of Megan Abbott, Blake Crouch and James Patterson diverge in style and form, but they’re all about creating a thrill. The three authors, who all have new books out this summer, answered questions about the mechanics of storytelling, the genre’s best works and finding success for a round-table conversation. Here, an edited compilation of their responses from separate interviews.
5 Writing Tips: Donald Ray Pollock
publishersweekly.com – Friday July 22, 2016
Donald Ray Pollock's The Heavenly Table is one of the most delightfully twisted novels of the year, a terror ride through an early 20th century hillbilly hellscape that puts the family of a swindled, good-hearted farmer on a collision course with three brothers on a crime spree. Pollock, whose previous novel, The Devil All the Time, was named one of the 10 best books of 2011, shares five writing tips.
When I decided to learn how to write, I didn’t know any writers, or anything about how to get started. I was forty-five and had worked at the same paper mill in a small town in southern Ohio for twenty-seven years at that point. However, thanks to a program the mill had that helped with tuition for employees who wanted to go to college part-time, I did have a degree in English. Plus, I loved to read. I determined to devote at least five years to writing, and worked at it almost every day. By the time I turned fifty, I had published five or six stories in small literary magazines. Granted, this doesn’t seem like much, but over time, I slowly discovered that it was what I wanted to do; and that’s always a good thing, actually, the very best thing, knowing exactly what you want to do with your life, no matter how hard or frustrating it might be, and writing is, more often than not, pretty damn hard and pretty damn frustrating. Still, I wasted a lot of time in the beginning, and with that in mind, here, mainly for the benefit of beginners, are the major things I’ve learned about writing:
firstwriter.magazine Issue 29: Summer 2016
firstwriter.com – Thursday July 21, 2016
The latest issue of firstwriter.magazine has just been released, featuring quality fiction and poetry submitted from around the world, plus your first chance to see not just the winning poem from our Fourteenth International Poetry Competition, but also all the Special Commendations. To view the magazine click here. To enter your work in our Fifteenth International Poetry Competition click here.
Madeleine Milburn Agency launches writing competition
thebookseller.com – Thursday July 21, 2016
The Madeleine Milburn Literary Agency will tomorrow (22nd July) launch a competition to find unpublished authors.
The theme of this year’s ‘Madeleine Milburn Summer Writing Competition’ is ‘make us scared’, and entrants can send any genre of writing as long as it fits the brief. Writers from anywhere in the world that are un-agented and unpublished are eligible, although their manuscripts must be in English.
New Magazine Listing
firstwriter.com – Thursday July 21, 2016
Publishes: Fiction; Nonfiction; Poetry;
Areas include: Short Stories;
Preferred styles: Literary
Online journal publishing short fiction up to 5,000 words, flash fiction up to 500 words, micro-fiction up to 100 words, short nonfiction up to 5,000 words, first chapters of graphic novels up to 5,000 words, and poetry (submit up to 5). Submissions must be sent by email with the subject line "Submission". See website for full details.
Popular writing app Scrivener is now available on iOS
techcrunch.com – Wednesday July 20, 2016
If you’re tech-savvy and a serious writer, chances are you already know about Scrivener. The popular writing app has been available on OS X and Windows for years now. And now, it is available on iOS for $19.99 as well. Scrivener is a flexible and powerful writing app that makes it easier to write long-form stuff — think about it as a sort of writing studio.
Who wants to be liked? The joy of writing outrageous, amoral women
inews.co.uk – Tuesday July 19, 2016
I’ve always been drawn to dark, unpredictable, unknowable characters. I love performing baddies as much as watching them and I had a macabre sense of play as a child. I was a committed tomboy always playing “man on the run”, or “boy being kidnapped”, rather than making daisy-chains or throwing tea parties. I have never been interested in playing Juliet, though I can appreciate the brilliance and beauty of the role from the stalls, my instinct as an actress is always to undercut and be irreverent. Something a role like that really does not require.