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Writers' News

New Publisher Listing

firstwriter.com – Wednesday May 15, 2019

Publishes: Fiction; Poetry; 
Markets: Adult; 
Preferred styles: Literary

Publishes fiction and poetry collections. Particularly interested in collaborative / transmedia pieces. Send submissions by email with author bio / resume.

[See the full listing]

New Publisher Listing

firstwriter.com – Monday May 13, 2019

Publishes: Fiction; 
Areas include: Fantasy; Historical; Romance; Sci-Fi; Short Stories; 
Markets: Adult; 
Preferred styles: Contemporary

Publishes creative LGBTQIA (lesbian, gay, bisexual/pansexual, trans, queer, intersex, asexual/aromantic/agender) romances in any genre. Accepts submissions of novels up to 200,000 words and short stories and novellas of at least 10,000 words. See website for full submission guidelines.

[See the full listing]

James White Award suffers technical problem

jameswhiteaward.com – Saturday May 11, 2019

If you've submitted a story to this year's James White Award Short Story Competition and did not receive a confirmation email you will need to resubmit your story.

The competition organisers have suffered a technical problem with their website submission form which has meant that they have not been receiving submitted material. Their back-up system has also failed.

The James White Award accepts science fiction stories between 2,000 and 6,000 words. Winners receive £200 and publication in Interzone.

[Read the full article]

New Literary Agency Listing

firstwriter.com – Thursday May 9, 2019

Handles: Fiction; Nonfiction
Areas: Biography; Business; Cookery; Crime; Culture; Current Affairs; Film; Finance; Historical; Legal; Lifestyle; Medicine; Music; Philosophy; Politics; Psychology; Science; Self-Help; Sociology; Sport; Technology; Travel; TV
Markets: Adult; Children's
Treatments: Literary

Send query by email with first ten pages in the body of the email (or full manuscript for picture books). No attachments. See website for full guidelines.

[See the full listing]

Dear Will… creative writing courses matter more than ever (but not for the reasons you think)

thebookseller.com – Wednesday May 8, 2019

Dear Will, 

We’ve never met, though I am familiar with your work, and your opinions about the world, as you have over the years, built up many column inches to your name, especially, recently, on the value of creative writing courses, and the fact that no one is making money as a literary novelist anymore. I also want to note that your controversialist's question is often on heavy rotation in the literary press - Hanif Kureshi had a similar conniption last time he had a book to promote. But since this is a matter quite close to my professional heart, I would like to point out a few glaring errors of logic in your critique.

[Read the full article]

New Magazine Listing

firstwriter.com – Wednesday May 8, 2019

Publishes: Articles; Fiction; Nonfiction; Poetry; 
Areas include: Short Stories; 
Markets: Adult; 
Preferred styles: Literary

Publishes poetry, fiction, creative nonfiction, and opinion / editorial pieces. Submit up to five poems or prose up to 10,000 words.

[See the full listing]

Will Translated Fiction Ever Really Break Through?

vulture.com – Tuesday May 7, 2019

In May 2018, Olga Tokarczuk and her translator Jennifer Croft won the Man Booker International Prize for Flights, a novel that was published in Poland in 2007. Drive Your Plow Over the Bones of the Dead, for which Tokarczuk is a Booker finalist again this year, was translated a bit faster; it only took a decade. One of the biggest stars in translation of this century, Roberto Bolaño, author of 2666 and The Savage Detectives, fared no better. Back in 2003, when New Directions put out his first translated book, By Night in Chile, Bolaño had already passed away; he was a famous writer by then, at least in Spanish.

The process of literary translation takes time, obviously, but there’s something else at play when it takes a decade or more for incredibly renowned authors to reach our shores. This is part of a much larger problem, frequently referred to as the “3 percent problem” by publishers of translation (like myself), which should be troublesome to anyone who believes the world is better off when cultures are in conversation with one another.

[Read the full article]

Writing at risk of becoming an 'elitist' profession, report warns

theguardian.com – Tuesday May 7, 2019

Though the average writer earns £10,000 a year, mean household earnings are more than £81,000 – a result bestselling author Kit de Waal calls problematic.

Writing is in danger of becoming an elitist profession, with many authors being subsidised by their partners or a second job in order to stay afloat, according to new statistics.

The full findings from the annual Authors’ Licensing and Collecting Society report into author earnings paint a more nuanced picture than the headline results from last summer, which revealed that median earnings for professional writers had fallen to less than £10,500 a year. While the average professional writer earns £10,000 a year, the mean earnings for a writer’s household were more than £81,000 a year, and median household earnings were at £50,000 per annum. “Most writers supplement their income from other sources, such as a second job or household earnings contributed by a partner”, according to the report, which analysed answers from more than 5,500 professional writers.

[Read the full article]

New Publisher Listing

firstwriter.com – Tuesday May 7, 2019

Publishes: Poetry; 
Markets: Adult; 
Preferred styles: Literary

Poetry press publishing a regular journal and poetry books. Send query by email with brief bio and 3-5 poems in the body of the email. No attachments.

[See the full listing]

Buchwald Adds Five Agents In New York, Los Angeles Outposts

deadline.com – Monday May 6, 2019

The boutique agency Buchwald has expanded its New York and Los Angeles offices with five key hires made by president Julia Buchwald. In the New York office, Cassandra Tay and Katie Britton have been brought on as theatrical agents, as well as Liz Orr as a literary agent.

In Los Angeles, Jason Hyman joins as a talent agent, while George Carmona has been hired as Buchwald’s West Coast voice-over agent. In addition to building out the voice-over booth in Buchwald’s L.A. office, Carmona will work with a number of the agency’s east coast commercial agents including newly promoted Director of Animation, Pamela Goldman.

[Read the full article]

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