'Fight Club' author Chuck Palahniuk takes readers to writing school in new book 'Consider This'
eu.usatoday.com – Monday January 6, 2020
It's no secret that going to school for a Master of Fine Arts (MFA) in creative writing is expensive. But with the release of his new book, "Consider This: Moments in My Writing Life After Which Everything Was Different," Chuck Palahniuk is offering an alternative.
"It costs a fortune to get a MFA degree in creative writing, and there are people who don't have that money and don't have that time and don't live anywhere close to a school that has a program like that," the author explains to USA TODAY.
Now, the novelist who has published more than two dozen books, including "Fight Club" (1996), is looking to share the most important moments and lessons that helped mould him in his new book, which hits shelves Jan. 7.
Author Elizabeth TenHouten: “To be a great author don’t be afraid of what others will think”
thriveglobal.com – Monday January 6, 2020
As part of my interview series on the five things you need to know to become a great author, I had the pleasure of interviewing Elizabeth TenHouten. Elizabeth is an international bestselling beauty author and poet. She has authored two beauty books with Random House and is currently working on her first poetry book, titled: The Softest Sting.
'Authenticity is the key' - budding crime writers on getting the science right
bbc.co.uk – Sunday January 5, 2020
Whether it is Ian Rankin's world-weary Inspector Rebus or the windswept murder mysteries of BBC Scotland's Shetland, home-grown crime fiction is big business.
But with fans more clued-up than ever, is getting the forensic science right in novels and television series important?
Dundee University seems to think so.
The university launched its MLitt in Crime Writing and Forensic Investigation in 2017, the first course of its kind in the UK.
With Scottish crime writers more popular than ever and the continued success of literary festivals like Stirling's Bloody Scotland and Aberdeen's Granite Noir, many fans are not just content to know "whodunnit", but how it was done, too.
Comedy Writing Intensive for Women
tinyurl.com – Saturday January 4, 2020
Scholarship applications are now being accepted for the Comedy Writing Intensive for Women at the Southampton Inn, NY March 19 - 22, 2020. Scholarships are merit based and are applied towards registration fees. Celebrate yourself during Women's History Month! This intensive is for writers of plays, fiction, nonfiction and poetry.
Mango Publishing Acquires Yellow Pear Press
publishersweekly.com – Friday January 3, 2020
Mango Publishing, a Miami-based independent house focused on a diverse list of voices and topics, has acquired Yellow Pear Press, which also includes Bonhomie Press, a fiction and memoir imprint.
Founded in 2015 in San Francisco, Yellow Pear Press specializes in lifestyle and regional titles as well as notecards and journals. The YPP list works well with that of Mango Publishing, which publishes across an eclectic range of topics including LGBTQ issues, feminism, health and self-help, fiction, and children’s and young adult books.
Debut fiction by women shook up the Indian literary scene in 2019
livemint.com – Monday December 30, 2019
- First-time women writers dominated the literary fiction landscape in India this year
- They won prizes, appeared on shortlists, and published thematically daring books challenging patriarchal assumptions and political realities
It may seem superfluous to fuss about literary fiction and its fate in the fractious political climate Indians are living in, but the genre has, since its inception, held a mirror to social change, capturing truths that slip through the cracks of hardwired non-fiction. This year, in particular, has witnessed the triumph of women debut novelists. A series of powerful books by them have disrupted the familiar landscape of English-language publishing in India, usually filled with established names and stars. Thematically daring, crafted with precision and forging distinctive linguistic registers, these books help us experience our political and social realities more keenly. They also capture the collective desires and despairs that complicate our engagement with the India we are living in at the moment.
New Literary Agent Listing: Katherine Wessbecher
firstwriter.com – Monday December 30, 2019
Katherine is looking for children’s books (picture books through YA), upmarket adult fiction, and narrative nonfiction for all ages.
How Many Characters?
By G. Miki Hayden
Instructor at Writer's Digest University online and private writing coach
firstwriter.com – Monday December 30, 2019
I never really thought about how many characters might be best in a novel because my characters have always had real and necessary roles, and that’s what I’ve stuck by. But recently I had a student whose novel is off to the races with 10 different third-person point of view characters and about an equal number of secondary characters. The student was struggling with whether that was optimal or whether she needed to ditch the whole project. Hey, wait, never toss a project until you’ve pondered the various implications.
Houston-based Romance Writers of America sees board exodus after racism allegations
houstonchronicle.com – Sunday December 29, 2019
Nine board members of the Houston-based Romance Writers of America resigned this week in a startling exodus that took place during a holiday lull. The organization — which represents a billion-dollar industry and celebrates its 40th anniversary in 2020 — will enter the new year with decimated leadership and lingering questions about its focus and future after several romance authors questioned the association’s commitment to a diverse community.
“I knew this kind of thing could happen, but I certainly didn’t see it happening this way, over Christmas week,” said author Piper Huguley. “I knew there was a big push coming, a resistance against this. I believe we’re in a fight for the soul of this organization, which to a number of people who observe it is not unlike what’s going on in the country politically. Right now the big question is, ‘What’s going to happen?’”
The 2010s were supposed to bring the ebook revolution. It never quite came.
vox.com – Monday December 23, 2019
At the beginning of the 2010s, the world seemed to be poised for an ebook revolution.
The Amazon Kindle, which was introduced in 2007, effectively mainstreamed ebooks. By 2010, it was clear that ebooks weren’t just a passing fad, but were here to stay. They appeared poised to disrupt the publishing industry on a fundamental level. Analysts confidently predicted that millennials would embrace ebooks with open arms and abandon print books, that ebook sales would keep rising to take up more and more market share, that the price of ebooks would continue to fall, and that publishing would be forever changed.
Instead, at the other end of the decade, ebook sales seem to have stabilized at around 20 percent of total book sales, with print sales making up the remaining 80 percent. “Five or 10 years ago,” says Andrew Albanese, a senior writer at trade magazine Publishers Weekly and the author of The Battle of $9.99, “you would have thought those numbers would have been reversed.”
And in part, Albanese tells Vox in a phone interview, that’s because the digital natives of Gen Z and the millennial generation have very little interest in buying ebooks. “They’re glued to their phones, they love social media, but when it comes to reading a book, they want John Green in print,” he says. The people who are actually buying ebooks? Mostly boomers. “Older readers are glued to their e-readers,” says Albanese. “They don’t have to go to the bookstore. They can make the font bigger. It’s convenient.”
Ebooks aren’t only selling less than everyone predicted they would at the beginning of the decade. They also cost more than everyone predicted they would — and consistently, they cost more than their print equivalents. On Amazon as I’m writing this, a copy of Sally Rooney’s Normal People costs $12.99 as an ebook, but only $11.48 as a hardcover. And increasingly, such disparities aren’t an exception. They’re the rule.
So what happened? How did the apparently inevitable ebook revolution fail to come to pass?
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