A bestselling author reveals his 3 techniques to overcome writer’s block
cnbc.com – Thursday August 23, 2018
Experiencing writer's block can be both frightening and frustrating for anybody working on a project with a deadline fast approaching.
Unfortunately, this inability to produce content within a specified period of time can strike at any moment.
And bestselling Hay House author Charlie Morley is no stranger to this common setback.
Nurturing the literary landscape
thebookseller.com – Tuesday August 21, 2018
Literary fiction has lost status over the past quarter century, becoming marginal to our wider culture, argues New Statesman editor Jason Cowley in forthright terms in an interview in this week’s issue, reigniting the debate kicked off by Arts Council England’s report last December (Literature in the 21st Century) on what ACE reckoned were serious threats to literary fiction in the current climate.
Cowley may sound a touch nostalgic in his lament for the glamorous publishers of yesteryear, but many will think he has a point—particularly given that shrinking review space and the loss of dedicated literary editors has diminished the public profile of literary work over the past few years. This has made it a tougher arena than ever to establish new names and find a readership for experimental work, a task which was surely never easy anyway.
Publishers Association corrects key figure on author pay
thebookseller.com – Sunday August 19, 2018
The Publishers Association (PA) has admitted a key figure it released on author pay was wrong; in fact authors received more money from publishers in 2016 than previously thought, with the figure first cited close to £190m out.
Writing in The Bookseller this week Stephen Lotinga, c.e.o. of the PA, said that a report released by the trade body in March, conducted by Frontier Economics, incorrectly calculated that the total payments consumer authors received in 2016 were £161m, based on advances, royalties, secondary licensing and rights.
However, Lotinga said the correct figure with the inclusion of advances stood at around £350m - a leap of £189m.
The report caused a furore when it was originally released earlier this year, with the Society of Authors (SoA) calculating that writers received around 3% of publishers' turnover in 2016 when taking into account the £161m figure, while publishers' profit margins were much higher.
Indie publishers unite for new podcast
thebookseller.com – Sunday August 19, 2018
Canongate, Faber and Profile imprint Serpent's Tail are launching a fortnightly podcast to champion independent publishing, authors and bookshops.
Read Like a Writer is hosted by journalist Anna Fielding and each episode will feature authors recommending their favourite books, often around a theme such as childhood favourites or favourite classics, and talking about their own work. They will also discuss their favourite local independent bookshop and its importance in their lives.
The first episode, featuring Matt Haig, has been released, with Shaun Bythell, Gina Miller, Sarah Perry, Elizabeth Foley and Beth Coates all lined up for future episodes.
How #ShareYourRejection Reminds Us That Failure is Normal
comicsbeat.com – Sunday August 19, 2018
Big news. There’s no such thing as an overnight success. Any success we have is accompanied by years of work and often countless failures. As someone who has faced rejection more times than they could shake a stick at, finding the #ShareYourRejection hashtag on Twitter was a lightning bolt to the soul (in a good way). It all started when Saeed Jones, author and co-host of Buzzfeed’s popular AM2DM show, Tweeted about a recent rejection he recieved.
New Publisher Listing
firstwriter.com – Thursday August 16, 2018
Publishes: Nonfiction; Poetry;
Areas include: Autobiography;
Markets: Adult
Publishes poetry, memoirs, essays, and books on the craft of writing. Runs two poetry prizes.
Why Authors Are Earning Less Even As Book Sales Rise
forbes.com – Sunday August 12, 2018
HarperCollins reported $490 million in sales for the last quarter on Thursday, up $83 million from the same quarter in 2017, partially due to rising digital audiobook and ebook sales. It's just the latest confirmation that traditional book publishers are doing well for themselves: The Publishers Association recently found the UK publishing industry's £5.7 billion in book sales income to be up 5% over the year prior.
That's in contrast to a June 2018 report out from the Authors’ Licensing and Collecting Society that holds author earnings have dipped by 42% over the last ten years, and that median annual income for professional authors is now below £10,500. How can author earnings slip so far even as book publishers' incomes continue to rise? There's no simple answer, but plenty of factors contribute to the seeming disparity.
New Magazine Listing
firstwriter.com – Thursday August 9, 2018
Publishes: Fiction; Nonfiction; Poetry;
Areas include: Short Stories;
Markets: Adult
Publishes unpublished short fiction, poetry, prose poems, creative nonfiction, and artwork. Accepts submissions year-round and supports emerging writers and artists. Electronic submissions only.
New Literary Agency Listing
firstwriter.com – Thursday August 9, 2018
Handles: Fiction
Markets: Children's; Youth
Handles fiction for children, from chapter books for emerging readers up to young adult / crossover titles. No picture books. Send query by email with one-page synopsis and full ms. No postal submissions.
Ebooks: How digital publishers are 'shaking up' the industry
bbc.com – Wednesday August 8, 2018
JK Rowling notoriously received numerous rejections before meeting her literary agent, and later, publisher. Having stacked up at least 60 rejections in my writing career, I know exactly how that feels.
And while being a novelist recently came out on top in a survey as one of the most desirable jobs to have, it is definitely not for the faint hearted.
I now have an agent and an award, but it wasn't always that way.
As a writer, the first step to securing a publishing deal is to acquire an agent, a middle-man, basically your number one fan who will shout about how good you are to publishers and hopefully persuade them to read your carefully-crafted novel.
They are the gatekeepers to the publishing industry.
Digital publishers, however, are changing the game because they talk directly to authors.
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