61% of Canadian publishers are producing audiobooks, up from 16% in 2015
booksandpublishing.com.au – Monday October 22, 2018
In Canada, 61% of publishers are producing audiobooks, up from 16% in 2015.
According to a recent study on audiobook use published by BookNet Canada, the average audiobook listener in Canada identifies as female, is aged between 25 and 34, and listens to audiobooks between one and ‘several’ times per week. Audiobook listeners over the age of 55 grew by four percent from the previous year.
"Free is not fair" won't make authors richer, but fixing publishers' contracts will
boingboing.net – Monday October 22, 2018
Australia is about to radically expand its copyright and the publishing industry has forged an unholy alliance with authors' groups to rail against fair use being formalised in Australia, rallying under the banner of "Free is not fair."
Selling Graphic Novels In a Changing American Marketplace
publishersweekly.com – Saturday October 20, 2018
Over the past five years, the North American graphic novel market has welcomed a wave of new readers and grown from about $805 million in sales in 2012 to more than $1 billion in 2017. At a panel titled “Comics Readers: Who They Are and Where to Find Them,” held during the recent New York Comic Con, a group of comics professionals focused on identifying some of the consumer and cultural trends driving this growth.
The panelists focused on a new generation of comics-loving librarians and comics shop owners, the bookstore market, and the ever-growing popularity of graphic novels for middle grade and young adult readers. Long dominated by the superhero genre, the North American comics market is now offering a wider variety of works thanks to growing numbers of women, girls, people of color, and LGBTQ fans. The panel also examined the growing popularity of translations from the European comics market and a wide range of nonsuperhero material that is now available.
Penguin Random House Merges Two of its Successful Publishing Lines
nytimes.com – Friday October 19, 2018
Penguin Random House, the largest publishing company in the United States, is merging two of its most prestigious publishing lines, Random House and the Crown Publishing Group.
The new joint division will be lead by Gina Centrello, currently the president and publisher of Random House. In a memo to employees, Madeline McIntosh, the chief executive of Penguin Random House U.S., said that Crown and Random House “will retain their distinct editorial identities.”
How to write a novel by author & commissioning editor Phoebe Morgan
marieclaire.co.uk – Tuesday October 16, 2018
In the second instalment of our Writers Bloc series, we get the inside scoop on how to write a novel from commissioning editor and author, Phoebe Morgan
A commissioning editor by day and novelist by night, Phoebe Morgan is the author of The Doll House, published this month, and The Girl Next Door which is released in February 2019, both psychological thrillers. She is 28, and lives in Clapton, East London, with her boyfriend.
New Publisher Listing
firstwriter.com – Tuesday October 16, 2018
Publishes: Fiction; Nonfiction; Poetry;
Open to manuscripts in any genre that are at least 60 pages. Submit via website through online submission system. Free for those who have bought a book from the press, otherwise there is a submission fee.
Literary-minded phishers are trying to pilfer publishersâ€™ manuscripts
nakedsecurity.sophos.com – Monday October 15, 2018
A scammer has been trying to steal manuscripts by spoofing their email address to make it look like messages are coming from literary agent Catherine Eccles, owner of the international scouting agency Eccles Fisher.
The scammer is targeting literary agencies, asking for manuscripts, authors’ details and other confidential material, as the industry publication the Bookseller reported on Thursday.
The attack on Eccles Fisher is just part of a broader, global spate of phishing attacks that’s prompted Penguin Random House (PRH) North America to issue an urgent warning to all staff just as the five-day Frankfurt Book Fair began, the Bookseller then reported on Friday.
Why canâ€™t life begin after 40 for a writer?
irishtimes.com – Friday October 12, 2018
Last year, at a writing festival in rural Ireland about 60 attendees sat listening to presentations from publishers and agents. It was the kind of segment that has been popular on the writing festival circuit for quite a while now. The attendees hear a lot of familiar advice from people in the industry, both domestic and overseas. And there are occasional insights into the metamorphic and precarious state of the publishing industry.
At this particular event, there was a lot of advice about presentation, synopses and introduction letters, how authors should market themselves and their books, and the common mistakes made by aspiring novelists.
Publisher warnings as cyber criminals attempt to pilfer manuscripts
thebookseller.com – Friday October 12, 2018
A spate of global phishing scams attempting to access agencies’ and publishers’ manuscripts and other sensitive information prompted Penguin Random House (PRH) North America to issue an urgent warning to all staff as the Frankfurt Book Fair began.
The company sent an email to staff on Wednesday (10th October), when The Bookseller revealed scouting agency Eccles Fisher was hit by a phishing scam. Owner Catherine Eccles said someone was purporting to be her in emails and attempting to access manuscripts, authors’ details and other confidential material. The PRH email was circulated with the subject line “Important: New Phishing Alert” and reads: “We have recently seen an increase in attempts to steal our manuscripts. This has occurred in multiple locations across the globe. The individuals attempting to access these manuscripts have a sophisticated understanding of our business. We need to protect ourselves from these threats.”
3 Ways This Startup Aims To Democratize Book Publishing
forbes.com – Thursday October 11, 2018
Time was, the publishing industry could claim a stable existence, safe within its leather-bound borders. If a publishing business was held and run by competent hands, it could typically expect a nice payoff from those gilded-edge pages. Over the past decade (or more), however, sales numbers have become increasingly unpredictable.
The merging of some traditional publishers and the shutting of doors by others has made becoming a debut author perceptibly less likely. Literary agents have more methods than ever for heaving even the most adventurous and resolute new author out the door — particularly if the author doesn’t arrive on the agent’s doorstep with an existing base of eager readers. What new and unaided author can show up with the needed number of followers in tow? I would guess the number may amount to about zero.