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News
Kate Shaw is leaving The Viney Shaw Agency to set up her own literary agency next month.
The Shaw Agency will be launched on 1st July and Shaw will take her existing client list which includes novelists Isabel Ashdown, Lesley Lokko and Susan Elliot Wright, journalists Ian Cobain and Alex Crawford and children’s novelists Fleur Hitchcock, Vashti Hardy, Alan MacDonald, James Nicol and Holly Smale with her.
An agent since 2001, Shaw worked at Aitken Alexander Associates before joining The Viney Agency in 2009. She became director in 2017 and the firm was renamed The Viney Shaw Agency.
As part of its decade-long effort to help writers tell their stories and find their readers, the Amazon Literary Partnership today announced over $1 million in grant funding to 66 nonprofit literary organizations across the country. The funding will support groups that are working to empower writers, helping them to create, publish, learn, teach, experiment, and thrive.
Since 2009, the Amazon Literary Partnership has awarded more than $12 million in grant funding to more than 150 literary organizations, with a particular focus on supporting a diversity of voices. Grant recipients include nonprofit writing centers, residencies, fellowships, after-school classes, literary magazines, national organizations supporting storytelling and free speech, and internationally acclaimed publishers of fiction, nonfiction, and poetry.
Cengage and McGraw-Hill Education plan to join forces in an all-stock merger. The news, first reported by The Wall Street Journal, would create the second-biggest U.S. textbook publisher if the deal is approved, with a combined valuation estimated at $5 billion. Pearson, with a market cap of $8.5 billion, would still be ahead of the pack.
A writing practice requires us to slow down, reflect, and attend. HeartWood Literary Magazine & West Virginia Wesleyan’s MFA Program seek to honor this practice with an annual broadside contest. The winning entry will be printed on a limited-edition letterpress broadside designed by Charleston, W.Va. letterpress company Base Camp Printing.
The contest runs April 1 through June 1, 2019.
Articles
When Anupama Krishnakumar and Vani Viswanathan started the online literary magazine Spark in January 2010, they weren’t sure how many issues they would be able to put out into the world. In January 2018, they celebrated eight years of the magazine and in April, their 100th issue will be released.
Putting out a literary magazine every month for eight years has its challenges, especially when running it alongside professional and personal commitments. Each month, the magazine focuses on a theme, ranging from “Navarasas” to “Life Online” to “Shopping”, features writing across genres and is freely available to read without advertising or a subscription fee. In an interview with Scroll.in, the co-founders spoke about their individual understanding of how the magazine has survived, the practical approach to running a non-commercial venture, how they choose what submissions to feature, the pressures of multiple responsibilities, and the changes in creative writing online.
In kindergarten I was tasked with making a shoebox diorama that showed me engaged in my future vocation. The little cardboard me I cut out wasn't playing a professional sport or fighting a fire or walking on the Moon. Instead, Mini Me sat solo in the empty Vans shoebox, in a tiny cardboard chair, behind a tiny cardboard table, in front of a tiny cardboard typewriter. It wasn't a dream I chased very far. At some point growing up I was dissuaded by pragmatism. Having learned that I stood the same chances of becoming a successful writer as my kindergarten classmates did becoming a professional baseball player, I steered clear of ever being caught playing the dreamer.
A vibrant new wave of Irish literary journals are offering insights into contemporary trends as well as giving new ideas and new writers an audience
There’s nothing new under the sun. This old saw is one of the first things you learn on the job if you’re a writer, artist, or other drudge who tries to earn a living making things up.
I can still remember my astonishment when, a few years after my first book for kids was published by Henry Holt in 1994, an almost ridiculously similar children’s title (though in pop-up form) came out from Little Simon.
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