11 authors' strategies for overcoming writer's block
mashable.com – Monday November 9, 2015
Writer's block — an author's worst nightmare.
The dreaded lack of creative ideas and inability to produce new work has writers across the world trembling in fear.
Famed novelists F. Scott Fitzgerald and Ray Bradbury are just two of many creative minds that have suffered from this incorrigible mental block. And let's face it, if a writer tells you its never happened to them, they're probably lying.
Mashable compiled the strategies different authors use to overcome writer's block, which should come in handy since it's National Novel Writing Month.
Writers on the pain of hindsight in publishing: 'It's like a bad breakup – you have to move on'
theguardian.com – Monday November 9, 2015
How do you let go of a book you’ve written? Viv Groskop, Sathnam Sanghera and others offer their advice for bouncing back from the post-publication blues.
This Week in Fiction: Mark Haddon on Writing Stories as Complex as the Real World
newyorker.com – Monday November 9, 2015
Your story in this week’s issue, “The Weir,” is set in Oxford, alongside the Thames, near Wytham Woods. Why did you choose to stage such a sad event—an attempted suicide—in this bucolic terrain?
What defines good writing?
blog.oup.com – Sunday November 8, 2015
What distinguishes good writing from bad writing? How can people transform their writing to make it more powerful and more effective? Are universities teaching students how to become better writers? In order to answer these questions and others, we sat down with Geoffrey Huck, an associate professor of the Professional Writing Program at York University.
Sarah Waters, Ross Raisin, Adam Foulds, Andrew Cowan, Helen Simpson share writing tips, favourite books by young writers
thebookseller.com – Saturday November 7, 2015
The Sunday Times/Peters Fraser & Dunlop Young Writers of the Year Award has relaunched in 2015, and will recognise the best literary work of fiction, non-fiction or poetry by a British or Irish writer of 35 and under.
Here, past winners of the prize share their favourite books written by writers aged 35 and under, and their writing tips.
Chicago authors share their No. 1 tip to writing a novel
chicagotribune.com – Friday November 6, 2015
November is National Novel Writing Month, a campaign that challenges would-be authors to write at least 50,000 words by Nov. 30. With that in mind, we asked local authors to share their No. 1 tip on writing a novel.
Top tips for young writers – from past winners of the young writer award
theguardian.com – Thursday November 5, 2015
How do you get started on a writing career? As the Sunday Times / PFD Young writer of the year award returns, we ask past winners including Sarah Waters, Ross Raisin and Helen Simpson for their top tips for young authors
Middlebrow? What's so shameful about writing a book and hoping it sells?
theguardian.com – Thursday November 5, 2015
Reading the recent Sydney Review of Books essay, Could Not Put It Down, it’s difficult to work out who its author, Beth Driscoll, intended to insult the most: readers for liking middlebrow books, writers for having the temerity to write them, or publishers for bowing to the demons of commerce by printing them.
Ten things I learned about writing from Stephen King
theguardian.com – Saturday October 31, 2015
The novelist James Smythe, who has been analysing the work of Stephen King for the Guardian since 2012, on the lessons he has drawn from the master of horror fiction
Publishers sell empty calories, but kids want meatier books
thetimesherald.com – Friday October 30, 2015
In 1998, when I first presented the concept for the children’s TV series Blue’s Clues to a roomful of television executives, my proposal was met with nearly complete skepticism. At the time, conventional wisdom held that children were afflicted with “short attention spans,” yet I was proposing a continuous 25-minute narrative, which is more than seven times longer than anyone believed the attention of a preschooler could be held. The only way to get preschoolers to engage with a TV series, the executives insisted, was to give them easily digestible bits of content in a “magazine format,” like most other preschool series.
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