Why millennial pink is the colour of money for book publishers
inews.co.uk – Sunday August 26, 2018
In recent years the mid-tone blush colour commonly referred to as “millennial pink” has taken over fashion, interior design, branding and publicity. Now publishers are also latching on to the colour’s marketability.
The number of pink books published in the past two years has risen sharply. Titles such as the Man Booker Prize-longlisted The Mars Room by Rachel Kushner, The Female Persuasion by Meg Wolitzer, Jenny Zhang’s Sour Heart and Sayaka Murata’s Convenience Store Woman all feature the hue on their covers. The cover of Sweetbitter, a novel by Stephanie Danler which was adapted into a Netflix series, was redesigned and reissued with a salmon-pink cover.
Clare Barron: 'My best advice? Write the ugliest, clunkiest play you can imagine'
standard.co.uk – Thursday August 23, 2018
In our Play Talk series, playwrights discuss the joys and struggles of the writing life. This week, Clare Barron talks about her Susan Smith Blackburn Award-winning play Dance Nation, which has its European premiere at the Almeida next month.
A bestselling author reveals his 3 techniques to overcome writer’s block
cnbc.com – Thursday August 23, 2018
Experiencing writer's block can be both frightening and frustrating for anybody working on a project with a deadline fast approaching.
Unfortunately, this inability to produce content within a specified period of time can strike at any moment.
And bestselling Hay House author Charlie Morley is no stranger to this common setback.
Nurturing the literary landscape
thebookseller.com – Tuesday August 21, 2018
Literary fiction has lost status over the past quarter century, becoming marginal to our wider culture, argues New Statesman editor Jason Cowley in forthright terms in an interview in this week’s issue, reigniting the debate kicked off by Arts Council England’s report last December (Literature in the 21st Century) on what ACE reckoned were serious threats to literary fiction in the current climate.
Cowley may sound a touch nostalgic in his lament for the glamorous publishers of yesteryear, but many will think he has a point—particularly given that shrinking review space and the loss of dedicated literary editors has diminished the public profile of literary work over the past few years. This has made it a tougher arena than ever to establish new names and find a readership for experimental work, a task which was surely never easy anyway.
How #ShareYourRejection Reminds Us That Failure is Normal
comicsbeat.com – Sunday August 19, 2018
Big news. There’s no such thing as an overnight success. Any success we have is accompanied by years of work and often countless failures. As someone who has faced rejection more times than they could shake a stick at, finding the #ShareYourRejection hashtag on Twitter was a lightning bolt to the soul (in a good way). It all started when Saeed Jones, author and co-host of Buzzfeed’s popular AM2DM show, Tweeted about a recent rejection he recieved.
Ebooks: How digital publishers are 'shaking up' the industry
bbc.com – Wednesday August 8, 2018
JK Rowling notoriously received numerous rejections before meeting her literary agent, and later, publisher. Having stacked up at least 60 rejections in my writing career, I know exactly how that feels.
And while being a novelist recently came out on top in a survey as one of the most desirable jobs to have, it is definitely not for the faint hearted.
I now have an agent and an award, but it wasn't always that way.
As a writer, the first step to securing a publishing deal is to acquire an agent, a middle-man, basically your number one fan who will shout about how good you are to publishers and hopefully persuade them to read your carefully-crafted novel.
They are the gatekeepers to the publishing industry.
Digital publishers, however, are changing the game because they talk directly to authors.
The one piece of advice every aspiring author needs to know
independent.co.uk – Sunday August 5, 2018
If you are one of the millions of people who aspire to be a published author, I have some writing advice for you: never listen to writing advice.
Not that it’s easy to avoid. If you go on Twitter and follow the hashtag #amwriting you’ll get more unsolicited advice than you know what to do with. Do this, do that, don’t on any account do the other. Everyone it seems, has some rules for you to follow.
Which is hardly surprising, as literally almost everybody is writinga book. And I use the phrase “literally almost everybody” advisedly. At the BookExpo America conference in 2015, author Jane McGonigal claimed that 90 per cent of young people in the US say they want to write a book.
How to Write a Book Without Losing Your Mind
theatlantic.com – Thursday August 2, 2018
A few months ago, I promised some nice people in New York that I would, sometime very soon, write a book.
Since then, I have:
Called my mom rejoicing.
Called my mom crying.
Considered changing my Twitter bio, then thought better of it.
Considered emailing all my ex-boyfriends and mentors to let them know I’m an impostor, then thought better of it.
Extensively researched three different long-form writing softwares, only to find that I prefer the first one I ever tried.
Why Are So Many Wannabe Screenwriters Getting Scammed?
hollywoodreporter.com – Wednesday August 1, 2018
From "pitch fests" to online script coaches, an entire cottage industry has sprung up to help aspiring scribes crack the movie business, and while some offerings are legit, many are schemes designed to prey on the Hollywood dreams of gullible strivers.
A few weeks after Manny Fonseca arrived in Los Angeles in the early part of this decade, having left his native Michigan with the hope of becoming a Hollywood writer or executive, the then 30-year-old was at a party when a producer asked if he’d “like to make a hundred bucks.” Sure, he replied. What would he have to do?
The answer was to show up the next day at a “pitch fest,” one of dozens of such gatherings each year in which hopefuls pay hundreds of dollars to serve up their story ideas to agents and executives who, in theory, will buy them if they’re good. Fonseca would be there as one of the buyers, which struck him as strange — not only was he not an executive, he didn’t even have a proper job: he had been interning with producers Arnold Kopelson and Irwin Winkler.
How the ‘brainy’ book became a publishing phenomenon
theguardian.com – Sunday July 29, 2018
This is a story about a book that just kept selling, catching publishers, booksellers and even its author off guard. In seeking to understand the reasons for the book’s unusually protracted shelf life, we uncover important messages about our moment in history, about the still-vital place of reading in our culture, and about the changing face of publishing.
The book is Sapiens, by the Israeli academic Yuval Noah Harari, published in the UK in September 2014. It’s a recondite work of evolutionary history charting the development of humankind through a scholarly examination of our ability to cooperate as a species. Sapiens sold well on publication, particularly when it came out in paperback in the summer of 2015. What’s remarkable about it, though, is that it’s still selling in vast numbers. In its first two and a half years of life, Sapiens sold just over 200,000 copies in the UK. Since 2017, when Harari published Homo Deus, his follow-up, Sapienshas sold a further half million copies, establishing itself firmly at the top of the bestseller lists (and convincingly outselling its sequel). Sapiens has become a publishing phenomenon and its wild success is symptomatic of a broader trend in our book-buying habits: a surge in the popularity of intelligent, challenging nonfiction, often books that are several years old.
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