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Sentimentality in Poetry: Emotional Imbalance and How to Avoid it

By Maria Foster
Poet and Writer

firstwriter.com – Saturday April 18, 2020

Nothing is going to turn readers off your writing quicker than that sickly, disingenuous whiff of sentimentality that emanates from aggressively emotional wording. That cliched, pandering thing that so many writers fall into the trap of.

All of my mean adjectives aside, it’s usually not something that happens deliberately. It’s not like people are just padding out their writing with sentimentality, knowing that it sounds awful but doing it anyway just because they want to.

What’s going on is probably more of a misguided attempt at something that is actually sincere. When we’re writing something creative and artistic, it’s almost always going to be an expression of emotion.

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Literary Magazines Published by Libraries

bookriot.com – Tuesday April 14, 2020

As both an author and library employee, I’m intrigued by libraries that publish literary magazines. Since so many libraries offer services for local writers and writer organizations, it seems like a natural extension.

In fact, last month I had the pleasure of being a judge—along with authors Sarah McGuire and Peter Raymundo—for the Osceola Library System’s third annual literary contest for kids aged 8–17. The theme was “There’s a Monster in My Lit Mag!” and while the ceremony for the winners has been cancelled, the winners will be read in an upcoming episode of the library’s Nonfiction Friends podcast by Jonathan, the amazing Youth Specialist who coordinated the contest.

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Is Your Covid-19 Novel Going to Be THE One?

By G. Miki Hayden
Instructor at Writer's Digest University online and private writing coach

firstwriter.com – Sunday March 29, 2020

“I have no idea what's awaiting me, or what will happen when this all ends. For the moment I know this: there are sick people and they need curing.”― Albert Camus, The Plague

One of the best-known and most well-respected written works in the world is Camus’ novel The Plague. Although the story reads as if Camus personally went through a pestilence, he actually had “only” researched the many plagues that had come before to write his book.

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Lights, camera, fiction: a film lover’s guide to writing a novel

irishtimes.com – Thursday March 26, 2020

I have always had a yearning to capture the visual. When I was very young, and before I owned a camera, I’d use my fingers as a frame and peer through them to see what a photograph of the scene before me would look like.

I went on to study film at third level, and when I set out to write my debut novel, You Have to Make Your Own Fun Around Here, I decided that I wanted the reader to see the story unfolding in their mind’s eye, much like a film.

I asked myself, if I was to make a film of this novel, what would it look like? Whose perspective would work best? How could I heighten the narrative’s impact through the use of pictures and visions? The film student in me was excited at the prospect of creating a visually driven story, and putting the storytelling skills I’d gained at film school to good use.

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Our Books, Our Shelves: BE A QUITTER, or HOW TO WRITE THE NOVEL OF YOUR HEART

themarysue.com – Tuesday March 24, 2020

Sometimes, you quit.

Quitting isn’t something we’re taught to do, especially not as writers. Established authors share stories of rejections and perseverance. Of the manuscript they refused to give up on. That they published to great acclaim and poo-poo on those editors who rejected them! It’s supposed to inspire—and goodness knows we need all the inspiration we can get in this field.

When I was in graduate school, I started writing my first novel. A novel that my mother recently retrieved from the depths of her house, printed and spiral bound. “In five years, we can put that on eBay,” my dad said, while fixing himself a burger. “Absolutely not!” I said. Probably should’ve snatched it from Mom when I had the chance. (Please, if in five years you see an eBay listing titled “K M SZPARA UNPUBLISHED MANUSCRIPT RARE,” report it.)

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How to publish a book: The publishing process, explained

goodhousekeeping.com – Saturday March 14, 2020

You've had the killer idea, you've developed your book characters, planned and plotted, and found the motivation to finally write the novel you've always dreamed about.

You may even have found an agent. But when it comes to a publishing a book, how does the industry actually work?

There are so many stages, so many edits and buzzwords - it can feel impossible to navigate. Before my first novel, Five Steps To Happy, came out last year, I felt utterly lost, confused about the role of an editor and full of questions about the publishing process.

If you feel the same, fear not. In this piece I'll explain the publishing industry, rounding up the people who know to answer the most common questions about writing a book.

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How to publish a book: Finding an agent

goodhousekeeping.com – Saturday March 14, 2020

Publishing a book can feel like a minefield. There are so many ways to go about it - from the traditional agent and publisher route, to entering writing competitions to self publishing.

Before my first book, Five Steps To Happy came out last year, I was pretty much clueless as to the process. I took a 3 month novel writing course with Curtis Brown Creative, which offered a valuable insight into how the industry works.

A couple of years (and a lot of rejections) later, I signed with literary agent Richard Pike, at C&W, Curtis Brown's sister agency. My novel was bought by Trapeze, an imprint of Orion - and my dream came true.

Going through the process first-hand, I've gained a lot of useful knowledge. Burning questions about where an agent fits in with publishing a book? Read on!

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A twist in the tales: Ahead of World Book Day, publishers and authors reveal why children still prefer page-turners to pixels

sundaypost.com – Tuesday March 3, 2020

Despite children often being apparently glued to their screens, it seems they really love nothing more than a good read, with sales of kids’ books in the UK climbing 15.5% in a decade.

The industry, worth £290 million in 2010, netted £335m last year.

A decade ago, with the rise of ebooks, there was a fear that children’s books sales would plummet, but Publishing Scotland’s marketing manager, Vikki Reilly, says it has been one of the least affected sectors.

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This Is What 300 Writers Say Made Them Successful

entrepreneur.com – Sunday March 1, 2020

Red Smith, a legendary sportswriter, was once asked if it was hard to write his daily column. “Why no,” he said. “You simply sit down at the typewriter, open your veins, and bleed.”

Any person who’s ever tried to string a bunch of words together and make them sound interesting can feel Smith’s pain. Writing is brutal — and writing for a living can feel like you’re Jack Nicholson in The Shining typing the same sentence over and over again.

And we all know how that turned out.

On my podcast, Write About Now, I interview writers of all types — novelists, journalists, screenwriters, showrunners, and business gurus — about how they stopped bleeding, started writing, and landed at the top of their profession. I launched the show two years ago and during that time I’ve done a deep dive into the techniques and tactics of over 300 successful scribes. After a while, I noticed some common themes start to rear their poetic heads. Call them writer hacks, but just not the type that draw blood. Here are six things successful writers do.

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Ways to Describe

By G. Miki Hayden
Instructor at Writer's Digest University online and private writing coach

firstwriter.com – Tuesday February 25, 2020

One important job of the author is to describe what the reader can’t see (smell or taste, etc), and that includes a description of the point of view character even if the novel is in first person; descriptions of other characters from the first person character’s point of view; and descriptions of the setting, both the macro setting (the city, for instance, but maybe the neighborhood and/or the house) and the micro setting (such as the home interior or a room in the house). Not to mention everything else, the dinner, the restaurant, the music, the crowd, the scent in the air, well everything...

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