What Teaching Shakespeare Taught Me About Writing Horror
lithub.com – Monday May 8, 2023
Titus Andronicus May Be Bloody, but the Scottish Play and Othello Are Psychological Horror Perfection
A desolate moor, haunted by incomprehensible supernatural beings. Chains rattling in a dark castle, ghosts prowling the ramparts. A grisly corpse, hands chopped off and tongue sliced out. For any horror-lovers, whether the Gothic classics or the contemporary greats, these tropes will ring familiar.
They come, of course, from Shakespeare.
In fact, after more than a decade of teaching his work, I’ve come to see Shakespeare—at least when he’s writing tragedies—as primarily a horror writer. He might perhaps be the most significant influence in the entire English language to the Gothic, and consequently the modern, horror tradition.
On the surface, no play epitomizes this more than his first tragedy, the grisly Titus Andronicus. It is the Saw franchise of Elizabethan theatre, filled with as much shock and gore as Shakespeare could possibly have packed into a single play. As well as a full complement of stabbings, hangings, and beheadings, the audience is treated to Aaron being buried up to his neck until he starves to death, seeing Lavinia’s hands removed and tongue cut out, watching on as Alarbus’s arms and legs are cut off and he is thrown into a fire, and finally, Shakespeare delivers the coup-de-grace as Chiron and Demetrius are baked into a pie and then fed to their mother. Let it not be said that gore is a new thing in popular entertainment.
Jaime Green on Writing with Research
lithub.com – Saturday April 29, 2023
I realized early on that what I loved about writing nonfiction was the finding. Digging some marvel out of a dusty corner and giving it a good wipe-down, holding it up so the reader can see how it catches the light. Look at that!
The item is always in the light, not me. The thrill of the jackpot in research entranced me, as did the satisfaction of setting the artifact in the perfect frame of an essay. Instead of puzzle pieces with only one solution, the research was mosaic tiles, making a different picture if you placed them this way or that. I thought, for a while, that was my art.
But it’s a choice, of course, how visible a writer makes their research. Not the information found, but the act of finding. And not the credit and citation—that’s not a flexible requirement—but whether the sourcing lives in your prose instead of just the back of the book. You do get to decide.
I'm a poet. And I celebrate the days I write nothing
wbur.org – Friday April 28, 2023
During the 30 days of April, poetry, normally not-in-the-limelight, earns a hashtag: it’s #NationalPoetryMonth. It's as though Emily Dickinson has won a Publisher's Clearinghouse prize. There's a major uptick in poems studied, written, performed, and published as poetry becomes the focus of national educational organizations and local community arts counsels, heralded by U.S. Presidents and English language arts teachers alike.
I've been writing and publishing poetry since I was 15. It's usually a quiet gig. Come April, though, my day planner is flooded with readings, public appearances, online events, interviews and contests to establish or judge — and I'm only a state poet laureate. I can't imagine what U.S. Poet Laureate Ada Limon's calendar looks like for those four weeks. All this fanfare for a genre that won't be touched by most literary agents.
AI is no Shakespeare. Why ChatGPT, other tools are unlikely to take your writing job
eu.usatoday.com – Sunday April 16, 2023
“Shakespeare’s not such a great writer,” a fellow student said during an English class years ago. “His stuff is lazy! There’s one cliché after another.”
Certainly, the then-teen could be forgiven for thinking that the playwright William Shakespeare phoned it in, so to speak. His plays are peppered with phrases that are now clichés. “My own flesh and blood,” “cruel to be kind” and “method to my madness” are a few from “Hamlet” alone.
But those tidbits weren’t clichés before Shakespeare. They didn’t exist until everyone saw that his phrasing was so imaginative and poignant they couldn’t resist adopting them.
The distinction between turning a phrase and borrowing one is critical to gauging where generative AI is heading, and what threats and opportunities it may present for the future of human composition.
3 Simple Tips on Writing the First 5 Pages of Your Sci-Fi/Fantasy Novel
theportalist.com – Thursday April 13, 2023
If you’re a first-time author, the first five pages of your novel can make or break your publishing chances.
If you’ve decided to write a science fiction or fantasy novel, then I can really only offer you two words: good luck. The publishing landscape is not for the faint of heart, especially to new writers seeking to break into the industry. If you want to publish a book one day, you have to prepare yourself for rejection. Not everyone is going to fall in love with your story on the first draft–some may not get it on the final draft.
Don’t believe me? Check out this excerpt from an Amazon review: “Everything from its banal and totally meaningless plot to its incredibly idiotic and unimaginative characters miserably fail in masking one of the worst books of all time.”
The book in question was The Return of the King by J.R.R. Tolkien.
More than 60 years of genre-defining acclaim and a billion-dollar, Oscar-winning film franchise couldn’t convince one reader that Tolkien knew what he was doing.
How, then, are you supposed to prove your literary worth with just five pages? Because that’s all you get when pitching your book to agents: a five-page writing sample and an introductory query letter.
Children's author Paul Jennings reflects on childhood, success and his writing process
abc.net.au – Sunday April 9, 2023
A 13-word letter from a child was probably the most profound piece of writing ever to land in Paul Jennings' lap.
"All he said was: 'Dear Paul Jennings, how come you know what it's like to be me?'," the author says.
"Good grief, you know. That little boy could see himself in my story, which is exactly what I want."
Close to four decades and nine million book sales have transpired since Jennings began his career as a children's writer.
Ray Bradbury On Writing and Writers
splashmags.com – Friday April 7, 2023
The following radio interview with Ray Bradbury was recorded over 50 years ago when I was quite young and terribly naive, it was to promote the release of the movie Something Wicked This Way Comes. What Ray Bradbury spent much of the time talking about was how many in society tried to tell us what we should and shouldn’t read, think and what can and cannot be imagined. It was, I think, a counseling session as much as an interview, encouraging myself and others to follow their heart and go their own way. Revisiting this interview has helped me recover my stalled creative momentum and I hope it will serve that purpose for others who read this.
Ray gave me the best advice about writing. Write! Who cares what’s published or heard tell the stories you want to tell. In his book Zen In The Art of Writing he talks about writing as a panacea for those living in troubled times. “While our art cannot, as we wish it could save us from wars, privation, envy, greed, old age or death, it can revitalize us amidst it all.”
5 Key Tips for Writing About the Neurodivergent Without Stereotyping
crimereads.com – Friday April 7, 2023
A neurodivergent psychotherapist (and author) offers up guidance on creating your ND characters
If I were a comic book heroine-or villain-the following would be my origin story:
When I was seven years old, my teachers called my mother in for a conference, informing her they didn’t think I was going to cut it at their fine academic institution. It was a small, Hebrew day school, with only twelve kids in my graduating class. Half the day we focused on our secular studies and the other half praying, studying Talmud, and learning how to read and write Hebrew. Think of it as the Jewish equivalent to Catholic school-equal amounts of guilt, but no penguins with corporal punish kinks. I would sit in class and stare off into seeming nothingness: eyes glazed with my mouth hanging slack, because Florida is a swamp I’m still allergic to and I had breathing issues. I would put two dots for eyes on my fingertips and pretend they were people under my desk.
My mother took me in for psychoeducational testing which lasts hours—at least I think it did. I have time blindness, which means without a clock in my face, I have no concept of time. At the end, a lady gave me blank paper and crayons, saying I could color anything I wanted. And I remember thinking, ‘whatever I draw, she’s going to think that’s how I feel about myself.’ So I drew what was expected of me: a little girl smiling under a brilliant sky of blue, surrounded by flowers and endless possibilities. When she came collecting, I saw her eyes scan my creation, the smallest hint of a smile curling the corner of her mouth. I had passed—both the test and my first-time masking as normal.
How to Query Your Sci-Fi/Fantasy Novel and Get Repped by a Literary Agent
theportalist.com – Friday April 7, 2023
A literary agent can help you sell your book to a major publishing house. These tips can help you sell yourself to agents.
You’ve written a novel! First, take a moment and congratulate yourself for making it to the end. After you’ve edited, revised, and gotten critical feedback from critique partners and beta readers, you might be thinking: What’s next? For anyone considering a career in traditional publishing, the next step is querying.
Querying is the process of finding an agent to represent you. To have your manuscript considered by any of the Big 5 publishing houses, you typically need a literary agent. The querying process typically requires three parts: a letter to the agent, a one- or two-page synopsis of the plot, and a short writing sample — typically the first five to 15 pages of your novel, depending on the agent. This guide will break down each of the three components of your query, plus resources you can use to identify the right contacts and attract the attention of a literary agent.
How to Pitch to a Literary Agent
lithub.com – Wednesday April 5, 2023
In the latest “Craftwork” episode, a deep-dive conversation about literary agents with Carly Watters, herself a longtime literary agent and the co-host of the popular writing podcast The Shit No One Tells You About Writing. Carly is “very online” with a keen understanding of the digital landscape and the challenges faced by contemporary authors. In this episode, we discuss what you need to know about pitching a literary agent, what agents are looking for in writers—and more.
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