When the Sharing Economy Comes to Publishing
publishersweekly.com – Sunday November 22, 2015
The idealized vision of writers toiling away at their art in solitude may not be going anywhere, but it’s also not the sole vision of how writers will produce quality work in the near-distant future. Let’s face it: we are experiencing a cultural revolution brought on by the sharing generation, and sharing-economy practices will not ignore the publishing industry. After all, why do all stories need to be a one-way exchange of ideas from writer to reader? Why can’t stories be written collaboratively by multiple authors and shared as they are written?
Best Practices for Selling Your Book to Agents and Editors (or How to Avoid Being Delusional About Getting Published)
huffingtonpost.com – Saturday November 21, 2015
Deciding you're ready to publish is a huge deal; it's also the point where you hand over control to someone else, putting the power in the hands of an agent, an editor, the universe.
Most writers have traditional publishing aspirations. They want an agent to fall in love with their project and champion their work; they're looking for the external validation of being accepted by a publishing house; their fantasies about getting published involve a red carpet experience that's increasingly elusive in this industry.
Alan Moore Advises New Writers to Self-Publish Because Big Publishers Suck
io9.com – Friday November 20, 2015
At an anti-library closure protest, local magician and comics legend Alan Moore had some surprising words for those who hope to break into the wide world of published writing.
With his wild-man Merlin’s beard and distinct Northampton tones, Moore’s speaking style is oddly comforting as he holds forth. “If you write every day, you are a writer,” the co-creator of Watchmen, From Hell andLeague of Extraordinary Gentlemen (to name my favorite Moore works) tells the crowd.
Multiformat narratives open new doors for publishers
thebookseller.com – Friday November 20, 2015
Publishers are continuing to explore new models for the book - using enhanced audio and visual materials, and print-on-demand - as content is curated, sliced, repackaged and evolved in more innovative ways than ever before.
Ahead of the FutureBook Conference (4th December), which features two panels on the “new publishing”, innovators told The Bookseller that new digital products were helping them build on their assets and drive customer engagement. Others warned that publishing risked missing out on these new markets if scaleable and discoverable products were not brought to market. Just last week app developer Touchpress announced it was selling its literary and education apps, and focusing on free music apps designed for the Apple TV platform.
'Translated Into 20 Languages!' Self-published Authors Are Selling Foreign Rights -- Just Like the Big Publishers
huffingtonpost.com – Thursday November 19, 2015
The big traditional publishers often promote their books by highlighting the number of languages the books has been translated into. With the global publishing marketplace easier to access than ever, self-published authors are selling foreign rights to grow their audience around the world and promote the number of foreign rights sales to increase sales at home - just like the big publishers.
Betting Big on Literary Newcomers
wsj.com – Thursday November 19, 2015
Cynthia D’Aprix Sweeney, a former marketing copywriter in Los Angeles, dreamed for years of becoming a novelist but never had any illusions about earning a living from it. Her goal in writing her first novel, “The Nest,” which she tackled in her early 50s, was merely to finish it.
In a whirlwind week as publishers read the manuscript last December, HarperCollins’s Ecco editorial director Megan Lynch made a pre-emptive offer to publish the novel for at least $1 million. “I never imagined people would respond that way in a million years,” said Ms. Sweeney, 55. The book, about four adult siblings whose anticipated inheritance has all but evaporated because of one brother’s bad behavior, is scheduled to be published next March.
5 Things Every Screenwriter Should Know About Action Writing
huffingtonpost.com – Wednesday November 18, 2015
Action sequences can be a screenwriter's best friend or worst enemy. If you can write them well, you'll be more of a coveted commodity in the eyes of the powers that be. Such a gift will make your spec scripts shine brighter than the rest, thanks to an entertaining and engaging read, and will increase your chances of being considered for key studio writing assignments.
If you can't, well, it's time to start honing that skillset.
How fantasy author Ellen Kushner used TV writing techniques to publish a serialized story online
dailydot.com – Wednesday November 18, 2015
Ellen Kushner’s Swordspoint came out in 1987, subtitled, “A melodrama of manners.” Combining swashbuckling duels, queer romance, and political intrigue, it's since become a cult classic, kicking off the fantasy subgenre of “mannerpunk” and spawning two other novels set in the same nameless city.
Now the series is moving in an unexpected direction: online serialization. Unfolding in weekly installments from authors including Malinda Lo and Alaya Dawn Johnson, Tremontaine is published in text and audio episodes by the subscription service Serialbox.
How to overcome writers' block - and finish writing that chapter
marieclaire.co.uk – Tuesday November 17, 2015
As part of my attempt to do something more productive with my life than watching episodes of The Good Wife back-to-back on Netflix, I’m working on my first ever novel (with the help of Windows 10).
How to win a creative writing competition - top tips
theguardian.com – Monday November 16, 2015
oe Craig, author of the Jimmy Coates spy series and judge of the National Short Story Week young writer competition, has some tips for budding young writers on avoiding common creative writing pitfalls and how to stand out from the crowd