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Writers' News

Dead Ink and Influx launch collaborative imprint

thebookseller.com – Tuesday July 7, 2020

Independent publishers Dead Ink and Influx are launching an imprint, called New Ruins, focused on books that "defy the conventions" of literary and genre fiction. 

The imprint will make commissions and invite submissions from literary agents, with its books available to the trade alongside Dead Ink titles, represented by Impress Books. 

Nathan Connolly, publishing director at Dead Ink, said: “New Ruins will bring an exciting and dynamic range of new fiction to readers, so it is important that it is produced in an exciting and dynamic way. Collaborating with Influx Press to break a few boundaries and bring something new to the industry is exactly the way it should be done.”

[Read the full article]

Four Former Paradigm Agents Join A3 Artists To Launch Literary Department Led By Andy Patman & Adam Kanter

deadline.com – Tuesday July 7, 2020

A3 Artists Agency has brought in four former Paradigm agents to reestablish a literary division. Veterans Andy Patman and Adam Kanter have come on board as A3 partners and Co-Head of Television Content and Motion Pictures, respectively. They are being joined by fellow former Paradigm agents Katt Riley and Martin To on the lit team, with plans to hire more agents, coordinators and assistants while many talent agencies have been contracting in the face of the coronavirus-related Hollywood production shutdown.

That includes Paradigm, which in late March instituted temporary layoffs for 250 employees. The list included Kanter, Riley and To, sources said, while Patman left Paradigm last week, I hear.

[Read the full article]

Character Backstory?

By G. Miki Hayden
Instructor at Writer's Digest University online and private writing coach

firstwriter.com – Saturday July 4, 2020

One question that often arises for an author is what comes first, the protagonist’s backstory or an introduction to the character in action.

Well, the reader might not care about the protag’s history immediately, but a quarter of the way through the novel, once we readers have seen her in action—her heroism, her vulnerability, the sacrifices she makes for others—we might wonder how she came to be this way. Well, let the author finally tell us…

[Read the full article]

New Literary Agent Listing: Julie Fergusson

firstwriter.com – Thursday July 2, 2020

Looking for fiction across a range of genres, particularly psychological thrillers, domestic suspense, sci-fi, near-future speculative, romcoms, reading group and literary fiction. She is interested in nonfiction that explores big ideas in the areas of popular science and social justice.

[See the full listing]

How the literary agent will be affected as post-pandemic publishing tightens its belts

scroll.in – Tuesday June 30, 2020

I run a solo agency practice, Lotus Lane Literary, which I established in 2013. I work from my home-office in New Jersey and employ a part-time intern throughout the year. I do business mostly in the US, the UK, India, and sometimes in other Asian and European countries via book scouts. My roster ranges from debut to well-established writers from all over the world. Lately, I have also started selling film/TV options to production houses in India, UK and the US.

In all these years, my life has been enriched in ways I could not have imagined. The camaraderie with authors and editors is special. It is gratifying to wake up each morning and look forward to reading a new manuscript, or working with an author on an edit, or brainstorming characters and their motivations. My authors often joke that they have graveyards full of characters I have suggested eliminating from their manuscripts. I love being immersed in narrative in any form, as books not only open us up to discovery, wonder and excitement, but also help us make sense of our volatile world.

While the joys of being a literary agent are deeply enmeshed with creativity, it is ultimately a business. In an industry that works at the dichotomous intersection of art and commerce, running a profitable business is always a challenge, especially in times of global pandemics and recessions.

[Read the full article]

New Literary Agency Listing: The North Literary Agency

firstwriter.com – Tuesday June 30, 2020

Looking for all types of fiction and narrative nonfiction. No academic writing, poetry, self-help, picture books or screenplays. No submissions by post.

[See the full listing]

New Literary Agent Listing: Sara O’ Keeffe

firstwriter.com – Tuesday June 23, 2020

Has worked with major brand names in crime, science fiction and has a passion for Irish writing.

[See the full listing]

Indie Publishers Cope with Covid

publishersweekly.com – Sunday June 21, 2020

Though many independent publishers interviewed by PW last week reported a drop in sales during the Covid-19 pandemic, several said sales are—surprisingly—up for the year, buoyed by strong interest in backlist titles, direct sales to consumers, and enhanced digital initiatives. Most also said their staffs are working remotely and will continue to do so until at least the end of August. Some are allowing limited staff to go to their offices irregularly to fulfill orders and do necessary administrative tasks.

[Read the full article]

Effective Writing Advice That Is 100 Years Old

news.clearancejobs.com – Friday June 19, 2020

Regardless of your job, writing is an important communication skill that when fostered, improves over time. If you want to become a writer or improve your craft, I would highly recommend studying the techniques of a few of the American masters. While these men mostly wrote fictional books, they were strongly based on real events. Hemingway was also a correspondent over the years for many newspapers and magazines; his coverage of current events is worth a study as well. Below are some of the useful tips I took from a few of my favorite authors, and one editor who knew them all.

[Read the full article]

New Literary Agent Listing: Simon Targett

firstwriter.com – Friday June 19, 2020

Interested in a wide range of nonfiction, including business and leadership, history, journalism, current affairs, biography, sport, music, popular science, nature, travel, genealogy. Will also consider historical fiction. The common factor is an emphasis on big ideas, great stories, and fine writing.

[See the full listing]

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