
Literary Magazine 'Bad Nudes' Releases Its First Anthology
thelinknewspaper.ca – Monday October 28, 2019

Bad Books, the sister press of the quarterly literary magazine Bad Nudes, just released the publication’s first anthology.
But no, these are not your typical nudes. Since 2016, Bad Nudes “has been pairing dynamic and innovative writing with boundary-pushing design.”
Avid Bad Nudes readers will be able to revisit writers who particularly made a mark on the magazine. The anthology features new poetry and prose by authors whose contributions made a significant mark at the publication. It was designed and laid out by Sandy Spink.
The anthology, launched on Oct. 20, will be Bad Nudes‘s first print exclusive.
Fawn Parker, co-founder and poetry editor, feels that the anthology gives the magazine a chance to publish its milestones.

How to write the perfect approach email
artshub.co.uk – Monday October 28, 2019

No matter what kind of art you produce, you’ll definitely have to try and get someone interested in it at some point. This might mean getting in touch with a gallery owner if you’re a painter, a producer if you’re in the performing arts or film, or a publisher if you write books. And odds are, you’re going to do so via email.
With that in mind, I caught up with Kathryn Burnett to talk about how to write (and how not to write) an approach email. Kathryn runs The Writing Room (an Auckland space for writers to work, hang out and connect with other writers) and has been a screenwriter for 25 years and a playwright and writing coach for eight years. Early in her career, she used to send approach emails and query letters. Now, she does less of that, but gets lots of approach emails herself. Here’s what she’s learned about contacting someone you’ve never met before and asking them for help.
New Publisher Listing
firstwriter.com – Monday October 28, 2019
Publishes: Fiction;
Areas include: Erotic; Romance;
Markets: Adult;
Preferred styles: Contemporary
Digital-first adult fiction imprint. See website for details submission guidelines and to submit via online submission system.
New Publisher Listing
firstwriter.com – Thursday October 24, 2019
Publishes: Fiction;
Areas include: Crime; Historical; Mystery; Suspense; Women's Interests;
Markets: Adult
Send synopsis and first three chapters (or 50 pages) as Word document attachments by email. See website for full guidelines.
New Magazine Listing
firstwriter.com – Thursday October 24, 2019
Publishes: Fiction; Interviews; Nonfiction; Poetry; Reviews;
Areas include: Criticism; Literature; Short Stories;
Markets: Adult;
Preferred styles: Literary
Literary journal publishing poems, short fiction, nonfiction, critical work, book reviews, and interviews.
New Publisher Listing
firstwriter.com – Wednesday October 23, 2019
Publishes: Fiction; Nonfiction; Poetry;
Areas include: Autobiography; Biography;
Markets: Adult;
Preferred styles: Literary
Independent press that aims to publish daring new literary writing by the most exciting authors working today. Send a pitch through the website submission system, including covering letter, details about you and your writing, literary CV, info on how you can help promote your book, and your contact details. See website for full guidelines.

Hera Books, Beaumont and O’Donoghue shortlisted for RNA awards
thebookseller.com – Tuesday October 22, 2019

Hera Books founders Keshini Naidoo and Lindsay Mooney, agent Diana Beaumont and Promising Young Women author Caroline O’Donoghue are some of the professionals who have made the shortlists for the Romantic Novelists’ Association's annual Industry Awards for 2019.
The RNA Industry Awards are voted on by its membership to recognise and to celebrate the variety of professionals whose work goes into supporting and promoting the genre of romantic fiction.

Literary agent Emily Hickman: ‘First and foremost, we are passionate advocates for our clients’
thestage.co.uk – Monday October 21, 2019

Representing writers and directors for stage and screen, Emily Hickman also manages the dramatic rights of authors at The Agency. Having most recently worked with Marina Carr on Blood Wedding, she tells Ruth Comerford what it takes to manage clients…
How did you become an agent?
I was always really passionate about theatre; I did a lot of student drama at university. I didn’t really know what I wanted to do specifically so I wrote to lots of theatres and was lucky to get an internship at the Donmar Warehouse, which was amazing and led to a role working in its casting and development department. I started doing a bit of script reading and realised that what I’d really like to do is work with writers in some capacity. I assisted another agent and his clients for several years before I started taking on my own clients alongside his, and built my own list. It took many years.

Eurospan acquires Transatlantic Publishers Group
thebookseller.com – Thursday October 17, 2019

Eurospan has acquired academic and educational sales agency Transatlantic Publishers Group for an undisclosed sum.
TGP offers US specialist academic and technical presses sales and marketing services in Europe and the Middle East. The agency was founded in 2002 and current clients include American Institute of Aeronautics and Astronautics (AIAA), Industrial Press, SAP Press and Kendall-Hunt Publishing.
Transatlantic m.d. Mark Chaloner will be stepping down from his post after a brief handover period. TPG will continue to use Orca Book Services for warehousing and fulfillment services in place of Eurospan’s sister distribution company Turpin Books.

Mundy sets up UK outpost of ACM US
thebookseller.com – Thursday October 17, 2019

Toby Mundy is to head up the new British arm of the US-based Aevitas Creative Management (ACM), with industry veterans Trevor Dolby and Natalie Jerome among the agents joining him.
Mundy will merge his Toby Mundy Associates (TMA), the agency he launched in 2014, with the newly-minted ACM UK and act as the British outpost’s chairman and c.e.o.
Mundy said he loved running TMA, but “by being part of something larger, we will be able to offer our clients more”. He added: “I think long-term success in this industry comes from great people working in a great culture. The creative, collaborative, and collegial atmosphere at ACM has been foundational to its success and I believe that by working with the outstanding team in the US, we can build something similar here.”
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