Where are today's modernists?

A hundred years ago modernism was reinventing the rules of poetry with linguistic innovation and experimentation, pushing readers into a new relationship with the world via the word. Poets found fresh ways of expressing through style and form and publishers provided the engine room to connect their work with readers. So, what happened to this populism of the difficult? Today this tradition of experimentation has moved into underground channels where some of our most dynamic poets are creating incredible work, outside the earshot of major publishers.

Last year saw the centenary of The Waste Land. There were Eliot-themed events and even a festival called fragments, which took place across twenty-two City of London churches. The 1923 centenary should also be celebrated as a century ago this year was an incredible year for poetry. Wallace Stevens published Harmonium, his first collection of poetry completed at the age of 44. Stevens’ work brought a striking philosophical angle to modern poetry, demonstrating that everything that poetry could do existed in the imagination; not the world as it is, but as the mind – and language – perceives it. 

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