Harrogate to welcome crime-writing celebs for return of annual festival
yourharrogate.co.uk – Wednesday July 17, 2024
The 21st Theakston Old Peculier Crime Writing Festival is set to return to Harrogate this weekend, organised by Harrogate International Festivals.
The Festival, which takes place at Harrogate’s Old Swan Hotel from 18th-21st July, has been curated by 2024’s Festival Chair, bestselling crime novelist Ruth Ware.
Programme highlights include an all-star lineup of acclaimed writers and global bestsellers including Mick Herron, Louise Candlish, M.W. Craven, James Comey, Lucy Foley and Richard Osman.
It was also include the crowning of the Theakston Old Peculier Crime Novel of the Year and the much-anticipated Critics’ New Blood panel which showcases four talented debut novelists.
This year’s cohort, selected by a panel of the UK’s leading crime fiction critics, are Jonny Sweet, Martta Kaukonen, Claire Coughlan and Colin Walsh.
For aspiring writers, Creative Thursday offers an immersive day of workshops and talks led by bestselling writers and industry experts, with the unique opportunity to pitch work in the ‘Dragon’s Pen’.
J K Rowling and the magic of her writing ‘shed’
spearswms.com – Tuesday July 16, 2024
Authors have traditionally been seen as 'gardeners' or 'architects' but J K Rowling puts forward a new metaphor for the writing process
‘Are you an architect or a gardener?’ That has become one of my go-to questions for authors of fiction. The framing is that of the fantasy writer George R R Martin, who says that all writers fall into one of the two categories: architects plan meticulously and know exactly how the story is going to be shaped before they write a single sentence. Gardeners just drop a seed in the ground, water it, and wait to see how it’s going to grow.
You might be surprised by how many literary writers are architects – William Boyd always knows exactly how his story is going to end – and how many genre writers (whose twisty plots might seem to imply a bit of planning) are gardeners. Maybe the most successful thriller writer in the language, Lee Child, absolutely makes it up as he goes along, and refuses on principle to go back and tinker with the story: if he writes himself into what looks like a dead-end in the plot, he enjoys the challenge of writing himself out of it. I once heard (though I can’t vouch for it) that Agatha Christie used to wait until the closing pages of the book before deciding who the murderer was.
E M Forster, who liked to complain that his characters got out of hand and told him what to do: gardener. Vladimir Nabokov, asked whether he shared Forster’s struggles with unruly characters, responded with magnificent hauteur: ‘My knowledge of Mr Forster’s works is limited to one novel, which I dislike; and anyway, it was not he who fathered that trite little whimsy about characters getting out of hand […] My characters are galley slaves.’ Architect, then.
Hounded out of my job in publishing
crowdjustice.com – Monday July 15, 2024
Who am I, and what's the story?
My name is Ursula Doyle, and I have worked in book publishing for more than thirty years. Since 2008 I have worked at Hachette UK, one of the UK’s leading publishing groups, first at its Virago imprint (a sub-brand of the publisher) before setting up my own imprint, Fleet, in 2016. Fleet publishes a wide range of fiction and nonfiction, and Fleet authors have between them won numerous awards, including four Pulitzers.
In 2020 I published Kathleen Stock’s influential book on sex and gender, Material Girls. Since then, I have been a target for abuse by colleagues in the book industry, who have used social media to accuse me of - among other things - bigotry, prejudice, transphobia and hatred, often tagging in my employer, Hachette, and Hachette’s Pride network.
Hachette have done nothing to protect me, and have created a hostile working environment for me and anyone else who shares my views. When two of Fleet's authors complained that my views were transphobic, the company agreed to move paperback editions of the authors' books away from the imprint to another part of the business, damaging my reputation both inside and outside the company. I became ill with stress and associated conditions, and finally resigned. I am bringing a claim of discrimination on the grounds of my gender-critical belief (sometimes known as 'sex realism'), and of sex discrimination.
Best in Rural Writing contest 2024 opens for submissions
agriland.ie – Monday July 15, 2024
Now in its second year, the Best in Rural Writing contest is accepting fiction and non fiction entries under 6,000 words.
Those interested in taking part have until September 30, 2024 to submit their work.
The contest will be judged by Dr. Chea Parton, founder of ‘Literary in Place’, which advocates for rural literacy by providing educational resources on writing and reading, as well as various initiatives for rural teens.
The first place entry in the best in rural writing contest will receive $500, while the runner-up will be awarded $200.
Stories written with AI assistance found to be more creative, better written and more enjoyable
techxplore.com – Sunday July 14, 2024
A study published in the journal Science Advances finds that AI enhances creativity by boosting the novelty of story ideas as well as the 'usefulness' of stories—their ability to engage the target audience and potential for publication. The paper is titled "Generative AI enhances individual creativity but reduces the collective diversity of novel content."
It finds that AI "professionalizes" stories, making them more enjoyable, more likely to have plot twists, better written and less boring.
In a study in which 300 participants were tasked with writing a short, eight-sentence 'micro story' for a target audience of young adults, researchers found that AI made those deemed less creative produce work that was up to 26.6% better written and 15.2% less boring.
However, AI was not judged to enhance the work produced by more creative writers.
Why so few men take up the pen
thecritic.co.uk – Sunday July 14, 2024
With publishing now such a female-dominated industry, it’s no surprise that there are so few men writing fiction
I’ve just finished a very unusual book: Caledonian Road by Andrew O’Hagan. Its themes, characters and the author’s style of writing are all exceptionally good but that’s not why this book is unusual. It’s more because it’s a new and critically acclaimed work of literary fiction written by a man.
If you’ve seen the inside of any bookshop in the last few years, you’ll know how rare this has become. The vast majority of new fiction and its most praised and promoted authors are female. And yet the principal reason for this is seldom discussed.
So let’s discuss it, shall we? Let’s bring the elephant into the room. The publishing industry is suffering from a damaging gender imbalance. According to a recent UK publishers’ survey, 83 per cent of marketing, 92 per cent of publicity and 78 per cent of editorial staff in Britain’s publishing industry are female. Taking an average of those three figures suggests an industry whose employees are 84 per cent female.
Audible Introduces New Royalty Model For Authors and Publishers
goodereader.com – Sunday July 14, 2024
Amazon announced in a blog post it has come up with a new royalty model that will enable creators to monetize more varied content types. Amazon said it devised the new royalty model after engaging extensively with the authors and publishers and taking into account their feedback on this. The company also said the new model will mean better business opportunities for the authors and publishers as more titles qualify for generating royalty than ever before. This applies to even those titles that are part of Amazon’s all-you-can-listen plan, Audible Plus.
That is not all as the new business model aims to offer enhanced insights to publishers and creators. Participants opting into this model will receive monthly statements and royalty payments that are aimed to facilitate prompt decision-making. Additionally, they will gain further insights into how listener engagement affects their earnings.
Writing Suspenseful Scenes: Techniques for Keeping Readers on the Edge of Their Seats
rollingstone.com – Saturday July 13, 2024
IN THE REALM of literature, few elements captivate readers quite like a masterfully crafted suspenseful scene. It’s the literary equivalent of a roller coaster ride — heart-pounding, palm-sweating and utterly addictive. But what techniques do authors employ to create these nail-biting moments that keep readers glued to the page? Let’s delve into the world of literary suspense and uncover the secrets behind keeping readers on the edge of their seats.
At its core, suspense is about the art of withholding information. Like a skilled magician, authors must constantly misdirect, hint and tease. The real magic happens in the reader’s mind as they attempt to piece together the puzzle. Pacing plays a crucial role in this dance between revelation and concealment. The key is to provide just enough information to keep readers hooked, but not so much that they can predict what’s coming next.
One technique that many suspense writers swear by is the slow burn. This involves gradually increasing tension throughout a scene or chapter, ratcheting up the stakes bit by bit until the reader is practically squirming with anticipation. Think of it as slowly turning up the heat on a pot of water. You start with a simmer, then gradually increase the temperature. By the time you reach the boiling point, the reader is fully invested and desperate to know what happens next.
Kemi Ogunsanwo launches Seventh Agency after leaving The Good Literary Agency
thebookseller.com – Saturday July 13, 2024
Kemi Ogunsanwo has launched her own agency after leaving The Good Literary Agency (TGLA), where she worked as a senior agent.
Ogunsanwo’s new venture is London-based Seventh Agency that is dedicated to empowering writers who "inspire, enlighten and empower readers".
Ogunsanwo said: "Seventh Agency was born out of a need to address what still feels like a huge gap in the market, both in the UK and overseas. I hope Seventh Agency helps contribute to the shift towards a more progressive and nuanced view of the stories told by writers from different cultural and racial backgrounds; both those that explore the impact of our historical challenges and those that allow us to benefit from the fantasy, beauty, love, and joy that storytelling should afford us. I’m so excited for this next chapter!"
BFLA Open Week: Working on Edits with Your Agent
blakefriedmann.co.uk – Thursday July 11, 2024
Every agent – and agency – is different and, ultimately, who you sign with has to be someone you click on a personal and professional level, and who you think will do the best by your writing and your career. Some agents work very closely editorially with clients and some don’t, but I’m not here to judge anyone! All I can say is that, as a former editor with a decade of experience working for several publishers, I do a lot of editorial work with my clients, particularly with debut writers, but this process can continue beyond that. This means working closely with them on several drafts of their novels before submitting them to publishers, helping them to shape outlines for future projects as well as brainstorming titles and pitch lines, and these are processes I really enjoy!
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