Writers' Newsletter
Issue #221
August 2021
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News |
Some of this month's news for writers from around the web.
Line-up revealed for Bloody Scotland crime-writing festival
thenational.scot – Thursday August 19, 2021
AUTHORS Stephen King, Karin Slaughter and Ian Rankin are among those who will be taking part in a hybrid crime-writing book festival next month.
The Bloody Scotland festival will feature in-person events while some authors will join digitally from elsewhere, with audiences able to watch live in Stirling or online.
King, Kathy Reichs, Slaughter, Lee Child and Linwood Barclay are among those who will be beamed into the city’s Albert Halls where interviewers will be present to question them in front of a live and digital audience.
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Hachette Book Group in deal to acquire Workman Publishing
apnews.com – Monday August 16, 2021
NEW YORK (AP) — The publisher of such bestsellers as the “What to Expect” books for parents and the “Brain Quest” educational series has reached an agreement to be acquired by Hachette Book Group.
Workman Publishing has been an independent company for decades, and also includes the literary imprint Algonquin and the nature publisher Timber Press. Hachette is one of the world’s largest book publishers, with authors ranging from Donna Tartt and James Patterson to J.K. Rowling and David Sedaris.
The acquisition will be subject to approval from the Department of Justice.
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Country Life owner buys Dennis Publishing in £300m deal
theguardian.com – Monday August 16, 2021
Future, the owner of titles including Country Life and Metal Hammer, has acquired the publisher of magazines including The Week and Minecraft World in a £300m deal.
The deal is the latest in a buying spree by Britain’s biggest magazine publisher, which spent almost £600m buying the comparison site GoCompare in November, and will hand a significant profit to Dennis Publishing’s private equity owners Exponent.
Future is buying a portfolio of 12 titles including the adult and junior versions of current affairs title The Week in the US and UK, MoneyWeek, Coach, Computer Active, PC Pro and IT Pro.
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Listings |
A selection of the new listings added to firstwriter.com this month.
New Magazine Listing: Mythaxis Review
firstwriter.com – Wednesday July 28, 2021
A cutting edge publication that seeks to present art and artists at the axis of curiosity and the energetic core of the creative act. Looks at books, movies, music and more.
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New Publisher Listing: Mango Publishing Group
firstwriter.com – Wednesday August 4, 2021
An innovative independent publisher based in Miami. Publishes books from the freshest, most distinctive voices of our time, and seeks to stretch the boundaries of our online culture, social media and ideas.
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New Literary Agent Listing: Camilla Bolton
firstwriter.com – Wednesday August 4, 2021
Looking for accessible and commercial crime, thrillers, mysteries, suspense and women’s fiction.
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| Click here for more of this month's new listings > |
Articles |
Some of this month's articles for writers from around the web.
The most VITAL Writing Trick You Can Know!
signalscv.com – Tuesday August 17, 2021
I love reading. I am the kind of person that devours books, like an undulating blob of paper, ink, and Harry Potter references. Part of the reason that I’m doing the job that I’m doing now is because I love reading- and because I love reading, I love writing.
I’ve always loved creating my own stories, even when I was a little kid. When I used to play-wrestle with my little brothers, we would all become Superheros and Villains of our own creation. We had a plethora of lore, powers, and abilities that we would make up at random, which at the time was as thrilling as getting a Jackpot Capital bonus.
When I got older, I put that energy into Dungeons and Dragons. Now that I’m even older (and, coincidentally, with a lot more responsibilities and a lot less time on my hands), I put that creative energy into writing. However, there is a huge difference between writing what you love and writing something that other people are going to love. One of the easiest mistakes to make as a writer is forgetting the single most vital aspect of writing a good story: Character arcs.
Take risks and tell the truth: how to write a great short story
theguardian.com – Sunday August 15, 2021
Drawing on writers from Anton Chekhov to Kit de Waal, Donal Ryan explores the art of writing short fiction. Plus Chris Power on the best books for budding short story writers
The first story I wrote outside of school was about Irish boxer Barry McGuigan. I was 10 and I loved Barry. He’d just lost his world featherweight title to the American Steve Cruz under the hellish Nevada sun and the only thing that could mend my broken heart was a restoration of my hero’s belt. Months passed and there was no talk of a rematch, so I wrote a story about it.
My imagined fight was in Ireland, and I was ringside. In my story I’d arranged the whole thing. I’d even given Barry some tips on countering Steve’s vicious hook. It went the distance but Barry won easily on points. He hugged Steve. His dad sang “Danny Boy”. I felt as I finished my story an intense relief. The world in that moment was restful and calm. I’d created a new reality for myself, and I was able to occupy it for a while, to feel a joy I’d created by moving a biro across paper. I think of that story now every single time I sit down to write. I strive for the feeling of rightness it gave me, that feeling of peace.
Murder Books 101: The Rise of True Crime, From Highbrow to Cash Cow
tor.com – Saturday August 14, 2021
Conventional wisdom claims that true crime writing wallowed in the gutter, dirty and disreputable, until Truman Capote lifted it out of its own filth and washed it clean with the sweat of his literary gift. Earlier efforts are dismissed as crude attempts at what Capote would accomplish with grace and skill. Those were the rough drafts, but Capote’s 1966 In Cold Blood is the masterpiece.
The fact is, the financial triumph of Capote’s In Cold Blood (and the film version the following year) had as much to do with literary achievement as the fact that Capote was a white man who belonged to the right clubs and subscribed to the right magazines. His achievement transformed the marketplace, making true crime respectable in the same way that Maus and Watchmen turned comic books into “graphic novels” in 1986. Capote’s book allowed people to camouflage their morbid fascination with murder and mayhem beneath the seal of literature. In the old days, ministers gave their blessing to true crime to make it acceptable. Now, it was The New Yorker.
In Cold Blood changed how true crime was read, not how it was written. Most of what Capote did, other writers were already doing.
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