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  Issue #84

Free Writers' Newsletter

   Feb 27, 2010  


Find agents, publishers, and magazines seeking submissions
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This month, has refined its search systems on its literary agents, publishers, and magazines databases to make it easier to target those markets that are most interested in receiving submissions. While it has always been possible to exclude from your results agents, publishers, and magazines that are known to be closed to queries, the Advanced Search option on each of these databases now allows you to restrict the search even further, so that you can ask to include only markets that are known to accept unsolicited MSS, those that welcome unsolicited MSS, or only those that are actively seeking them. Writing Contests - Click Here

Not only that, but there are now also new features that allow you to perform searches according to the market's policy on email approaches. So instead of just being able to restrict your search to markets that have email addresses included on the listing, as you could before, you can now ask to see only listings that accept queries by email, or accept submissions by email.

If you haven't yet taken out a subscription to that allows you to access the full details of the databases you can still try out these new features for free by clicking here for the agents database, here for the publishers database, or here for the magazines database. If you are already a subscriber you can search the full details by clicking here for the agents database, here for the publishers database, or here for the magazines database. If you are not yet a subscriber but would like to become one, click here

International Copyright Registration 
Register your copyright online for instant copyright protection in more than 160 different countries worldwide. Click here for more information.

These new features make it easier than ever to find those markets that are most interested in receiving submissions, and those that make approaching them easiest by accepting email queries or submissions, but as ever this comes with the usual warning: the keener a market seems to be to receive approaches, the more you need to be aware of what their motives are for that. It may be entirely legitimate – they may be a new start-up seeking to build a client list, etc. – but this may also mean that they are small-scale and/or inexperienced, and may not offer you your best chance of making a success of your work. The unhappy truth remains that the markets where you would most want to place your work are likely to be those which are least receptive to it – for the very reason that they are inundated with submissions because everyone else would be keen to place their work there, too! Don't be tempted to ignore markets that don't accept unsolicited MSS, or require approaches by post only. 

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Click here for great value writing classes!

The write stuff
By Steve Myers
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For a start, what they donít tell you is that writing is bloody hard work and you need a little bit more than just a good imagination and access to writing materials. They are the tools, but you canít go from imagination to page without spending the time putting it all down and refining it. Added to that, getting "discovered" is like trying to get Victoria Beckham to smile. So you need to be passionate about your reason for writing.

They say that everybody has a novel in them somewhere. It could be argued that everyone also has a gall bladder in them too, but there arenít many out there who want them to share its contents with us. They also say that people should write about what they know, which is reasonable advice as far as it goes. But if you are a district nurse attending to the incontinence needs of elderly widows in Orkney, having the hero of your first novel be a Cuban-trained mercenary infiltrating the bio weapons division of a nuclear facility in Minsk might demand a little more research than youíre prepared for. Then again, the day-to-day workings of a district nurse emptying bedpans had better contain at least a little illicit sex in the sluice room if itís going to even halfway work.

I used to dream of being the next Stephen King or Anne Rice. Both focused their major successes on long, involved, cleverly plotted stories with a large number of characters. I wanted to write like them for quite a while, but then Iíd have to write about a suburban family moving to New Orleans, where theyíve inherited a plantation and discover their young son has a gift for reading peopleís minds whilst hiding from rabid Chihuahuas; and their older daughter is the last living relative of a coven of lesbian witches, destined to spend every birthday painted purple and hanging from a chandelier. Just write, write and then write some more. Sort out the crap from the crystal and be your own original, not a bad copy of someone else.

There is no such thing as writerís block. You might just be stuck on an idea, but you can still write. If you've no idea what to write, just sit down and write about getting up, what you did that day, anything, no matter how banal you think it is. It's not for publication, but the very act of writing gets the brain flowing, and if you are writing about boring minutiae, then chances are your brain will strain to find something more interesting to focus on.

Print out whatever you do write and put it in a drawer. Don't take it out for a few days, and then look at it again. The print will fool your brain into thinking you're reading something someone else has written (handwriting won't). You can then be more objective about what you're reading.

Don't rely on spellcheckers. They're great as far as they go, but they're not perfect. If you're proofreading your own stuff read it out loud to yourself as you look at the pages. You'll find that your mouth will stop your brain, because whilst your eyes may skip over a mistake, your mouth knows it's not right, or it may need some extra punctuation to make it clear.

You don't need to have every aspect of the story in detail before you start, but some idea of where you want to end up is a good idea. When I started out, I found it really easy to get the villain disappearing from a locked room with no windows, etc. but then had no clue how he did it!

Don't do a Dallas or a Colbys. If your main story is about spoiled rich people in the oil industry, having one of them suddenly abducted by aliens strains belief at the best of times. If you're writing a sci-fi story that happens to be set then, fine. But if you've spent the first twenty chapters re-writing Gone With The Wind and suddenly it's ET Phone Home, it's a bit like coming home and finding Graham Norton in bed with k.d.lang. And only primary school children are still allowed to get away with "it was all just a dream".

Show somebody you trust your work. If you can't let someone read it, then you're never going to get much further. Ask for constructive criticism, and make sure that you'd prefer them to be honest. You donít need "yes-men". It might boost the ego, but it won't help the writing if it really needs it. Edit carefully, proof read, or get someone to do it for you. But like children, a t some point you have to let them out into the world to fend for themselves.

Keep writing. Try different forms; try different lengths, from short "flash" fiction to longer novel length chapters.

Thereís a very well known expression: "a writer writes". Itís very true. You can have the most incredible stories and ideas floating around in your head, but if you donít put pen to paper or fingers to keyboard, nobodyís going to know about them. Take a chance, expect rejection, and remember that the most prolific (if not necessarily best) writers were usually panned first time round.

About the author
Steve has been writing since he could use a pen. Heís the author of over 30 books for young adults on a variety of social issues, which incorporate fiction and fact in one place. Heís also a regular columnist for Brightonís
Kemptown Rag, where he writes articles, crosswords and fiction pieces. He works with a variety of schools doing the more boring side of writing: policies, plans, evaluations and all that good stuff. Heís now setting up, with friends, a writing competition site: BrightonCOW (company of writers), which will be up and running soon, with some pretty good prizes for all kinds of writing. Watch this space!

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Resources for writers at

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In this issue:

Spelling conventions

fwn uses English spelling conventions. Spellings such as "realise" "colour", "theatre", "cancelled", etc. differ from other spelling conventions but are nonetheless correct. 


New publisher seeks submissions
Blue Room Publishing describes itself as an ambitious house looking for fresh work from new and emerging authors. It specialises in fiction but also produces poetry and nonfiction.

For more details, click here, or visit the Blue Room website.

For over 1,250 other publishers, click here

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Bridport Prize 2010 open for entries
The Bridport Prize (the "richest" open writing competition in the English language) is now open for entries in 2010.

Prizes include £5,000 for the best short story, £5,000 for the best poem, and (in a new category for 2010) £1,000 for the best flash fiction.

For more information, or to enter, go to

For over 150 other contests, click here

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Sports writers needed
Action Sports Hub is looking for Action Sports Enthusiast who can write articles. You can work from your home and at your hours and your pace. Please send a sample to 

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Fabulate collaborative story
Fabulate is creating a collaborative story written one page at a time, based on submissions by numerous authors, each a maximum of 500 words. Submissions are reviewed anonymously by an online community, with the most popular submission being chosen as the next "page" of the story. On completion, the book will be published and royalties spread between successful participants.

For more information go to click here 

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Haiti charity anthology
To help the relief effort in Haiti, Bridge House will publish an anthology of short stories on March 4, 2010.

Over 100 authors and editors helped put this book together in record time, to get money to where it matters, fast. All proceeds will be donated to the British Red Cross Haiti Earthquake Appeal.

To order a copy go to click here 

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© 2010
While every effort is made to ensure that all information contained within this newsletter is accurate, readers are reminded that this information is provided only as a collection of potential leads that the reader should follow up with his or her own investigations. Unless otherwise stated, is not associated with and does not endorse, recommend, or guarantee any of the organisations, events, persons or promotions contained within this newsletter, and cannot be held responsible for any loss incurred as a result of actions taken in relation to information provided. Inclusion does not constitute recommendation.