Jessica Prather of Hilliard, Ohio, was announced as the winner of the competition for her poem "I
See Sound", and wins £500 (around $750).
Paul Wheatley, of Worcester, wins £100 for submitting the best entry from the
United Kingdom with his poem "She was my sister", and
Tori Grant Welhouse of Green Bay, Wisonsin, wins $150 for entering the best runner-up
poem from the United States, "Frogs Singing". The winning
poems can be read online at https://www.firstwriter.com/competitions/poetry_competition/previous_winners/8thpoetry.shtml.
All the winners will also be
published in a future issue of firstwriter.magazine, and
receive vouchers worth £20 / $30 – as will the ten Special
Sarah Daymond, New Zealand,
"a shadow before this";
Rebecca Smith, United Kingdom,
"Life is a Dance";
Fiona Boyle, United Kingdom,
"driving along the A23";
Joseph Sherman, Portugal,
"A Poet’s Song";
Neil mac Neil, Spain,
"Tell only me";
Afam Udeozo, Nigeria,
Ingrid Scheider, United
Kingdom, "And the truth shall let you be";
Issue 16: Momento Mori The latest issue of firstwriter.magazine has also
just been released, featuring quality fiction and poetry
submitted from around the world, plus your first chance to see
not just the winning story from our Fifth International Short
Story Contest, but also all ten Special Commendations. To
view the magazine click
here. To enter your work in our Sixth International
Short Story Contestclick
All those whose
work has been included in issue 16 have now been notified, so if
you submitted work for issue 16 and have not received
notification of inclusion then, regretfully, on this occasion
your submission was not successful. Please do feel free to try
again, however, through www.firstwriter.com/Magazine
It is widely accepted now that the
e-book is settling in comfortably as a companion format to print for the mid and long term future. The publishing industry has made a complete about face in its attitude towards electronic publishing over the last two years driven by economic and environmental influences as well as the public’s apparent willing to read books on small screens as well as the more comfortable dedicated e-book readers becoming increasing available in the
United Kingdom and Europe. For myself as a regular trade visitor to Frankfurt
Book Fair over many years I have seen the growth in the digital section of the fair and the amount of attention it gets from all elements of the industry increase incredibly.
No one realistically expects the
e-book to overtake the print format any time soon either in market share or versatility, as anyone who has been to Frankfurt Book Fair knows the variety and splendour of the books on show printed in every corner of the world are truly
breathtaking. But with the onset of technology there is opportunity and after fair consideration of the multitude of formats within which an author can and often does publish these days examination of this much vaunted format is needed.
As with most new communication technology at the outset it can seem messy, complex, and
confusing. E-books are no exception. At the last count there where
seven different formats of e-book in which you text could be sold in electronic form including Adobe E Editions, Amazon Kindle and Epub to name but a
few. These various formats suit different devices for people to read your text
on. For example, Epub is a flow able text perfect for small screen devices such as mobile phones while the Kindle format only works on
Amazon's handheld e-book reader and one brand of phone. It is recommended that anyone planning to sell an
e-book on a proper basis have their formatting done
professionally. The reasons for this are many fold – not least
that the look and presentation of the work will attract sales, as most retailer offer samples
(or in some cases 30 per cent of the book) to read before a purchase is necessary
– but also the quality of the formatting leads into other areas of distribution
also. In much the same way as I have seen printed books turned down by shops because the typesetting was not good enough or the interior design not up to par,
your e-book will suffer the same fate as each distributor has strict guidelines regarding acceptance for distribution, each particular to their own format. I think it is safe to say that if you are going to do
e-book publication properly then covering all the formats and possible avenues of retail is the desired situation. To complicate matters further a lot of the
e-book websites offering any kind of publication services only sell their titles from that one
website. So for the self published author hoping to try out a new title in
e-book format it is a complex and difficult environment to navigate.
It is a mistake for example to assume because it is an
e-book that there are not strict pre-production processes to adhere to before publication such as there are with print. For example, proofreading and editing should be set to the same high standard as for print if you are charging for an
e-book – while the technical formatting of the book into the various different technical conditions is critical if your book is going to be widely accepted by firstly anyone browsing through an
e-book website and also further to this it needs to be very professionally put together to gain wider distribution from partner websites or other companies.
The e-book market is growing exponentially and is to be embraced as a more than just another route to market, acting as either a great way to try a title with the public before committing to print or as a very strong online marketing tool which offers visibility to people as they browse by key word samples of your book and in many cases a link to buy the printed version. In our experience a high percentage of people now browse for their next read on a mobile device but will often
(30–40 per cent of the time) then purchase the print version once they are hooked on the story.
In this overview it is worth mentioning the all important metadata – namely cover images, short descriptions and tag
words – now more than ever these need to be really sharp – capturing the essence of your book in as little as 400 letters.
The quality of this will be a big factor in final sales, in addition be prepared to offer a list of up to 50 tag words that the search engines for each retailer will pick up and use to show browsing customers.
There are very few companies offering thorough distribution and marketing in the
e-book industry at the moment but engagement with a publisher /distributor who can assign
data and ISBN numbers to each format, and who is really able to offer service of your titles into every nook and cranny of this rapidly expanding and exciting market, is vital.
About the author
Entering publishing after a long and successful career in the music industry,
the author worked as consultant marketing director for a number of
publishing companies before setting up specialist publishing /
promotion company M-Y Books which has been established in the publishing industry since 2002, initially offering self published authors / small publishers print based solutions with the focus on great book distribution and book marketing the company has developed successfully in the
e-Book and audio book production and distribution fields. Successfully handling the needs of authors, writers and poets across the world, many of who are now seeing their titles on sale through
internet, retail, and mobile phone in both formats.