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  Issue #83

Free Writers' Newsletter

   Jan 29, 2010  


Poetry contest winners and new magazine
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This month, has announced the winner, runners-up, and special commendations of its Eighth International Poetry Competition, as well as releasing Issue 16 of firstwriter.magazine, Momento Mori

Jessica Prather of Hilliard, Ohio, was announced as the winner of the competition for her poem "I See Sound", and wins £500 (around $750). Paul Wheatley, of Worcester, wins £100 for submitting the best entry from the United Kingdom with his poem "She was my sister", and Tori Grant Welhouse of Green Bay, Wisonsin, wins $150 for entering the best runner-up poem from the United States, "Frogs Singing". The winning poems can be read online at Writing Contests - Click Here

All the winners will also be published in a future issue of firstwriter.magazine, and receive vouchers worth £20 / $30 – as will the ten Special Commendations:

  • Sarah Daymond, New Zealand, "a shadow before this";

  • Rebecca Smith, United Kingdom, "Life is a Dance";

  • Fiona Boyle, United Kingdom, "driving along the A23";

  • Joseph Sherman, Portugal, "A Poet’s Song";

  • Neil mac Neil, Spain, "Tell only me" ;

  • Afam Udeozo, Nigeria, "Alone";

  • Ingrid Scheider, United Kingdom, "And the truth shall let you be";

  • Janet Reid, Canada, "Morning Chill";

  • Ruth Hill, Canada, "Bloomin' Sunshine";

  • Alexander Twyman, Germany, "My Mink Coat";

The Ninth International Poetry Competition is currently underway. To submit your work for the chance of winning £500 (that's roughly $750) click here

Have you protected your Copyright? Copyright piracy is estimated to cost millions annually. Before sending your work to agents, publishers, or contests, make sure you take out copyright protection. Click here for more information.

firstwriter.magazine Issue 16: Momento Mori
The latest issue of firstwriter.magazine has also just been released, featuring quality fiction and poetry submitted from around the world, plus your first chance to see not just the winning story from our Fifth International Short Story Contest, but also all ten Special Commendations. To view the magazine click here. To enter your work in our Sixth International Short Story Contest click here.

All those whose work has been included in issue 16 have now been notified, so if you submitted work for issue 16 and have not received notification of inclusion then, regretfully, on this occasion your submission was not successful. Please do feel free to try again, however, through

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E-books – A profitable way to publish?
By Jonathan Miller
M-Y Books

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It is widely accepted now that the e-book is settling in comfortably as a companion format to print for the mid and long term future. The publishing industry has made a complete about face in its attitude towards electronic publishing over the last two years driven by economic and environmental influences as well as the public’s apparent willing to read books on small screens as well as the more comfortable dedicated e-book readers becoming increasing available in the United Kingdom and Europe. For myself as a regular trade visitor to Frankfurt Book Fair over many years I have seen the growth in the digital section of the fair and the amount of attention it gets from all elements of the industry increase incredibly.

No one realistically expects the e-book to overtake the print format any time soon either in market share or versatility, as anyone who has been to Frankfurt Book Fair knows the variety and splendour of the books on show printed in every corner of the world are truly breathtaking. But with the onset of technology there is opportunity and after fair consideration of the multitude of formats within which an author can and often does publish these days examination of this much vaunted format is needed.

As with most new communication technology at the outset it can seem messy, complex, and confusing. E-books are no exception. At the last count there where seven different formats of e-book in which you text could be sold in electronic form including Adobe E Editions, Amazon Kindle and Epub to name but a few. These various formats suit different devices for people to read your text on. For example, Epub is a flow able text perfect for small screen devices such as mobile phones while the Kindle format only works on Amazon's handheld e-book reader and one brand of phone. It is recommended that anyone planning to sell an e-book on a proper basis have their formatting done professionally. The reasons for this are many fold – not least that the look and presentation of the work will attract sales, as most retailer offer samples (or in some cases 30 per cent of the book) to read before a purchase is necessary – but also the quality of the formatting leads into other areas of distribution also. In much the same way as I have seen printed books turned down by shops because the typesetting was not good enough or the interior design not up to par, your e-book will suffer the same fate as each distributor has strict guidelines regarding acceptance for distribution, each particular to their own format. I think it is safe to say that if you are going to do e-book publication properly then covering all the formats and possible avenues of retail is the desired situation. To complicate matters further a lot of the e-book websites offering any kind of publication services only sell their titles from that one website. So for the self published author hoping to try out a new title in e-book format it is a complex and difficult environment to navigate.

It is a mistake for example to assume because it is an e-book that there are not strict pre-production processes to adhere to before publication such as there are with print. For example, proofreading and editing should be set to the same high standard as for print if you are charging for an e-book – while the technical formatting of the book into the various different technical conditions is critical if your book is going to be widely accepted by firstly anyone browsing through an e-book website and also further to this it needs to be very professionally put together to gain wider distribution from partner websites or other companies.

The e-book market is growing exponentially and is to be embraced as a more than just another route to market, acting as either a great way to try a title with the public before committing to print or as a very strong online marketing tool which offers visibility to people as they browse by key word samples of your book and in many cases a link to buy the printed version. In our experience a high percentage of people now browse for their next read on a mobile device but will often (30–40 per cent of the time) then purchase the print version once they are hooked on the story.

In this overview it is worth mentioning the all important metadata – namely cover images, short descriptions and tag words – now more than ever these need to be really sharp – capturing the essence of your book in as little as 400 letters. The quality of this will be a big factor in final sales, in addition be prepared to offer a list of up to 50 tag words that the search engines for each retailer will pick up and use to show browsing customers.

There are very few companies offering thorough distribution and marketing in the e-book industry at the moment but engagement with a publisher /distributor who can assign data and ISBN numbers to each format, and who is really able to offer service of your titles into every nook and cranny of this rapidly expanding and exciting market, is vital.

About the author
Entering publishing after a long and successful career in the music industry, the author worked as consultant marketing director for a number of publishing companies before setting up specialist publishing / promotion company M-Y Books which has been established in the publishing industry since 2002, initially offering self published authors / small publishers print based solutions with the focus on great book distribution and book marketing the company has developed successfully in the e-Book and audio book production and distribution fields. Successfully handling the needs of authors, writers and poets across the world, many of who are now seeing their titles on sale through internet, retail, and mobile phone in both formats.

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Resources for writers at

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To advertise on this newsletter for as little as $30 / £20 click here

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In this issue:

Spelling conventions

fwn uses English spelling conventions. Spellings such as "realise" "colour", "theatre", "cancelled", etc. differ from other spelling conventions but are nonetheless correct. 


New publisher seeks writers
New publishing start-up Fingerpress UK is actively seeking new writers of savvy, entertaining books with strong characters and good plot development / pacing.

For full details, click here, or go to the publisher's website.

For over 1,250 other publishers, click here

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Erotic stories needed
Italian publisher, Cut-Up (Rome), is looking for erotic novels and short stories from international authors for translation into Italian and publication in Italy.

For more details click here, or for an English translation of the page click here

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Opportunity for sitcom writers
RealDeal Theatre is looking for six fifteen-minute sitcoms for performance at Westminster Reference Library, London.

Scripts must be submitted in March 2010 by email to 

For more information click here 

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Creative nonfiction sought for anthology
Dream of Things seeks creative nonfiction for
anthologies of stories built around a central topic or theme. For full details, including a complete list of topics, click here

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Riptide short story competition
Riptide short story journal is holding a short story competition for crossover fiction – stories of up to 5,000 words to suit the 12+ age range.

The first prize is £1,000 and the deadline is May 20th. For more details click here

For over 150 other writing contests, click here

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© 2010
While every effort is made to ensure that all information contained within this newsletter is accurate, readers are reminded that this information is provided only as a collection of potential leads that the reader should follow up with his or her own investigations. Unless otherwise stated, is not associated with and does not endorse, recommend, or guarantee any of the organisations, events, persons or promotions contained within this newsletter, and cannot be held responsible for any loss incurred as a result of actions taken in relation to information provided. Inclusion does not constitute recommendation.