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  Issue #32

Free Writers' Newsletter

   Oct 22, 2005  

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Winning writing competitions

If you're interested in entering writing competitions, then, like most entrants, you probably know how hard it is to even get a mention, let alone win. Yet some people manage to win competition after competition – so how do they do it? As the deadline for our Fourth International Poetry Competition draws near we took time out to talk to the winner of our First International Short Story Contest, Alexandra Fox (who has won no fewer than seventeen competitions in less than two years), to try and find out what her magic touch is!

If you're inspired by Alexandra's story you'll be pleased to know that the deadline for our Fourth International Poetry Competition has been postponed to allow for last minute entries, meaning you still have till November 1, 2005, to enter your poems at for the chance to win £500 (that's over $750). Fiction writers can also enter our Second International Short Story Contest at

Alexandra is a mother and grandmother from a village near Northampton, England. She writes with Alex Keegan's online Boot Camp and finds (as do her family) that writing has taken over her life. 

fw: Congratulations on your success in our First International Short Story Contest, Alexandra, and thanks for taking the time to talk to us. Is writing something you've always done, or something you've come to relatively recently?

AF: I wrote my first story in January 2004 – a flash – and was unbelievably excited by the experience. Then I woke up the next morning with a full story in my head and had to get to the computer immediately and put it down. Both of those stories won first prizes (with some rewriting), and Iíd love to get that unaware spontaneity back, but with the added craft Iíve learned since.

fw: Wow, that's a really rapid success! What was it that attracted you to writing?

AF: I started by accident and rapidly found it addictive, so much so that I havenít wanted to do anything else since, and I would feel uncomfortable going a day without putting words down on paper. Iím inspired quite often by odd newspaper pictures or articles, by overheard conversations, by seeing something that tugs an unexpected cord inside me, so I have to find out why it matters. Learning to see, to really see like a writer is a new skill in itself. I think my aim is for what leaves my head to be conveyed perfectly into the readerís head. That is a question of craft, of skill, of writing a great many words.

fw: It sounds like you get a lot personally out of writing Ė but what motivated you to share your writing with others?

AF: I write with an online group – Alex Keeganís Boot Camp – which has a strong ethos: write, crit, rewrite, submit. We drive each other on to count submissions, hits, even rejections. Every time you do any of these, you learn. At first I submitted to ezines and competitions, but it was hit and miss because I didnít know the value of a particular piece of work, or the relative difficulty of the venues.

fw: So you found it difficult to get good information on potential markets?

AF: There are very many contest databases around on the internet, but some are rarely updated. It can be difficult to find competitions by closing date, for example, if you can only see them listed alphabetically or in random order. 

fw: So how did help you find suitable competitions?

AF: I like to see the competition announcements dropping in by email. Sometimes they can give an unconscious jolt to a story youíre thinking of writing. The site itself is convenient because the competitions are listed in date order. When it gets to about the 22nd of the month I always check for competitions that are closing so Iím in time to post stories off. The field searches can be very useful if you have a story of a particular length or genre. I have sent in competition details a few times and found the process easy; the staff have been quick to help by correcting errors.

fw: Once you'd received notifications of competitions, or searched for them in our database, how did you choose which ones to enter?

AF: I write literary short stories rather than genre. I like to write 3,000 words or longer, but I have occasional shorter pieces. The word counts limit the competitions quite precisely. I like to enter competitions that have websites so I can look at previous winners and see who the judges are. I would be unlikely to enter a competition where a fee was sent to an unknown person at a postal address with no other information given. I rarely enter US or Canadian contests unless it is possible to enter by email and with PayPal or credit card payments, purely because of currency problems.

fw: Would the theme of the competition play a part in your selection? Do you find you write stories to fit competitions, or do you find competitions that fit your stories?

AF: I hope I donít write for specific competitions. Sometimes the theme for a competition stirs a story into life, but generally I would look for a competition to fit a story rather than the other way round.

fw: So how would you select which of your stories was right to submit for each competition?

AF: Itís useful to have a look at previous winning stories, or at the type of literature the judge writes. Some competitions are more likely to be won by heavy literary stories, or ones about womenís issues, or by a romance (but I have been very surprised at times by success with an unexpected story). I tend to send in more than one story if I can afford it. 

fw: To what extent do you think writing for competitions differs from writing for other markets?

AF: It doesnít. I write a story without knowing whether it will be sent to a competition or a magazine. If you start listening to people who tell you to start with a big bang or end with a twist you wonít write a story with any heart. I believe firmly that if the story mattered to you, it is more likely to matter to the reader.

fw: Do you always stick with the same kind of contests, or do you enter a variety?

AF: I enter competitions for literary short stories, because thatís what I write. Iíve won prizes with a couple of odd nonfiction pieces and one quirky horror story.

fw: It sounds like you've managed to find success in a variety of competitions. How long was it before you started finding that success?

AF: I started writing in January 2004 and won my first competition in March that year. Iíve won first prizes in seventeen short story competitions now (including yours), and a number of other placings. Iím particularly pleased by a couple of runner-up prizes in major competitions: the Asham Award and the Bridport Prize. Some of the placings have been very unexpected.

fw: What do you think's been the key to your success? What would be your biggest tip for other writers?

AF: Oh lord. I wish I knew. If I knew the key I wouldnít have an enormous pile of rejection slips. Iíd say keep trying. If you yourself feel a particular story has enough quality to be placed, donít give up. Send it out to another competition, and another. Reread it with the benefit of distance, and tweak if necessary. Remember that your story often has to go through a panel of readers first, and will not otherwise ever reach the judge. Let the opening of the story invite and tilt those readers into wanting to carry on into the story.

fw: What next? More competitions, or do you have other plans for your writing?

AF: Thereís nothing like getting a runner-up place in a good competition to encourage you to carry on trying for the real prizes. Iím lucky enough to study with an excellent tutor, Alex Keegan, who would tell anyone who asks that Iím still a beginner and have a lot to learn. I agree – there are glaring faults in my work and Iím too old and stubborn to change easily. Iíd like to write a novel, but I donít dare start in case the first word is wrong. Iíd like to put together a collection of short stories, but I know that if it contained work Iím writing at the moment Iíd look back in a few years and wish Iíd waited. Until Iím ready for either of those, Iíll carry on entering competitions. And thank you,, for making it a little easier.

fw: And thank you for sharing your story with us!

To enter our poetry or fiction competitions, or search over 150 competitions run by other organisations, click here. Alexandra's winning story can be read online at

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Resources for writers at

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In this issue:

Spelling conventions

fwn uses English spelling conventions. Spellings such as "realise" "colour", "theatre", "cancelled", etc. differ from other spelling conventions but are nonetheless correct. 


Arts magazine calls for submissions
Interlude is an arts magazine that includes writings, poetry and visual work. It has no particular theme or subject and is open to all contributions. All pages are formatted and illustrated by the author, editorial input is minimal.

As well as being a platform to show unseen work the editors invite you to consider Interlude as an opportunity and an incentive to try out and develop roaming ideas. Visit to find out more about Interlude, preview or buy a copy of the current issue, or for submission guidelines.

For over 550 other magazines click here


Postmark Deadline: March 31, 2006
Now in its 14th year. $3,000 in prizes, including a top prize of $1,000. The top entry will be published in a triennial anthology. Other entries may also be published. Submit any type of short story, essay or other work of prose, up to 5,000 words. Both published and unpublished work accepted. $12 entry fee, payable to Winning Writers. International entries welcome. Judges: J.H. Reid, D.C. Konrad. Submit online and pay with a credit card or mail to Winning Writers, Attn: Tom Howard Short Story Contest, 351 Pleasant Street, PMB 222, Northampton, MA 01060 USA. Winning Writers is one of the "101 Best Web Sites for Writers" (Writer's Digest, 2005). More information:

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The Writer's Desk Film Project
Submit your screenplay for a chance to win $5,000 and have your script read by five top-level literary agents.

In addition to the grand prize winner, the top 100 rated entries will be offered a place in the Little Lip Productions ProMarket, a database accessible only to high-level industry professionals.

All entries are due by December 31, 2005.

Complete guidelines available at

For the details of over 150 other writing competitions, click here

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Web content writers needed
Web design company seeks freelances to write compeling ads, sales and marketing letters, ezines and ebooks, press releases, articles and so forth.

Interested parties should contact Sam Caldareri on, or phone +1 (514) 326-9697. 

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Writing on "family" needed
Crab Orchard Review is seeking original, unpublished poetry, fiction, or  literary nonfiction on the topic of "family" for its Summer/Fall 2006 issue.

The editors are open to work that covers any of the multitude of ways that our world, our media, and ourselves define family and that explores the possibilities which exist within the ties which bind, bend, break, and heal.

The deadline for submissions in November 30, 2005. Payment is $20 per magazine page ($50 minimum for poetry; $100 minimum for prose), two copies of the issue, and a year's subscription.

For full details click here

For over 550 other magazines click here.

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New book for writers launched
Pathway to Publication, by Peggy Graham, is a new book for writers, providing helpful information for aspiring fiction and nonfiction writers alike.

The book also contains references to rejection letters received by authors who went on to become world famous. Some of these are unintentionally humorous and certainly laughable given the eventual fame of 
the authors.

For more information visit

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WriterOnLine is an e-publication dedicated to writers and lovers of writing. Fiction, poetry, business and technical writing, how-tos, articles, reviews, freelance markets, jobs for writers and much more, published bi-weekly. Completely renewed! Visit us at

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© 2005
While every effort is made to ensure that all information contained within this newsletter is accurate, readers are reminded that this information is provided only as a collection of potential leads that the reader should follow up with his or her own investigations. Unless otherwise stated, is not associated with and does not endorse, recommend, or guarantee any of the organisations, events, persons or promotions contained within this newsletter, and cannot be held responsible for any loss incurred as a result of actions taken in relation to information provided. Inclusion does not constitute recommendation.