Rankin and Cleeves to headline Bute Noir crime writing festival
thebookseller.com – Thursday May 16, 2019
Ian Rankin and Ann Cleeves will headline this summer's Bute Noir crime writing festival.
Authors Mark Billingham, Denise Mina, Stuart MacBride, Chris Brookmyre, Ruth Ware and Mick Herron will also join the line-up for the festival in Rothesay, which takes place from Friday 2nd August 2 to Sunday 4th August.
Organisers have also signed up authors Oscar de Muriel from Mexico, Lilja Sigurdardottir from Iceland, Thomas Enger from Norway, Alexandra Sokoloff from the USA, and Liz Nugent from Ireland as well as leading Scottish talent including Alex Gray, Lin Anderson and Craig Robertson.
ICM Partners join forces with Curtis Brown Creative for writing course
thebookseller.com – Wednesday May 15, 2019
US agency ICM Partners and Curtis Brown Creative are teaming up to launch a six-month online novel-writing course.
The course, which starts in September, will provide 15 writing students with the opportunity to connect with literary agents from the US and UK and the chance to glean knowledge and industry insights from US and UK publishing perspectives.
ICM Partners have worked with Curtis Brown for more than 10 years on UK and translation rights representation and now ICM literary agents Heather Karpas and Zoe Sandler will take part in 'agent days' during the creative writing school's new course.
James White Award suffers technical problem
jameswhiteaward.com – Saturday May 11, 2019
If you've submitted a story to this year's James White Award Short Story Competition and did not receive a confirmation email you will need to resubmit your story.
The competition organisers have suffered a technical problem with their website submission form which has meant that they have not been receiving submitted material. Their back-up system has also failed.
The James White Award accepts science fiction stories between 2,000 and 6,000 words. Winners receive £200 and publication in Interzone.
Writing at risk of becoming an 'elitist' profession, report warns
theguardian.com – Tuesday May 7, 2019
Though the average writer earns £10,000 a year, mean household earnings are more than £81,000 – a result bestselling author Kit de Waal calls problematic.
Writing is in danger of becoming an elitist profession, with many authors being subsidised by their partners or a second job in order to stay afloat, according to new statistics.
The full findings from the annual Authors’ Licensing and Collecting Society report into author earnings paint a more nuanced picture than the headline results from last summer, which revealed that median earnings for professional writers had fallen to less than £10,500 a year. While the average professional writer earns £10,000 a year, the mean earnings for a writer’s household were more than £81,000 a year, and median household earnings were at £50,000 per annum. “Most writers supplement their income from other sources, such as a second job or household earnings contributed by a partner”, according to the report, which analysed answers from more than 5,500 professional writers.
Buchwald Adds Five Agents In New York, Los Angeles Outposts
deadline.com – Monday May 6, 2019
The boutique agency Buchwald has expanded its New York and Los Angeles offices with five key hires made by president Julia Buchwald. In the New York office, Cassandra Tay and Katie Britton have been brought on as theatrical agents, as well as Liz Orr as a literary agent.
In Los Angeles, Jason Hyman joins as a talent agent, while George Carmona has been hired as Buchwald’s West Coast voice-over agent. In addition to building out the voice-over booth in Buchwald’s L.A. office, Carmona will work with a number of the agency’s east coast commercial agents including newly promoted Director of Animation, Pamela Goldman.
Creative writing graduates will 'never make a living as novelists', says Self
thebookseller.com – Thursday May 2, 2019
Will Self has declared literature to be “morphing into a giant quilting exercise”, suggesting that no current creative writing graduates will make a living from literary fiction.
The author criticised courses during an interview with Radio 4’s “Today” programme on Thursday (2nd May), in a show recorded at the University of East Anglia, almost 50 years since its prestigious Creative Writing MA launched.
Self said: “If you want to do it and you’re not too concerned about making a living in the future then it’s probably a good idea. The paradox is, in the modern university, everyone is encouraged to tailor their courses towards employability but it’s certainly not clear what the pathway is into literary fiction – possibly into genre fiction, or possibly people can use the writing courses just to develop themselves as writers to write video games or something else, that’s a possibility.”
Cengage, McGraw-Hill Agree to Merge to Become 2nd Biggest US Textbook Publisher
edsurge.com – Wednesday May 1, 2019
Cengage and McGraw-Hill Education plan to join forces in an all-stock merger. The news, first reported by The Wall Street Journal, would create the second-biggest U.S. textbook publisher if the deal is approved, with a combined valuation estimated at $5 billion. Pearson, with a market cap of $8.5 billion, would still be ahead of the pack.
S&S Forms New Nonfiction Imprint
publishersweekly.com – Thursday April 18, 2019
Simon & Schuster has formed a nonfiction imprint that will publish books on wellness, self-expression, empathy, food and cooking, diet, parenting, home, workplace, play, creativity, travel, fan culture, and civic engagement. Tiller Press will release its first of 19 books set for publication this June.
To head the imprint, which is being overseen by Liz Perl, S&S executive v-p and chief marketing officer, the company has hired Theresa DiMasi as v-p and publisher. Most recently, she was v-p, head of content, and editor in chief at Weight Watchers International. She has also worked in various capacities at Condé Nast.
Writers Who Fired Their Agents Arenâ€™t Flocking To WGA-Approved Agencies
deadline.com – Tuesday April 16, 2019
Talent agencies that signed the WGA’s new Code of Conduct aren’t being flooded with calls from writers seeking new representation now that they’ve been ordered by the guild to fire their agents who refused to sign. Deadline reached out to many of the 48 agencies that signed the Code and asked if they’ve been getting calls from writers who fired their agents on this the first business day since the Code went into effect.
Yorkshire to host one of best horror writing festivals on its first visit to UK
thescarboroughnews.co.uk – Saturday April 13, 2019
One of the world's best horror writing events is coming to the UK for the first time - and it will be based in Yorkshire
StokerCon™ will be held at the Grand and Royal Hotels in Scarborough in April 2020.
For the first time, the Horror Writers' Association's annual gathering will be held outside of the US and will continue to incorporate such popular StokerCon programming as Horror University, the Final Frame Short Film Competition, the Ann Radcliffe Academic Conference, and the presentation of the Bram Stoker Awards®.