CWA creates new Dagger for crime publishers
thebookseller.com – Wednesday August 7, 2019
The Crime Writers’ Association (CWA) has created a new category for its Dagger awards, Best Crime and Mystery Publisher of the Year.
Maxim Jakubowski, honorary vice-chair of the CWA, said: “As part of the ongoing process of keeping the CWA in the forefront when it comes to crime writing and crime publishing, we felt this was an overdue category in our Daggers, and it becomes the first new Dagger to be created in well over a decade. Publishing houses and imprints are very important to the genre and are instrumental in keeping crime, mystery and thriller writing at the forefront of the reading public's consciousness, and fully deserve the recognition.”
Buchwald Becomes Second ATA Literary Agency to Sign Writers Guild Agreement
hollywoodreporter.com – Saturday July 27, 2019
Mid-tier talent agency Buchwald has become the second literary agency to break ranks with the Association of Talent Agents and sign a so-called franchise agreement with the Writers Guild of America, just three days after the WGA signed a smaller shop, Kaplan Stahler, and three weeks after the guild sidelined the ATA with a cease-and-desist letter that ended joint talks.
The news, which broke Thursday in a WGA member email, marks a victory for the union in its campaign to reshape agency business practices, particularly around packaging fees and affiliate production, and is likely to increase pressure on other mid-tier firms to sign as well.
WGA Launches Staffing And Development Platform For Agentless Writers
deadline.com – Friday July 26, 2019
The WGA has launched its new Staffing and Development Platform to help writers without agents find work. The platform is part of the guild’s ongoing efforts to outlast the talent agencies in its standoff with the Association of Talent Agents, now in its 104th day.
Details of the platform were outlined to guild members in a new WGA video featuring WGA West board members Angelina Burnett and Michele Mulroney, who also serve on the agency negotiating committee.
“We’re consolidating the tools already in use, like the portal and the weekly memos with newly developed tools and we’re calling it the Staffing and Development Platform” Mulroney said. “This platform will provide all sorts of ways for producers and writers to share and access information about one another. It will help connect you to open writing assignments and development opportunities.”
Library E-Book Lending Poses Rising Problem for Publishing Industry
wsj.com – Friday July 26, 2019
One of the country’s largest book publishers is changing the way it sells e-books to libraries, whose increasingly popular digital-book borrowing apps are taking a toll on its sales.
Macmillan, whose recent hits include Michael Wolff’s “Fire and Fury” and James Comey’s “A Higher Loyalty,” plans to limit each library system’s access to only one digital copy of each new book it publishes in the first eight weeks of the book’s release.
The move comes as borrowing e-books from local libraries has become easier than ever and as other leading publishers have adjusted their terms.
Abrams Artists Lit Agents Brad Rosenfeld, Paul Weitzman & Karen Kirkland Exit to Launch New WGA Signatory Agency
deadline.com – Thursday July 25, 2019
Veteran literary agents Brad Rosenfeld and Paul Weitzman are leaving Abrams Artists Agency after a 4.5-year stint as VPs and co-heads of the literary division. Partnered with fellow Abrams lit agent Karen Kirkland, the trio have launched a new agency, Culture Creative Entertainment, which has become a WGAsignatory, signing the guild’s new franchise agreement.
According to the principals, CCE will initially focus on writers and directors but will expand to include other areas of representation as they grow.
The move comes more than 100 days into the standoff between the Writers Guild of America and the Association of Talent Agents, which led to more than 7,000 writers firing their agents, including those represented by Abrams Artists.
London's Coda Agency rebrands as Paradigm
iq-mag.net – Tuesday July 23, 2019
After five years as partners, London’s Coda Agency has formally merged into its Los Angeles-based parent company, Paradigm Talent Agency, becoming Paradigm London, the companies announced this morning (22 July).
Coda partners Alex Hardee, Tom Schroeder, James Whitting and Dave Hallybone will continue to lead the London office, now under the Paradigm banner.
Prior to becoming one agency, Paradigm and Coda hared more than 500 clients. Paradigm’s roster of globally represented artists includes Halsey, Imagine Dragons, Janet Jackson, Billie Eilish, Kacey Musgraves, Tiësto, Liam Gallagher, Missy Elliott, Shawn Mendes, Sia, Kenny Chesney, Jess Glynne, Charli XCX, Bastille and Sturgill Simpson.
Crime writers mystified by Colm Tóibín’s criticism
irishtimes.com – Tuesday July 23, 2019
Colm Tóibín aggravated a long-standing literary sore point last weekend when he told a Guardian interviewer: “I can’t do thrillers and I can’t do spy novels.”
Asked which books he felt were most overrated, he said: “I can’t do any genre-fiction books, really, none of them. I just get bored with the prose. I don’t find any rhythm in it. It’s blank, it’s nothing; it’s like watching TV.”
He does not, in fact, watch television. “I don’t have a TV. Everyone talks about the golden age of American TV but it’s done nothing for me.”
Audible's Captions Program Stirs Fears, Frustration Among Publishers
publishersweekly.com – Saturday July 20, 2019
“Outrageous” and “copyright infringement” were the first two (unsolicited) emails PW received from independent publishers when word of Audible’s new program to run text along side its audiobooks began to spread. The program, called Captions, which requires the company to transcribe audio to text, was highlighted in a story in USA Today with a headline touting that Audible is looking to let customers “ ‘read’ an audiobook while [they] listen.” While the company disputes that description, saying Captions is not at all akin to the act of reading, publishers, literary agents, and organizations representing authors are skeptical.
While Audible said in a statement that Captions “does not replicate or replace the print or eBook reading experience,” publishers are unconvinced. “There are real copyright issues here and authors, publishers, and agents should review and clarify their positions,” said Dominique Raccah, CEO of Sourcebooks. “It seems unlikely that Audible was granted these rights.”
WGA’s fight with agents enters Act 2, but there’s no end in sight
latimes.com – Friday July 19, 2019
Like many of his peers, writer Rasheed Newson, a co-executive producer on the Showtime drama “The Chi,” was supportive of his union’s efforts to rein in some of the aggressive practices of talent agencies.
But three months after the Writers Guild of America told members to fire their agents, Newson is growing frustrated with the lack of progress in resolving a dispute that has consumed Hollywood.
U.S. Publishers Report Nearly $1 Billion in Sales as Strong Industry Growth Continues
benzinga.com – Wednesday July 17, 2019
NEW YORK, July 17, 2019 /PRNewswire-PRWeb/ -- The Audio Publishers Association released the results from their annual sales survey, conducted by independent research firm Management Practice Inc., which revealed that the strong growth the audiobook industry has seen in recent years continues. Based on information from responding publishers, U.S. audiobook sales in 2018 totaled $940 million, up 24.5% from the previous year, with a corresponding 27.3% increase in units. This continues the seven-year trend of double-digit revenue growth in audiobooks year over year.
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