Lit Agents Join Forces In Agents Round Table
publishersweekly.com – Friday March 24, 2017
In response to a changing marketplace, 10 women literary agents have launched the Agents Round Table (ART), a consortium of independent agents who have pledged to share knowledge, resources, and contacts.
The goal of ART, according to Regina Ryan who has an eponymous shingle, is to better meet the needs of their clients. "This is new in the publishing world," Ryan said. "My authors love the idea of my being able to consult with this group. They know they’re getting advice and wisdom from first-rate agents with literally hundreds of years’ of experience in publishing."
Inside the Strange Symbiosis Between Independent Booksellers and Publishers
pastemagazine.com – Wednesday March 22, 2017
It may sound like a headline from The Onion, but the craziest thing about it is that it’s true: “Local bookseller buys out tech firm next door.” That’s how Anne Hollander describes what’s happening in Dallas, Texas, where Deep Vellum Books is set to expand into a neighboring space at some point in the next three months. Even crazier is that the bookstore is the successful outgrowth of a relatively new small publishing house.
London Book Fair 2017: For Publishers, Business Is Booming, but Brexit Means Uncertainty
publishersweekly.com – Wednesday March 15, 2017
The 2017 London Book Fair officially opened today, and at the fair’s opening press conference LBF director Jacks Thomas smiled as she raced through her slides. For the second year in a row, Thomas noted, publishers headed to London with fairly strong sales in the U.K. (and the U.S.), with literature in translation growing, children’s and digital audio surging, and print books—and bookshops—looking especially resurgent.
But following Thomas on stage at Olympia’s Grand Hall, a panel discussion broke down the potential effects of the looming Brexit on publishers, one day after British lawmakers cleared the way for the formal work of leaving the E.U. to begin.
London Book Fair 2017: More Evidence of a Print Renaissance in the U.K.
publishersweekly.com – Tuesday March 14, 2017
In his opening keynote at the London Book Fair’s pre-conference, Quantum, Steve Bohme, research director at Nielsen Book Research U.K. ran down Nielsen’s just-released 2016 book industry stats, which showed British print book purchases on the rise for the second year in a row.
“In 2016, consumers turned up their printed book purchases by around 4%,” Bohme told attendees. “And with higher prices boosting spending, we saw spending on printed books by U.K. consumers up by 7%."
Writing Competition Seeks To Discover New Irish Talent
hotpress.com – Saturday March 11, 2017
An African-themed short-story and poetry competition aims to promote aspiring, emerging and established writers based in Ireland.
The competition marks Africa Day 2017 and this is the third year that the it will take place. Irish Aid has again teamed up with The Irish Times on an African-themed short story and poetry competition for writers of all ages.
DHH literary agency to hold writer pitch sessions
thebookseller.com – Saturday March 11, 2017
D H H Literary agency is to hold pitch sessions for unrepresented writers next month.
Five agents will be available for a 10-minute slot for an individual pitch session and each writer will receive "honest and valuable feedback". The agents are approaching this with a view to finding new clients. The pitch sessions will run from 4pm to 7pm on 12th April at Library Club on St Martin’s Lane.
Each writer will only be able to approach one agent on the team, with information on the event and each agent available on the DHH website. Writers will need to email their work in advance to apply for a place. The deadline for submissions is Wednesday 5th April.
Video: Children's writing fellowship announced in Seamus Heaney's honour
irishnews.com – Thursday March 9, 2017
A new 'children's writing fellow' honouring Seamus Heaney and his contribution to literature, is to be appointed to inspire future generations of creative talent.
Developed by the Arts Council of Northern Ireland and Queen's University Belfast, the two year, part-time post will attract £15,000 a year.
Once in post, the children's writing fellow will perform a range of duties designed to promote an interest in reading and writing from an early age by encouraging creativity and engagement with books.
Australian science fiction authors feel let down by local publishers
abc.net.au – Thursday March 9, 2017
While the overall Australian publishing scene is robust, Australian science fiction writers believe their work is not being adequately supported by the industry.
"It's quite difficult to get a science fiction novel published by an Australian publisher," says Cat Sparks, a publisher of science fiction anthologies.
Ritchie leaves Curtis Brown for A M Heath
thebookseller.com – Thursday March 9, 2017
Literary agent Rebecca Ritchie is leaving Curtis Brown after five years to join A M Heath.
Ritchie is moving to her new role on 18th April to develop her list of commercial fiction and non-fiction. As well as co-founding Twitter initiative #PitchCB, Ritchie has worked alongside Sheila Crowley and represented authors herself such as Red magazine’s literary editor Sarra Manning, Alex Lake, author of After Anna (Harper), the Sunday Times Top 10 paperback bestseller and Iona Grey, author of last year’s overall Romantic Novel of the Year Letters to the Lost (Simon & Schuster).
George Saunders: what writers really do when they write
theguardian.com – Saturday March 4, 2017
Many years ago, during a visit to Washington DC, my wife’s cousin pointed out to us a crypt on a hill and mentioned that, in 1862, while Abraham Lincoln was president, his beloved son, Willie, died, and was temporarily interred in that crypt, and that the grief-stricken Lincoln had, according to the newspapers of the day, entered the crypt “on several occasions” to hold the boy’s body. An image spontaneously leapt into my mind – a melding of the Lincoln Memorial and the Pietà. I carried that image around for the next 20-odd years, too scared to try something that seemed so profound, and then finally, in 2012, noticing that I wasn’t getting any younger, not wanting to be the guy whose own gravestone would read “Afraid to Embark on Scary Artistic Project He Desperately Longed to Attempt”, decided to take a run at it, in exploratory fashion, no commitments. My novel, Lincoln in the Bardo, is the result of that attempt, and now I find myself in the familiar writerly fix of trying to talk about that process as if I were in control of it.