Abrams Artists Agency Acquired By Group Including Longtime Execs, Adam Bold
deadline.com – Wednesday September 26, 2018
Venerable entertainment talent and literary agency Abrams Artists Agency has been acquired, led by a group that includes two of the New York- and Los Angeles-based company’s longtime executives Robert Attermann and Brian Cho, and entrepreneur-producer Adam Bold.
Writers' Handbook 2019 now available as an ebook
firstwriter.com – Tuesday September 25, 2018
Following last month's release of the print edition of firstwriter.com's 2019 edition of its Writers' Handbook, the digital editions are now also available from various outlets around the world. These include:
FutureBook teams with The Pigeonhole for writing competition
thebookseller.com – Friday September 21, 2018
FutureBook is partnering with social reading app The Pigeonhole to run a short story competition exploring the future of the book. The winning author is to be hosted at the FutureBook Conference, 30th November.
Judges will be Molly Flatt, author and associate editor of FutureBook; Anna Jean Hughes, founder of The Pigeonhole; and Tom Hunter, director of the Arthur C.Clarke Award for Science Fiction.
Kaplan Stahler Agency Names Cindy Mintz Head of TV Literary
deadline.com – Saturday September 15, 2018
Kaplan Stahler’s Cindy Mintz has been named head of TV Literary at the boutique agency. In her new role, Mintz will oversee a department of five agents.
Mintz joined Kaplan Stahler in 2013 after a brief stint at Abrams Artists Agency, where she was instrumental in launching their TV literary department. Prior to Abrams, she spent 15 years as a TV packaging agent at ICM Partners.
West Side Publishing Will Launch Little Grasshopper Books
publishersweekly.com – Saturday September 1, 2018
Children's publisher West Side Publishing is launching a new imprint, Little Grasshopper Books, likely by the end of the year. The imprint will encompass a wide variety of fiction and nonfiction formats, from board books to books with virtual-reality components, primarily aimed for children five and under.
The new imprint marks West Side Publishing owner Lou Weber’s re-entry into the world of children’s books. As president and founder of Publications International (PIL), a publisher of automotive titles, cookbooks, inspirational formats, and brain games and puzzle books, Weber was long involved in children’s publishing—especially licensed sound books and interactive formats—until PIL sold its children’s publishing unit to Chinese-owned company Phoenix International Publications in 2014. The latter continues to operate the business under the PI Kids name.
OWN IT! founder launches literary agency
thebookseller.com – Thursday August 30, 2018
Multimedia publisher OWN IT! has launched a literary agency arm, signing author Courttia Newland as its first client.
Billed as a “storytelling lifestyle brand” spearheaded by founder Crystal Mahey-Morgan, the company already operates as a book publisher, a record label and an events arm. Mahey-Morgan will be OWN IT!’s main agent, helping to “diversify how it works with storytellers to include literary representation”. The company is currently negotiating with several sub-agents about a foreign rights partnership, according to a spokesperson for the organisation.
Mahey-Morgan's previous contract negotiation experience includes a year at PFD as well as a three-year stint in the contracts department at Penguin Random House between 2008 and 2012. She described setting up a literary agency as "an obvious next step for OWN IT!"
'Godfather of the industry' Michael Sissons dies
thebookseller.com – Wednesday August 29, 2018
Veteran literary agent and “godfather of the industry” Michael Sissons has died aged 83.
Various agents have paid tribute to Sissons who died on Saturday (August 24th), following a stellar career which saw him representing names such as Simon Schama, Margaret Drabble and William Hague, setting up the Association of Authors' Agents, and overseeing PFD for almost half a century before acting as a senior consultant for the agency for the last decade.
“I would say that he was the godfather of the industry,” said Caroline Michel, c.e.o. of PFD, who had known Sissons for 30 years, since before she entered the publishing industry.
2019 edition of Writers' Handbook now available to buy
firstwriter.com – Saturday August 25, 2018
The 2019 edition of firstwriter.com’s bestselling directory for writers is the perfect book for anyone searching for literary agents, book publishers, or magazines. It contains over 1,300 listings, including revised and updated listings from the 2018 edition, and over 400 brand new entries.
#shareyourrejection is exactly the hashtag we need right now
artshub.com.au – Thursday August 23, 2018
It hasn't quite taken off in Australia yet, but hopefully that is only a matter of time. Maybe Peter Dutton will get us started.
#shareyourrejection is the latest hashtag to highlight the reality of rejection in the arts and creative industries, and to show once again that resilience is key to any creative career.
This will make you laugh and wince and understand the poetic power of revenge.
Publishers Association corrects key figure on author pay
thebookseller.com – Sunday August 19, 2018
The Publishers Association (PA) has admitted a key figure it released on author pay was wrong; in fact authors received more money from publishers in 2016 than previously thought, with the figure first cited close to £190m out.
Writing in The Bookseller this week Stephen Lotinga, c.e.o. of the PA, said that a report released by the trade body in March, conducted by Frontier Economics, incorrectly calculated that the total payments consumer authors received in 2016 were £161m, based on advances, royalties, secondary licensing and rights.
However, Lotinga said the correct figure with the inclusion of advances stood at around £350m - a leap of £189m.
The report caused a furore when it was originally released earlier this year, with the Society of Authors (SoA) calculating that writers received around 3% of publishers' turnover in 2016 when taking into account the £161m figure, while publishers' profit margins were much higher.