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Writers' News

New Women's Prize longlist fee could pose 'serious barrier to entry', fear indies

thebookseller.com – Saturday September 29, 2018

The Women’s Prize for Fiction has introduced a new £1,000 fee for publishers whose books make its longlist of 16. Reaction online to the rule change reveal concerns the fee could pose "a serious barrier to entry" for smaller presses.

Independent publisher Galley Beggar Press took to Twitter yesterday to share it had just noticed the new rule which could prove "catastrophic for small publishers" in its estimation. "£1000 isn't small change to us," said Galley Beggar Press. "Our author won this prize a few years ago when we were even smaller. It would have been near impossible for us to enter with these rules."

Edinburgh independent Stirling Publishing said: "That’s us out. Perhaps we could have an alternative prize, The Poundland Women’s Prize?"

[Read the full article]

Abrams Artists Agency Acquired By Group Including Longtime Execs, Adam Bold

deadline.com – Wednesday September 26, 2018

Venerable entertainment talent and literary agency Abrams Artists Agency has been acquired, led by a group that includes two of the New York- and Los Angeles-based company’s longtime executives Robert Attermann and Brian Cho, and entrepreneur-producer Adam Bold.

[Read the full article]

Writers' Handbook 2019 now available as an ebook

firstwriter.com – Tuesday September 25, 2018

Following last month's release of the print edition of firstwriter.com's 2019 edition of its Writers' Handbook, the digital editions are now also available from various outlets around the world. These include:

[Read the full article]

FutureBook teams with The Pigeonhole for writing competition

thebookseller.com – Friday September 21, 2018

FutureBook is partnering with social reading app The Pigeonhole to run a short story competition exploring the future of the book. The winning author is to be hosted at the FutureBook Conference, 30th November.

Judges will be Molly Flatt, author and associate editor of FutureBook; Anna Jean Hughes, founder of The Pigeonhole; and Tom Hunter, director of the Arthur C.Clarke Award for Science Fiction.

[Read the full article]

Kaplan Stahler Agency Names Cindy Mintz Head of TV Literary

deadline.com – Saturday September 15, 2018

Kaplan Stahler’s Cindy Mintz has been named head of TV Literary at the boutique agency. In her new role, Mintz will oversee a department of five agents.

Mintz joined Kaplan Stahler in 2013 after a brief stint at Abrams Artists Agency, where she was instrumental in launching their TV literary department. Prior to Abrams, she spent 15 years as a TV packaging agent at ICM Partners.

[Read the full article]

West Side Publishing Will Launch Little Grasshopper Books

publishersweekly.com – Saturday September 1, 2018

Children's publisher West Side Publishing is launching a new imprint, Little Grasshopper Books, likely by the end of the year. The imprint will encompass a wide variety of fiction and nonfiction formats, from board books to books with virtual-reality components, primarily aimed for children five and under.

The new imprint marks West Side Publishing owner Lou Weber’s re-entry into the world of children’s books. As president and founder of Publications International (PIL), a publisher of automotive titles, cookbooks, inspirational formats, and brain games and puzzle books, Weber was long involved in children’s publishing—especially licensed sound books and interactive formats—until PIL sold its children’s publishing unit to Chinese-owned company Phoenix International Publications in 2014. The latter continues to operate the business under the PI Kids name.

[Read the full article]

OWN IT! founder launches literary agency

thebookseller.com – Thursday August 30, 2018

Multimedia publisher OWN IT! has launched a literary agency arm, signing author Courttia Newland as its first client.

Billed as a “storytelling lifestyle brand” spearheaded by founder Crystal Mahey-Morgan, the company already operates as a book publisher, a record label and an events arm. Mahey-Morgan will be OWN IT!’s main agent, helping to “diversify how it works with storytellers to include literary representation”. The company is currently negotiating with several sub-agents about a foreign rights partnership, according to a spokesperson for the organisation.

Mahey-Morgan's previous contract negotiation experience includes a year at PFD as well as a three-year stint in the contracts department at Penguin Random House between 2008 and 2012. She described setting up a literary agency as "an obvious next step for OWN IT!"

[Read the full article]

'Godfather of the industry' Michael Sissons dies

thebookseller.com – Wednesday August 29, 2018

Veteran literary agent and “godfather of the industry” Michael Sissons has died aged 83.

Various agents have paid tribute to Sissons who died on Saturday (August 24th), following a stellar career which saw him representing names such as Simon Schama, Margaret Drabble and William Hague, setting up the Association of Authors' Agents, and overseeing PFD for almost half a century before acting as a senior consultant for the agency for the last decade.

“I would say that he was the godfather of the industry,” said Caroline Michel, c.e.o. of PFD, who had known Sissons for 30 years, since before she entered the publishing industry.

[Read the full article]

2019 edition of Writers' Handbook now available to buy

firstwriter.com – Saturday August 25, 2018

The 2019 edition of firstwriter.com’s bestselling directory for writers is the perfect book for anyone searching for literary agents, book publishers, or magazines. It contains over 1,300 listings, including revised and updated listings from the 2018 edition, and over 400 brand new entries.

[Read the full article]

#shareyourrejection is exactly the hashtag we need right now

artshub.com.au – Thursday August 23, 2018

It hasn't quite taken off in Australia yet, but hopefully that is only a matter of time. Maybe Peter Dutton will get us started.

#shareyourrejection is the latest hashtag to highlight the reality of rejection in the arts and creative industries, and to show once again that resilience is key to any creative career. 

This will make you laugh and wince and understand the poetic power of revenge.

[Read the full article]

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