Book publisher Gomer Press to 'wind down' publishing arm
uk-wales-49652287 – Wednesday September 11, 2019
One of Wales' largest publishing houses is to "wind down" publishing new works to focus on printing, its bosses say.
Gomer Press, set up in 1892 and based in Ceredigion, has about 3,500 titles in print in English and Welsh.
It said the decision followed a strategic review, "thus ensuring the future" of its 55 employees, but authors called it a "sad" move.
Gomer said it would continue working with authors and the Books Council of Wales to publish scheduled titles.
CAA Hires Cindy Uh As Agent In Books Department
deadline.com – Tuesday September 10, 2019
Uh moves to CAA following a four-and-a-half-year stint at Thompson Literary Agency, where she represented a range of nonfiction authors in the categories of memoir, politics, food, business, health and wellness, and lifestyle.
She has also consistently been ranked one of the top agents for illustrated/art projects.
How (and Why) We're Celebrating 'World Kid Lit Month' in 2019
bookriot.com – Sunday September 8, 2019
Translations have always been a part of children’s literature. Hans Christian Andersen’s fairy tales were translations. Pippi Longstocking, Asterix, and The Little Prince are among the world’s most popular children’s titles—in their originals and in translation. But while English language children’s literature boomed at the beginning of this century, the space for new and genre-shaking translations shrank. Translated titles for young readers do continue to appear, of course. But they often adhere to English language publishing conventions, and most come from Western Europe.
Yet in the last few years, publishers have turned with renewed interest to diverse children’s literature in translation. Many new kidlit imprints have launched with a focus on international literature. The publishers are as diverse as Pushkin Press, Archipelago, Seven Stories, and Amazon Crossing. To encourage this process, in September 2016, book activists launched the first “World Kid Literature Month.”
All through the month, we celebrate and promote literature for young readers in translation—particularly from beyond Europe.
Indies dominate CWA shortlist for best crime and mystery publisher
thebookseller.com – Monday September 2, 2019
Indie presses dominate the six-strong shortlist for the inaugural Crime Writers’ Association (CWA) Dagger for the Best Crime and Mystery Publisher of the Year.
Faber will go head to head with fellow indies Oldcastle Books imprint No Exit Press, Orenda Books, Pushkin Vertigo and Bloomsbury imprint Raven.
HarperCollins scores two nominations with Harper Fiction and HQ both in the running for the award that is first new Dagger category created in over a decade.
Publisher E-Book Revenue Decreased In First Half Of 2019
ellenduffer – Thursday August 29, 2019
A familiar story is told by recent statistics released by the Association of American Publishers: e-book revenues continue to decrease for many in the industry.
According to AAP's publisher revenue report, based on 1,360 participating publishers' figures, e-book revenues decreased in the first six months of calendar 2019 by 3.8% over the same period in 2018. E-books were one of only two format categories that saw revenue decreases in this period (the other category being physical audio).
How the UK production boom is changing the way Londonâ€™s literary agents are doing business
screendaily.com – Friday August 23, 2019
UK literary agents are navigating an unprecedented boom in UK production, with demand for their writing and directing clients at fever pitch.
“My clients are so busy at the moment,” said one literary agent at a major London agency. “Everyone is scrambling around to hire [the best talent], it’s very difficult for producers to get to them.”
The majority of the growth is in the high-end TV sector, the production of which tends to tie up clients for much longer than film. (The inward investment feature boom is doing a good job on its own of employing UK actors and crew). Netflix alone said it has has shot some 40 productions in the UK this year, while the major broadcasters are responding to the competition from the US streamers by making increasingly larger-scope series.
Graphic Novels Take Off With Young Readers
wsj.com – Sunday August 18, 2019
Graphic novels aimed at younger readers are skipping the superheroes and taking on serious subjects like mental health and body image, setting off a boom that is bolstering the children’s publishing industry.
These graphic novels are resonating with children and young adults and making readers out of some youngsters who had ditched books for their cellphones. Publishers including Penguin Random House and HarperCollins, a unit of Wall Street Journal parent News Corp., are launching graphic-novel lines aimed at those ages 13 to 18, as well as the juvenile market of readers 7 to 12 years old.
Capital Crime launches New Voices Award
thebookseller.com – Friday August 16, 2019
Capital Crime festival will host the inaugural New Voices Awards to champion the next generation of talent in the crime and thriller community next month.
In association with D H H Literary Agency, the awards will give entrants the chance to have three opening chapters of their debut novel read by agents, publishers and readers, who will then vote for their favourites.
Capital Crime co-founder and D H H founder David Headley, said: "At D H H we’re always on the lookout for talented new authors. The New Voices Award is an exciting competition that gives readers the power to help identify new talent. It promises to be a brilliant platform for aspiring writers."
DHH agents to hit Liverpool for author pitch event
thebookseller.com – Saturday August 10, 2019
DHH Literary Agency will host an event in Liverpool allowing aspiring authors to pitch their work direct to its team.
From 10am on 26th August, until 6pm on 4th October, writers are invited to apply by email for a chance to pitch to one of the agents on 7th December in Liverpool.
CWA creates new Dagger for crime publishers
thebookseller.com – Wednesday August 7, 2019
The Crime Writers’ Association (CWA) has created a new category for its Dagger awards, Best Crime and Mystery Publisher of the Year.
Maxim Jakubowski, honorary vice-chair of the CWA, said: “As part of the ongoing process of keeping the CWA in the forefront when it comes to crime writing and crime publishing, we felt this was an overdue category in our Daggers, and it becomes the first new Dagger to be created in well over a decade. Publishing houses and imprints are very important to the genre and are instrumental in keeping crime, mystery and thriller writing at the forefront of the reading public's consciousness, and fully deserve the recognition.”