Diana Athill, writer and editor, dies aged 101
theguardian.com – Friday January 25, 2019
Writer and editor Diana Athill, whose clear eye on life and literature inspired authors and readers alike, has died aged 101. The news was confirmed by the publisher Granta.
Athill combined a glittering career in publishing, where she worked with writers including Philip Roth, Margaret Atwood, Jean Rhys and VS Naipaul, with award-winning success as an author herself, turning her flinty gaze on love, work and approaching death in memoirs including Instead of a Letter, Stet and the Costa biography prize-winning Somewhere Towards the End.
A Canadian woman has launched a writing contest for her luxury home
bbc.co.uk – Tuesday January 22, 2019
A Canadian woman is holding a letter-writing contest for her three-bedroom home near the city of Calgary.
Interested parties must pay an entry fee of C$25 ($19; £15) and answer the question "Why would moving to this lakefront dream home change your life"?
Owner Alla Wagner is leaving the home she says she loves due to poor health.
Inspired by stories of similar contests, she decided to launch "write a letter, win a house" when the C$1.7m home failed to sell.
Global Self-Publishing Platform PublishDrive Releases Case Study on how their Groundbreaking Pricing Maximizes Author Profits
prnewswire.com – Saturday January 19, 2019
PublishDrive's subscription pricing option was released on October 4, 2018, the first of its kind in the ebook self-publishing space. Designed for authors selling at least $1,000 monthly, it allows authors to keep 100% of their royalties (after the stores' fee) by paying a flat monthly fee of $100 - no matter how high sales go.
Traditional royalty share options offered by self-publishing services take an average 10% of royalties, which can be significant for high-earning authors. To show that subscription pricing is a smarter choice for high-earners, PublishDrive studied author Rachel Morgan's experience after she enrolled in their new pricing option.
WME Agent David Lubliner Moves to UTA
hollywoodreporter.com – Friday January 18, 2019
Literary agent David Lubliner has left WME and joined UTA, The Hollywood Reporter has confirmed.
A source also tells THR that Lubliner is bringing with him the following clients: About a Boy co-writers and brothers Chris and Paul Weitz, Beatriz at Dinnerdirector Miguel Arteta, Detective Pikachu director/co-writer Rob Letterman and Juliet, Naked co-writer Jim Taylor, among others.
Kate Burke joins Blake Friedmann
thebookseller.com – Wednesday January 16, 2019
Kate Burke has joined The Blake Friedmann Literary Agency as a senior agent and will focus on commercial fiction.
Burke previously worked as an agent at Northbank Talent Management for six years, and before that spent 10 years as a fiction publisher, at Headline, HarperCollins and Penguin Random House.
Curtis Brown celebrates 120th birthday with novel-writing prize
thebookseller.com – Wednesday January 16, 2019
Curtis Brown is to celebrate its 120th birthday with a series of events spearheaded by a team of young agents, culminating in the Curtis Brown 120 Novel Writing Prize.
Founded in 1899 by Albert Curtis Brown, one of the UK’s longest running independent literary agencies. This year Curtis Brown plans to “celebrate its heritage and offer a unique opportunity to the future.” Agents including Lisa Babalis, Becky Brown, Catherine Cho, Lucy Morris and Norah Perkins will help lead the year's events.
The celebrations will culminate in the Curtis Brown 120 Novel Writing Prize, a mission to find the voices of the future, launched in partnership with the Curtis Brown Creative writing school. The prize will be open to novels both finished and unfinished, across all genres of adult fiction. Details of judging panels, process, prizes and submission dates will be revealed in April.
Robertson Murray Literary Agency launches
thebookseller.com – Tuesday January 15, 2019
Representing fiction, general non-fiction and children’s books, the agency, first announced last summer, is a division of Hilary Murray's talent agency Arlington Management Ltd and is being headed up by Robertson, who most recently was sales and marketing director and paperback publisher at Faber and Faber.
Want to make your writing more collaborative, cross-platform and creative? Try Collab Writers
thebookseller.com – Friday January 11, 2019
Collab Writers is a global community for creatives to connect, collaborate and create on poems, flash fiction, short stories and ;novels - and to get those stories on screen.
At the heart of the startup is a hub where members can collaborate to create and publish their work, with assistance and guidance from the Collab Writers team. They will also connect the best writers to the film world, to help adapt their work.
"Creatives at Collab Writers aren't just writers," says co-founder Jennie Griffiths. "We want to encourage a new wave of surrealist creatives to bring pictures, photos, words, images, illustrations, film and music together. We encourage a mash-up of creative genres and mixed media products including short graphic memoirs, manga and stories told through song and screen.
"Collab Writers is a call to action to rise up off the sofa, turn off the box set and awaken your inner creative through connecting and collaborating with like-minded creatives."
Tweet yourself a literary agent in 280 characters
scottishfield.co.uk – Friday January 11, 2019
After the astonishing success of the last three years, XpoNorth’s Writers’ Tweet Pitch is back.
On Friday 11 January, from 9am-9pm, writers from across Scotland can tweet pitch their work to a panel of Scotland’s literary agents and publishers.
Twitter channels will be open to pitches of unpublished fiction, nonfiction and writing and illustration for children from writers living and working in Scotland. Their projects can be complete – or may still be in development.
U.S. Authors Have Suffered A Drastic Decline In Earnings
forbes.com – Wednesday January 9, 2019
It's becoming increasingly difficult to make it as a professional writer in America today. A recent survey from the Authors Guild found that U.S. authors have suffered a drastic decline in earnings in recent years. The drop appears to be impacting nearly all categories of authorship and writers of literary fiction have been hardest hit, suffering a 43% fall in earnings since 2013. There was one exception and that was self-published authors who saw their book-related income almost double since 2013, though it remains 58% lower than for traditionally published authors. Across the board, median income for all categories of U.S. authors stood at $12,850 in 2007 and that has fallen steadily ever since, sinking to a historic low of $6,080 by 2017.