The Choose Your Own Adventure publishers are trying to get the phrase banned from Itch.io
theverge.com – Tuesday December 10, 2019
Chooseco, which publishes the famous Choose Your Own Adventure series, is apparently trying to stop indie game developers from using the phrase “choose your own adventure.” It’s sending trademark infringement notices to the Itch.io gaming storefront, and so far, they’ve resulted in four game pages being suspended.
Itch.io founder Leaf Corcoran told developers about the takedowns this afternoon. “Warning to any devs using the phrase ‘choose your own adventure’ to describe their games, Chooseco is issuing takedown notices,” he wrote on Twitter. Corcoran tells The Verge that the games include Purrfect Apawcalypse, an “apocalyptic dog dating choose your own adventure game”; a “choose your own dating sim text adventure” game called It’s a Date; an unofficial GameBoy game called Choose Your Own Adventure GB; and New Yorker writer Luke Burns’ A Series of Choose Your Own Adventure Stories Where No Matter What You Choose You Are Immediately Killed by a Werewolf, whose plot is self-explanatory.
Major Talent Agencies Step Up Global Expansion As WGA Standoff Continues
deadline.com – Saturday December 7, 2019
The television business is becoming increasingly global, fueled by the rapid expansion of the major streaming platforms. That also goes for the major Hollywood talent agencies.
Reps have always looked for opportunities beyond the U.S. But now, because of the increased demand for locally produced international content, they have stepped up their efforts. Also factoring into the acceleration is the ongoing impasse (and legal battle) between the Big 4 talent agencies and the Writers Guild of America which in April ordered its members to fire their agents if they hadn’t signed the guild’s new Code of Conduct.
Call for Names, Editors, and Contributors: Journal/Magazine of Fiction by Academics #CFP
patheos.com – Thursday December 5, 2019
I really shouldn’t start new projects. But I’ve had so many conversations recently with academics in my field about writing fiction that I think the time has come to do something about it. And so I’m going to be announcing soon the launch of a new periodical dedicated to fiction written by academics. This post aims mainly at gauging interest (and more specifically the kinds of interest there may be both from potential contributors and from potentially readers) and tackling a few initial questions that it is better to crowd source now.
Curtis Brown Creative launches TV serial writing course
thebookseller.com – Wednesday December 4, 2019
The Curtis Brown Creative writing school is launching a new course in writing an original TV drama serial.
Run in collaboration with Curtis Brown’ TV, film and theatre agents it promises expert teaching and masterclasses from TV directors, producers and showrunners at the firm’s central London offices.
The 18-week course, led by TV writer, playwright and former Birkbeck Professor Colin Teevan, starts in March.
Twelfth Annual Papatango New Writing Prize Opens For 2020 Submissions
broadwayworld.com – Tuesday December 3, 2019
The Papatango New Writing Prize, now in its twelfth year, opens for submissions today, Tuesday 3 December 2019, until 9pm on Sunday 2 February 2020.
The Papatango New Writing Prize was the UK's first - and remains the only annual - opportunity guaranteeing a new writer a full production, publication by Nick Hern Books, a royalty of 10% of the gross box office, and a £6500 commission with full developmental support for a follow-up play. It is also unique in producing the winning play within the same year. Since 2019, the winning play has toured the UK following its London premiere.
In addition, every entrant receives feedback on their script - a commitment made by no other company, especially significant as the Prize averages more submissions on a yearly basis than any other playwriting award. Writers nurtured in this way have gone on to see their scripts produced at many leading venues across the UK.
Bad Sex Awards 2019: Two writers share 'Britain's most dreaded literary prize'
inews.co.uk – Tuesday December 3, 2019
In an echo of the Booker prize two writers have won the 2019 Literary Review Bad Sex In Fiction Award.
The judges struggled to pick just one winner so chose French author Didier Decoin with his novel The Office of Gardens and Ponds and John Harvey, a life fellow at Emmanuel College, Cambridge, with his book, Pax.
The judges were swayed equally by raunchy passages in Decoin's and Harvey's books.
HMH to Launch Children's Graphic Novel Imprint
publishersweekly.com – Friday November 22, 2019
Houghton Mifflin Harcourt is the latest publisher to announce a children’s graphic novel imprint: Etch, which will gather all of HMH’s graphic novels into a single imprint, will debut in September 2020. The launch catalog will consist of seven titles, with plans to publish about 15 books per year.
Publisher Catherine Onder will oversee the imprint, but editors from the HMH children’s imprints Clarion, Versify, and HMH Books for Young Readers will all acquire properties for Etch. “I’ve been so impressed by the passion from the team, across both editorial and design, and the talented roster of creators that they’ve brought on board,” Onder said. “This variety of perspectives, interests, and expertise is key to our providing graphic novels for every reader.”
The Rothman Brecher Ehrich Livingston Agency Signs Deal With the WGA
deadline.com – Tuesday November 19, 2019
Respected TV and film literary boutique The Rothman Brecher Ehrich Livingston Agency, a member of Association of Talent Agents, has reached a deal with the Writers Guild.
“Rothman Brecher Ehrich Livingston is pleased to announce that it has signed a new Franchise Agreement with the WGA,” the principals said in a statement to Deadline, declining further comment.
RBEL is the fourth established ATA member mid-size agency to break ranks and sign with the WGA, joining another literary boutique, Kaplan Stahler, as well as Buchwald and Abrams Artists, and comes only a week after the guild’s most recent pact with Abrams Artists. Verve, which is not an ATA member, was the first notable agency with writer clients to reach an agreement with the WGA in May.
Ward, Desser Have New Roles at Random House
publishersweekly.com – Tuesday November 19, 2019
At Penguin Random House's flagship imprint, Andy Ward has been promoted to publisher, while Knopf's Robin Desser has been tapped as senior v-p and editor-in-chief. Ward is replacing Susan Kamil, who died, suddenly, last month.
In an announcement about Ward's promotion, Gina Centrello, president and publisher of Random House, said Ward, who is currently editor-in-chief at RH, has shown "steady, caring stewardship, as well as his own talents as an editor." Centrello said that Ward, in his new role, "will help set the priorities for not just Random House but also the Dial and Hogarth imprints," as well as acquiring and editing.
National Centre for Writing seeks working class writers
thebookseller.com – Saturday November 16, 2019
The National Centre for Writing in Norwich is relaunching its Escalator Talent Development Scheme seeing under-represented voices in fiction from the East of England with a special focus this year on writers from working class backgrounds.
Now entering its 15th year, the writing programme is supported by the Arts Councils and has worked with almost 100 writers, helping launch the careers of Michael Donkor (published by 4th Estate), Megan Bradbury (Picador), Miranda Doyle (Faber), Guinevere Glasfurd-Brown (Hodder) and Kate Worsley (Bloomsbury)
The 2020 scheme is keen to receive applications from early career writers who self-identify as from a working class background, or writers who wouldn’t ordinarily have the opportunity to benefit from this kind of support, the National Centre for Writing (NCW) said. “Working class voices remain critically under-represented in contemporary fiction and NCW seeks to address this through Escalator and its talent development programme more broadly,” the Centre added. The Bookseller’s investigation into class earlier this year revealed that around 80% of people in the publishing industry who identify as working class their career has been adversely affected by their background.