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Writers' News

Abrams Artists Lit Agents Brad Rosenfeld, Paul Weitzman & Karen Kirkland Exit to Launch New WGA Signatory Agency

deadline.com – Thursday July 25, 2019

Veteran literary agents Brad Rosenfeld and Paul Weitzman are leaving Abrams Artists Agency after a 4.5-year stint as VPs and co-heads of the literary division. Partnered with fellow Abrams lit agent Karen Kirkland, the trio have launched a new agency, Culture Creative Entertainment, which has become a WGAsignatory, signing the guild’s new franchise agreement.

According to the principals, CCE will initially focus on writers and directors but will expand to include other areas of representation as they grow.

The move comes more than 100 days into the standoff between the Writers Guild of America and the Association of Talent Agents, which led to more than 7,000 writers firing their agents, including those represented by Abrams Artists.

[Read the full article]

New Magazine Listing

firstwriter.com – Wednesday July 24, 2019

Publishes: Fiction; 
Areas include: Fantasy; Sci-Fi; Short Stories; 
Markets: Adult

Publishes speculative fiction stories from 100 to 1,500 words, including science fiction, fantasy, slipstream, etc. Send submissions through online submissions system.

[See the full listing]

London's Coda Agency rebrands as Paradigm

iq-mag.net – Tuesday July 23, 2019

After five years as partners, London’s Coda Agency has formally merged into its Los Angeles-based parent company, Paradigm Talent Agency, becoming Paradigm London, the companies announced this morning (22 July).

Coda partners Alex Hardee, Tom Schroeder, James Whitting and Dave Hallybone will continue to lead the London office, now under the Paradigm banner.

Prior to becoming one agency, Paradigm and Coda hared more than 500 clients. Paradigm’s roster of globally represented artists includes Halsey, Imagine Dragons, Janet Jackson, Billie Eilish, Kacey Musgraves, Tiësto, Liam Gallagher, Missy Elliott, Shawn Mendes, Sia, Kenny Chesney, Jess Glynne, Charli XCX, Bastille and Sturgill Simpson.

[Read the full article]

Crime writers mystified by Colm Tóibín’s criticism

irishtimes.com – Tuesday July 23, 2019

Colm Tóibín aggravated a long-standing literary sore point last weekend when he told a Guardian interviewer: “I can’t do thrillers and I can’t do spy novels.”

Asked which books he felt were most overrated, he said: “I can’t do any genre-fiction books, really, none of them. I just get bored with the prose. I don’t find any rhythm in it. It’s blank, it’s nothing; it’s like watching TV.”

He does not, in fact, watch television. “I don’t have a TV. Everyone talks about the golden age of American TV but it’s done nothing for me.”

[Read the full article]

'Ridiculed and not taken seriously': why fan fiction deserves more credit

smh.com.au – Saturday July 20, 2019

When Astrid Scholte was a teenager she was enthralled by the science fiction television series Farscape, a sweeping intergalactic space opera. She couldn't get enough.

The internet was a smaller universe in 2000, but online Scholte discovered a trove of fictional stories inspired by the characters and world of the show, written by other obsessed fans.

Soon, Scholte started studiously writing her own "episodes" to broaden the dimensions of her favourite television show.

"I didn't realise what I was doing was fan fiction. I did not realise there was a term distinctly defined back then," Scholte says.

These days, Scholte receives her own notes from fans after publishing her debut young adult fantasy novel Four Dead Queens in March.

[Read the full article]

Writing Jobs

benzinga.com – Saturday July 20, 2019

Are you a talented wordsmith? Writing careers offer many different job titles, roles and can also offer a lot of flexibility through full-time work or part-time gigs. We’ve researched various writing jobs, their pay and what both the current and future job market look like. Read on for our best tips to learn how you can find a writing job that matches your skills.

Main Takeaways: Getting a Writing Job

  • Writing is a diverse field. From creative to technical, there is a type of writing that fits almost all interests.
  • You don’t necessarily need a degree. You can get a writing job from studying English in college, or you can put together a portfolio of work.
  • There are many skills that make someone successful in writing. We explore this and more, including job listings, below.

[Read the full article]

Audible's Captions Program Stirs Fears, Frustration Among Publishers

publishersweekly.com – Saturday July 20, 2019

“Outrageous” and “copyright infringement” were the first two (unsolicited) emails PW received from independent publishers when word of Audible’s new program to run text along side its audiobooks began to spread. The program, called Captions, which requires the company to transcribe audio to text, was highlighted in a story in USA Today with a headline touting that Audible is looking to let customers “ ‘read’ an audiobook while [they] listen.” While the company disputes that description, saying Captions is not at all akin to the act of reading, publishers, literary agents, and organizations representing authors are skeptical.

While Audible said in a statement that Captions “does not replicate or replace the print or eBook reading experience,” publishers are unconvinced. “There are real copyright issues here and authors, publishers, and agents should review and clarify their positions,” said Dominique Raccah, CEO of Sourcebooks. “It seems unlikely that Audible was granted these rights.”

[Read the full article]

Adventures in Script-Writing

counterpunch.org – Friday July 19, 2019

Over the years I’ve had approximately twenty scripts produced at small theaters in and around Hollywood and Orange County. None of these plays were celebrated or spectacular, mind you, just some offbeat comedies (in what might be called the “minimalist” tradition) that were fortunate enough to attract modest audiences willing to pay $25.

Live theater, particularly when you’re doing original scripts, is a fascinating process. You start by submitting a script to the artistic director of a theater. If they agree to produce it, you hold auditions, cast the roles, conduct rehearsals (usually four to six weeks), have your “tech week” (where the cast dresses in their costumes, and all the technical stuff—lights, musical cues, and special effects—are integrated into the performance), followed by opening night. Which is both exhilarating and terrifying.

Original plays are also challenging in ways that established plays are not. The difference between an actor doing material by a dead playwright like Arthur Miller or Agatha Christie, and doing material by a famous but living playwright like Christopher Durang or Beth Henley, is that the actor is never going to suggest to the director that the script be changed. Not in his or her wildest dreams would they suggest such a thing. (“Can’t we shorten that speech by Hamlet?” Make it lighter?”)

[Read the full article]

New Publisher Listing

firstwriter.com – Friday July 19, 2019

Publishes: Fiction; Nonfiction; Poetry; 
Areas include: Short Stories; 
Markets: Adult

Publishes novels, textbooks, poetry, short stories, photo essays, graphic novels, short-form personal essays and long-form nonfiction work. Query via form on website.

[See the full listing]

WGA’s fight with agents enters Act 2, but there’s no end in sight

latimes.com – Friday July 19, 2019

Like many of his peers, writer Rasheed Newson, a co-executive producer on the Showtime drama “The Chi,” was supportive of his union’s efforts to rein in some of the aggressive practices of talent agencies.

But three months after the Writers Guild of America told members to fire their agents, Newson is growing frustrated with the lack of progress in resolving a dispute that has consumed Hollywood.

[Read the full article]

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