Traditional Publishing

Writers' News

How Publishers and ‘Hybrid’ Authors Are Working Together – Friday March 11, 2016

In a time when authors have multiple avenues to publish their books, many publishers are finding themselves broadening their offerings to authors. And this trend has resulted in more “hybrid” authors who both self-publish and work with traditional publishers at the same time.

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New Publisher Listing – Friday March 11, 2016

Publishes: Poetry; 
Markets: Adult; 
Preferred styles: Literary

Publishes first collections of poetry by poets who have an established track-record of publication in poetry magazines.

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Major publishers’ e-book sales stagnate as overall market grows – Thursday March 10, 2016

While sales of e-books from major publishers have declined since 2014 — the year many gained the right to price their digital titles sold through Amazon — the overall market continues to progress, helped by independent and nontraditional publishing.

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Writing Your Blurb or Bio: The Essential Points – Thursday March 10, 2016

Your blurb or bio is a short, concise, effective introduction and description of yourself. It can be used and inserted in myriad ways: for your company profile, as an introduction at meetings or presentations, on social media sites such as LinkedIn, for your articles, blogs or books, and whenever and wherever you need a pithy, interesting and informative description of yourself. The essential characteristics of effective and memorable blurbs are:

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Tax Court Holds That Family Vacations Are Not Deductible As Book-Writing Research – Thursday March 10, 2016

For the past few years, I’ve harbored the hope that I would author a children’s book. Unfortunately, I’ve encountered two small problems that have thus far kept me from fulfilling my goal:

  1. I have no ideas, and
  2. I have no talent.

Should those two things change, however, I’ll be off and running. And once that happens, I had hoped to turn my two kids into what I always dreamed they’d become: big ol’ tax deductions.

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Monkeys, Shakespeare, Writing and Me – Thursday March 10, 2016

There's an adage that says, "If you put 100 monkeys with typewriters in a room long enough, eventually they'll write Hamlet." It requires just a nanosecond of reflection to realize that the monkeys wouldn't actually be writing. They'd merely be typing. But the idea is they'd be typing fast and furious and eventually create something worth reading.

This is the biggest year I've ever experienced as a writer and there are indeed times when I feel like the aforementioned monkeys. I have four books being published in 2016 -- one each in January, March, April and May. When I mention the four books in conversation, people often regard me with incredulous shock. How is such a thing possible? Do you write non-stop? Did you write all four books simultaneously? Were you actually just monkey-typing?

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New Publisher Listing – Thursday March 10, 2016

Publishes: Fiction; Nonfiction; 
Markets: Adult; Children's; Youth

Publishes fiction and nonfiction for adults, children, and young adults. See website for submission guidelines.

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What Big Publishing Consolidation Means for Authors – Wednesday March 9, 2016

So, the Hachette Book Group is acquiring the Perseus Books Group again, 18 months after its first failed attempt to do so. This time it looks like the deal will stick, though.

If you read industry news deals or press releases, you'll see all kinds of positive spin on deals like these. This is the third major publishing merger in the past three-plus years, preceded by the 2013 merger between Penguin and Random House and the acquisition earlier that same year of Harlequin by HarperCollins. The companies like to talk about expanding their global reach and investing in broadening their lists. And while these corporate agendas sound good on paper, the consolidation of publishing is not good for authors.

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Evelyn Conlon: prize culture devalues art of writing – Wednesday March 9, 2016

I am saddened for the apprentice writers who think that the only way their work can be judged is by a prize listing. What an awful thing for the industry to subject writers to.

My fear is that we’re in danger of losing the challenge of [the independent bookshop]. What happens now is that the window can be bought and that all that exciting innovative work has been bulldozed by giddy marketing. Too many people now make straight for the prize-winning shelf. I am not averse to the notion of the occasional prize, and yes I understand that it is a method of bringing attention to the as yet unknown, but when the bookshop experience seems like you’ve been tipped into a tombola then clearly we have lost sight of the art of finding our own books.

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Save dragons, save books! Three authors give tips on children's writing – Wednesday March 9, 2016

It’s a perennial bugbear among children’s writers that every other writer thinks it’s an easy thing to do when, in fact, children are among the most discerning readers, with an intimate relationship with the on-off switch. Three leading authors will be passing on the tricks of the trade in a Guardian Masterclass on Sunday, 20 March. We asked Philip Ardagh, author of the Eddie Dickens series; How to Train Your Dragon author Cressida Cowell; and Laura Dockrill, author of the Darcy Burdock books, to explain the challenges and the rewards of specialising in literature for young people. They also give some useful tips for anyone hoping to follow them into this most demanding of areas.

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