Eight reasons that even a good book is rejected by publishers
scroll.in – Sunday March 26, 2017
Several years ago, as an aspiring novelist with stardust in my eyes, I used to spend most of my waking hours in Yahoo’s Books and Literature chatroom in the company of fellow aspiring writers. I clearly remember how one of the main topics of conversations used to be the number of rejection slips one had received on that particular day (or the previous week), agents/publishers who had requested a synopsis or proposal, and those who had just not bothered to respond. All of us were united by the looming sense of uncertainty, suspense, and the palpable realisation that the odds were firmly stacked against us.
Today, having spent more than seven years on the other side, first as a consultant and then an agent, I think many writers have wrong notions about rejections. While most books are rejected because of poor quality and incompetence (as they should be), there are several other factors that play a role in publishing decisions. And these affect “good” books too.
The rise of the Irish literary magazine
independent.ie – Tuesday March 21, 2017
A vibrant new wave of Irish literary journals are offering insights into contemporary trends as well as giving new ideas and new writers an audience
'It's no longer about the vanity press': self-publishing gains respect — and sales
cbc.ca – Sunday March 19, 2017
Vancouver-based author Sharon Rowse was thrilled when after years of trying she finally landed a book deal with a New York publisher.
"It had always been my dream to be published," Rowse said.
Her novel, a historical crime story that takes place in her home town, had been "a bit of a hard sell" for the American market.
But reality poured a big bucket of cold water on her dreams when the publisher was bought out, and its mystery section discontinued.
Don’t like the way you write? An artificial intelligence app promises to polish your prose
qz.com – Friday March 10, 2017
I am a professional writer, but I often hate my writing. I wish it was more concise and powerful. And it certainly doesn’t read as smoothly as the work of my literary heroes. Recently, I began to wonder: Could a software program make me better at my job?
The Hemingway App, an online writing editor created in 2013 by brothers Adam and Ben Long, promises to do just that. “Hemingway makes your writing bold and clear,” the site claims, so that “your reader will focus on your message, not your prose.” If you listen to the app’s advice, it will rid your writing of run-on sentences, needless adverbs, passive voice, and opaque words. There’s no guarantee you’ll crank out the next Farewell to Arms—but the goal is to get you closer to Ernest Hemingway’s clear, minimalist style.
Writing poetry in the age of Twitter and Facebook: 'there are no answers, only questions'
list.co.uk – Wednesday March 8, 2017
Poet Christodoulos Makris did something very brave for his assignment at StAnza. With the best intentions in mind, he asked people to send him links to 'anything they found interesting on the internet'. The first question I ask him is the obvious one: did you get sent anything, well, dodgy? 'No,' he laughs. 'Just links to things I wouldn't normally have come across.'
Learning to code can transform your writing, not just your website
thebookseller.com – Tuesday March 7, 2017
I came to coding like a mute. When I went to a conference presenting a new coding language from Google called Go last month, I realised I couldn't understand what was being said. Later I met with Inês Teles, director of London coding bootcamp Founders & Coders, curious to learn how coding could push my own writing project. But I couldn't explain my ideas as my language wouldn't translate into hers.
“What do you want to do with it?” A simple question I was unable to answer. However, I was told that, if you know how to write code, you can pretty much do anything. So I went along and started learning the basics of web development, starting with HTML and CSS. Little did I realise just how much learning code would teach me about language of the other kind.
The 10 Best Interlinked Short Story Collections
publishersweekly.com – Saturday March 4, 2017
The interconnected stories in Knight's exquisitely crafted collection Eveningland explore the lives of characters living in and around Mobile, Ala., in the years preceding the destruction wrought by a fictional hurricane. Funny, wise, and heartfelt, the stories stand on their own, but also add up to a stunning whole. Here are Knight's picks for 10 interlinked short story collections.
Writing Issues: Advice I Give: Patrick O’Neil
huffingtonpost.com – Friday February 24, 2017
Patrick O’Neil is the author of the memoir Gun, Needle, Spoon (Dzanc Books). His writing has appeared in numerous publications, including Juxtapoz, Salon, The Nervous Breakdown, After Party Magazine, and Razorcake. O’Neil is a contributing editor for Sensitive Skin Magazine, a Pushcart nominee, a two time nominee for Best Of The Net, and a PEN Center USA Professional and former Mentor. In today’s “Writing Issues,” I asked him what advice he would give aspiring authors.
Transparency, targeting, Twitter: what it means to be a literary agent now
thebookseller.com – Monday February 20, 2017
When I first worked in agenting, all submissions from authors were sent in hard copy: towering piles of envelopes containing the first 50 pages with SAEs enclosed for rejection slips. Indeed, many agents still submitted to publishers that way, biking the printed copy round to their offices and waiting for the offer to come in. In those days the book fairs really were where you could get your hands on a hot book – literally – coming to the agent’s table to physically read a proposal before putting an offer in.
7 Details to Consider When Writing Historical Fiction
authorlink.com – Wednesday February 1, 2017
I’ve always considered myself a history buff and have written quite a few historical fiction novels requiring exhaustive amounts of research. Creating believable historical fiction means getting facts straight and making sure that your research and imaginative input inspires the most plausible, complex plots and characters you can possibly bring to life. Here I lay out the top 7 components you need to think about when writing historical fiction.
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