Traditional Publishing
Self-Publishing
Share

How to write a novel by author & commissioning editor Phoebe Morgan

marieclaire.co.uk – Tuesday October 16, 2018

In the second instalment of our Writers Bloc series, we get the inside scoop on how to write a novel from commissioning editor and author, Phoebe Morgan

A commissioning editor by day and novelist by night, Phoebe Morgan is the author of The Doll House, published this month, and The Girl Next Door which is released in February 2019, both psychological thrillers. She is 28, and lives in Clapton, East London, with her boyfriend.

[Read the full article]

Why can’t life begin after 40 for a writer?

irishtimes.com – Friday October 12, 2018

Last year, at a writing festival in rural Ireland about 60 attendees sat listening to presentations from publishers and agents. It was the kind of segment that has been popular on the writing festival circuit for quite a while now. The attendees hear a lot of familiar advice from people in the industry, both domestic and overseas. And there are occasional insights into the metamorphic and precarious state of the publishing industry.

At this particular event, there was a lot of advice about presentation, synopses and introduction letters, how authors should market themselves and their books, and the common mistakes made by aspiring novelists.

[Read the full article]

Why we need an award for writers who start later in life

theguardian.com – Wednesday October 3, 2018

Sitting in a coffee shop just around the corner from the publishers, Canongate, of which Christopher Bland had once been chair, members of Christopher’s family and of the Royal Society of Literature were brainstorming a title for the new prize to be announced in his name. “Late writers” risked conjuring up the dead, while “older writers” raised the question of what, in an industry that is often obsessed with youth, would be considered old: Google this query and you will find writers over 30 bemoaning the fact that they will soon be over the hill.

In the end we opted for a prize in Christopher’s name, to be awarded to a first novel or work of non-fiction published when the winner is 50 or older. Not before, however, we had worried about the quality of future entrants: what kind of writer, we wondered, apart from Christopher, who published two novels while in his 70s, would be eligible for such a prize?

[Read the full article]

(Don’t) Relax (Too Much)

By G. Miki Hayden
Instructor at Writer's Digest University online and private writing coach

firstwriter.com – Monday October 1, 2018

I told my friend about a grammatical glitch I found in Outside magazine:

A man came upon a dead bear cub and leaned over and touched it, but the bear had been electrocuted by a downed electrical wire, and the man, too, was zapped. (He lived but had terrible physical damage.) At any rate, the article said the bear had been laying on a live wire. Of course, obviously, the bear had been lying on the wire. (I tweeted the editor and was ignored—so much for the power of social media.)

[Read the full article]

How to write a killer crime novel, by Val McDermid (who’s sold 15 million of her own)

marieclaire.co.uk – Tuesday September 25, 2018

For the first in our new Writers Bloc series, prolific crime writer Val McDermid tells Charlotte Philby the secret to writing 32 books in as many years

Val McDermid is the multi award-winning author of 32 crime novels, which have sold more than 15 million copies worldwide and been translated into 40 languages. She is married to the professor Jo Sharp, and has a teenage son. McDermid divides her time between Cheshire and Edinburgh. Her latest novel Broken Ground is published by Little Brown (£18.99)

You’ve written 32 books in as many years with no signs of abating, and had your work adapted for TV. What are the most important lessons you’ve learnt about successfully drawing readers into the worlds you create?

[Read the full article]

Penguin Random House Is Building the Perfect Publishing House

newrepublic.com – Wednesday September 12, 2018

When Penguin and Random House announced in the fall of 2012 that they intended to merge, Hurricane Sandy was barreling toward New York City, America’s publishing capital. It was an instant metaphor for headline writers: “As Sandy Loomed, the Publishing Industry Panicked.” People inside both companies worried about their jobs; people outside the companies worried about the market power of a new conglomerate comprised of the country’s two largest trade publishers. Agents and authors, meanwhile, worried that the consolidation would further drive down advances.

Random House’s top brass insisted that there was no need to panic. “The continuity will far outweigh the change,” Markus Dohle, the CEO of what would become Penguin Random House, told The New York Times when the merger was completed the following summer. “We have the luxury to take the time before we make any strategic decisions. There is no need to rush.”

[Read the full article]

E-book pricing: because you’re worth it

irishtimes.com – Monday September 10, 2018

You’re a self-published author. You’re digitally publishing and you are responsible for pricing your e-book. How do you decide the price?

There are two schools of thought in the interminable self-publishing pricing discussion. One believes firmly in the pile ’em high and sell ’em cheap philosophy. The other side holds that to be a horrible undervaluation of our talents and time.

I’m firmly in the second camp. I’ve long been of the opinion that self-published authors selling at “remaindered bin” prices are doing themselves, and self-publishing authors generally, a huge disservice. They’re not valuing their own work sufficiently highly, and they’re encouraging readers to place less value on independently published work than traditionally published. They’re saying, “my book is not as good as one you would find in a bookshop, so I can’t charge as much for it. The only way I can encourage you to buy it is if I either give it away free, or charge what a bookshop would charge for books that nobody wants (the ‘remaindered bin’)”.

Why has that become an accepted tactic?

[Read the full article]

Should writers only write what they know? What I learned from my research

theconversation.com – Tuesday September 4, 2018

As an academic in creative writing, I attend a lot of literary events. One question I can always count on being asked is, “can I write characters of other backgrounds?” This has been a growing concern since Lionel Shriver at the 2016 Brisbane Writers Festival unleashed a tirade against what she called “censorship” in writing – referring to criticism of her book The Mandibles.

The recent ABC Q&A episode, Stranger Than Fiction, in conjunction with the Melbourne Writers’ Festival, showed the many sides of the “write what you know” debate. Dr Michael Mohammed Ahmad and Sofie Laguna argued that space should be given for marginalised groups to represent themselves. Maxine Beneba Clarke pointedly discussed when appropriation can be harmful, as was the case with Shriver’s representation of Latino and African American characters. Meanwhile, Trent Dalton argued that appropriation leads to a good story, which also takes empathy and care.

[Read the full article]

Women reveal the VERY irritating mistakes male authors make in writing female characters - including describing itchy tights as 'sexy' and thinking EVERYONE can run in heels

dailymail.co.uk – Thursday August 30, 2018

Authors have the ability to immerse their readers in fictional words, but women everywhere believe they're still not getting one thing right: female characters.

Tumblr users from around the world have been penning advice to male authors about the common mistakes they make when writing female characters - and they'll strike a chord with women everywhere. 

The tips, compiled in a Bored Panda thread, include a request to describe tights as 'itchy' rather than sexy and the handy tip that almost no women can run in heels

[Read the full article]

Turning Pages: When it's good to break the writing rules

smh.com.au – Sunday August 26, 2018

Sometimes the writer doesn't need a gentle muse when facing a blank page. Sometimes the writer needs a pep talk from a coach, the kind that gets you out in the drizzly dawn doing push-ups and feeling good about it.

If that's your bag, then Catherine Deveny is your woman. The comedian and writer who describes herself as "Atheist, Feminist, Dyslexic" runs regular writing classes for her Gunnas (as in "I'm gunna write a book some day"). For her students, that day is today. And she'll do everything short of push-ups to motivate them and destroy their procrastination and fear.

Judging from the website testimonials, her Gunnas adore her. So I was intrigued to see her in action at the recent Bayside Literary Festival, talking about "The Twelve Things They Don't Tell You About Writing".

I was particularly struck by one piece of advice that was exactly the opposite of what most creative writing teachers tell their students: "You don't have to read a lot".

[Read the full article]

Page of 107 57
Share