How to Find the Perfect Time to Write
lifehacker.com – Tuesday October 23, 2018
If you dream of becoming a writer, you have to eventually sit down and write. Whether you’re doing National Novel Writing Month in November, or you dream of being a writer “someday,” the first inescapable step is making the time to do it. Here’s a 15-minute exercise toward that end that you can do today.
How to write a novel by author & commissioning editor Phoebe Morgan
marieclaire.co.uk – Tuesday October 16, 2018
In the second instalment of our Writers Bloc series, we get the inside scoop on how to write a novel from commissioning editor and author, Phoebe Morgan
A commissioning editor by day and novelist by night, Phoebe Morgan is the author of The Doll House, published this month, and The Girl Next Door which is released in February 2019, both psychological thrillers. She is 28, and lives in Clapton, East London, with her boyfriend.
Why can’t life begin after 40 for a writer?
irishtimes.com – Friday October 12, 2018
Last year, at a writing festival in rural Ireland about 60 attendees sat listening to presentations from publishers and agents. It was the kind of segment that has been popular on the writing festival circuit for quite a while now. The attendees hear a lot of familiar advice from people in the industry, both domestic and overseas. And there are occasional insights into the metamorphic and precarious state of the publishing industry.
At this particular event, there was a lot of advice about presentation, synopses and introduction letters, how authors should market themselves and their books, and the common mistakes made by aspiring novelists.
How Do You Write A Short Story? 11 Easy Tips For Writing Your First One
bustle.com – Wednesday October 3, 2018
Today's the day. It's happening. You've decided to write your first short story. Maybe this story idea has been kicking around your head for the last 10 years, or maybe you just googled a list of writing prompts and want to give one a whirl. Perhaps you're an accomplished essayist looking to try fiction on for size, or it's possible that you've never written anything in your life outside of school assignments and Instagram captions. Whatever your level of writing expertise, you are perfectly qualified to write a short story. All you strictly need is willpower, paper, and a large cup of coffee. But here are a few extra tips to get you started, because staring at that empty page is the absolute hardest part.
First things first, though: what exactly is a short story? Typically, a short story is defined as a work of fiction between 1,500 and 5,000 words (although 5,000 is a bit long for some publications). Under 1,500 words is considered flash fiction, and under 350 words is sometimes called micro fiction. You don't have to start with a specific word count in mind, but make your peace with the fact that you probably won't have time for those twenty pages of exposition up top. If you want to write a true short story, then here are some suggestions for nailing both the "short" and the "story" aspects:
Why we need an award for writers who start later in life
theguardian.com – Wednesday October 3, 2018
Sitting in a coffee shop just around the corner from the publishers, Canongate, of which Christopher Bland had once been chair, members of Christopher’s family and of the Royal Society of Literature were brainstorming a title for the new prize to be announced in his name. “Late writers” risked conjuring up the dead, while “older writers” raised the question of what, in an industry that is often obsessed with youth, would be considered old: Google this query and you will find writers over 30 bemoaning the fact that they will soon be over the hill.
In the end we opted for a prize in Christopher’s name, to be awarded to a first novel or work of non-fiction published when the winner is 50 or older. Not before, however, we had worried about the quality of future entrants: what kind of writer, we wondered, apart from Christopher, who published two novels while in his 70s, would be eligible for such a prize?
(Don’t) Relax (Too Much)
By G. Miki Hayden
Instructor at Writer's Digest University online and private writing coach
firstwriter.com – Monday October 1, 2018
I told my friend about a grammatical glitch I found in Outside magazine:
A man came upon a dead bear cub and leaned over and touched it, but the bear had been electrocuted by a downed electrical wire, and the man, too, was zapped. (He lived but had terrible physical damage.) At any rate, the article said the bear had been laying on a live wire. Of course, obviously, the bear had been lying on the wire. (I tweeted the editor and was ignored—so much for the power of social media.)
How to write a killer crime novel, by Val McDermid (who’s sold 15 million of her own)
marieclaire.co.uk – Tuesday September 25, 2018
For the first in our new Writers Bloc series, prolific crime writer Val McDermid tells Charlotte Philby the secret to writing 32 books in as many years
Val McDermid is the multi award-winning author of 32 crime novels, which have sold more than 15 million copies worldwide and been translated into 40 languages. She is married to the professor Jo Sharp, and has a teenage son. McDermid divides her time between Cheshire and Edinburgh. Her latest novel Broken Ground is published by Little Brown (£18.99)
You’ve written 32 books in as many years with no signs of abating, and had your work adapted for TV. What are the most important lessons you’ve learnt about successfully drawing readers into the worlds you create?
11 Tips On Writing Horror From The Greats Of The Genre, Including Mary Shelley, Shirley Jackson, And Tananarive Due
bustle.com – Friday September 21, 2018
As the autumn mists roll in, and prestige horror movies make their triumphant return to cinemas, it seems like the perfect time to settle in with your beloved word processor and your favorite hot beverage and write some ghost stories. But how does one make a piece of writing scary? Where's the line that turns a cheesy people-eating demon into the stuff of nightmares? How does a writer create a spine-tingling atmosphere of tension and fear while staring at a computer screen and eating cereal directly out of the box? Here are a few tips from the horror greats for writing creepy fiction (and quite possibly terrifying yourself in the process).
Of course, as with all writing, there is no one-size-fits-all method for crafting a great horror novel. You might be a person who is entirely unfazed by classic monster movies, and who rolls their eyes at creepy campfire tales. Or you might be someone (like me) who routinely has to hide their novelty clown-shaped pencil cup for fear that it will spontaneously come to life. Your fears and your writing methods are all your own. But no matter what your approach, these horror-writing tips will give you a few extra thoughts to mull over as your write your tales of terror:
Penguin Random House Is Building the Perfect Publishing House
newrepublic.com – Wednesday September 12, 2018
When Penguin and Random House announced in the fall of 2012 that they intended to merge, Hurricane Sandy was barreling toward New York City, America’s publishing capital. It was an instant metaphor for headline writers: “As Sandy Loomed, the Publishing Industry Panicked.” People inside both companies worried about their jobs; people outside the companies worried about the market power of a new conglomerate comprised of the country’s two largest trade publishers. Agents and authors, meanwhile, worried that the consolidation would further drive down advances.
Random House’s top brass insisted that there was no need to panic. “The continuity will far outweigh the change,” Markus Dohle, the CEO of what would become Penguin Random House, told The New York Times when the merger was completed the following summer. “We have the luxury to take the time before we make any strategic decisions. There is no need to rush.”
E-book pricing: because you’re worth it
irishtimes.com – Monday September 10, 2018
You’re a self-published author. You’re digitally publishing and you are responsible for pricing your e-book. How do you decide the price?
There are two schools of thought in the interminable self-publishing pricing discussion. One believes firmly in the pile ’em high and sell ’em cheap philosophy. The other side holds that to be a horrible undervaluation of our talents and time.
I’m firmly in the second camp. I’ve long been of the opinion that self-published authors selling at “remaindered bin” prices are doing themselves, and self-publishing authors generally, a huge disservice. They’re not valuing their own work sufficiently highly, and they’re encouraging readers to place less value on independently published work than traditionally published. They’re saying, “my book is not as good as one you would find in a bookshop, so I can’t charge as much for it. The only way I can encourage you to buy it is if I either give it away free, or charge what a bookshop would charge for books that nobody wants (the ‘remaindered bin’)”.
Why has that become an accepted tactic?
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