12 (Plus 1) Ways to Promote Safely at Home
By G. Miki Hayden
Instructor at Writer's Digest University online and private writing coach
firstwriter.com – Sunday August 2, 2020
When I first published a couple of books, of course I went to all the conferences in various cities to speak on panels and promote. I did readings in bookstores.
Those were the days.
Those days are gone.
Now, while we might deliver hometown bookstore readings in some locales, in other towns and cities, we might not be able to. We’d certainly have to think twice about the risks anywhere (if the stores are even open).

Why are women now dominating the literary landscape?
irishtimes.com – Thursday July 30, 2020

he past few years have been a boon for women novelists, often young and often literary debutantes. Sally Rooney is the standard bearer of this trend. And though we should resist comparisons between two successful female writers simply for the sake of it, snapping at Rooney’s ankles is Naoise Dolan (28) with her accomplished (if slightly naive) debut Exciting Times.
Dolan’s refreshingly sharp perspective on how women are perceived, coupled with Rooney’s stratospheric success, and Anna Burn’s Milkman winning the Man Booker Prize in 2018 all point to one thing: books by, and about, women are in vogue.
This upsurge in commercial success and critical acclaim is not just the preserve of Irish women, of course. In 2019 the Booker Prize was awarded to two women (that the award was split between Margaret Atwood and Bernardine Evaristo was a disappointingly lazy cop-out from the judges and no comment on the inimitable talents of either author). And so too this year the Booker Prize longlist contains just four men out of the total 13. Women’s domination of the literary landscape seems all but complete. But of course it raises the question: Why? And why now?

How These Writers Got a Literary Agent
thecut.com – Friday July 24, 2020

What do you do if you think the document you’ve been working on maybe, just maybe, might possibly be a book? There’s no one-size-fits-all answer, but for some writers, the next step is to look for a literary agent who will work to sell your manuscript to a publishing house and help guide your career from a business standpoint (typically for a fee of 15 percent). Below, eight writers explain how they connected with their literary agent.

So You Want to Write?
thecut.com – Wednesday July 22, 2020

When it comes to making it as a writer, there’s no magical shortcut to success: You just have to show up and keep doing the work. But there are some things that might be helpful to know and bits of wisdom to encourage you to keep going. Below, nine writers share what they wish they’d known and the advice they would give fledgling writers.

Writing Probably Won’t Pay the Bills
thecut.com – Tuesday July 21, 2020

It probably won’t shock you to hear that it can be difficult, if not downright impossible, to make a living as an author. Successfully selling a book doesn’t often lead to financial security, and the publishing industry hasn’t been known for its transparency on these subjects (which recent conversations like #PublishingPaidMe have worked to correct, specifically when it comes to racial inequities). In practice, making any kind of money as a writer can mean a million different things: holding down a full-time job and writing on the side, steadily applying for grants, cobbling together some combination of teaching and freelance writing gigs.
Below, six writers talk about how they make writing work financially.

Busting writer's block: Creativity-boosting writing exercises to get you going
theguardian.com – Tuesday July 21, 2020

Many of us suffer from a lack of confidence when engaging in creative projects, assuming that – to be any good – a piece of work has to wholly originate in some almost mystical act of inspiration. Anyone who works professionally as a writer will often simply realise that a looming deadline is the greatest spur to creativity.
There are no rules to being an effective writer, and when working with students I spend quite a lot of time helping them discover the times and places when they work best. For some, inspiration is most likely to strike when in they’re able to observe the bustle of life; for others it comes during absolute quiet, when the family is asleep or (in my own case) when walking. That said, whatever sparks your desire to write, you need to be able to turn it into a habit if you’re going to succeed.
The following simple exercises will help you strip away the mystery from the craft of writing. Grab a pen and paper – or your laptop – and give these a whirl…
Character Backstory?
By G. Miki Hayden
Instructor at Writer's Digest University online and private writing coach
firstwriter.com – Saturday July 4, 2020
One question that often arises for an author is what comes first, the protagonist’s backstory or an introduction to the character in action.
Well, the reader might not care about the protag’s history immediately, but a quarter of the way through the novel, once we readers have seen her in action—her heroism, her vulnerability, the sacrifices she makes for others—we might wonder how she came to be this way. Well, let the author finally tell us…

Effective Writing Advice That Is 100 Years Old
news.clearancejobs.com – Friday June 19, 2020

Regardless of your job, writing is an important communication skill that when fostered, improves over time. If you want to become a writer or improve your craft, I would highly recommend studying the techniques of a few of the American masters. While these men mostly wrote fictional books, they were strongly based on real events. Hemingway was also a correspondent over the years for many newspapers and magazines; his coverage of current events is worth a study as well. Below are some of the useful tips I took from a few of my favorite authors, and one editor who knew them all.

A deliciously cautionary tale about writing groups
ocregister.com – Tuesday June 16, 2020

Ask any writer how it’s going during quarantine, and they will respond, “Not much different than my regular life.” That’s how creativity works for writers. You hole yourself up in your house, plant your butt in your chair, stare at the computer screen, get up, pace the floors aimlessly trying to figure out the next scene, check the fridge for snacks, walk the dog 18 times a day waiting for ideas to come.
Or, if the writing is going well, you sit at your desk clattering away at the keyboard, telling your dog, “In a minute Mommy can take you for a walk. In a minute. Be a good dog.” When the writing is going well, a blessed day is when no delivery person rings the doorbell, no meetings have to be showered and dressed for, and no friend is suggesting you meet for happy hour because they have to tell you about their day. Not all writers love quarantine, but almost all self-quarantine to get the work done.
Writing is work and requires a time commitment and showing up – all the things that any job requires, even meetings. Meetings with agents and editors and psychotherapists. But even before publication, there are writing group meetings.
Want to Strike a Funny Bone?
By G. Miki Hayden
Instructor at Writer's Digest University online and private writing coach
firstwriter.com – Thursday June 4, 2020
My editing client’s (erotic romantic) writing made me genuinely LOL—laugh out loud— which naturally caused me to muse on humor in fiction. The world is going to hell in a handbasket (they lowered workers in handbaskets to set off dynamite while building the railways). But let’s not go all gloomy Gus over our trials and tribulations. Laugh, clown, laugh. Did I mix any metaphors?
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