Sentimentality in Poetry: Emotional Imbalance and How to Avoid it
By Maria Foster
Poet and Writer
firstwriter.com – Saturday April 18, 2020
Nothing is going to turn readers off your writing quicker than that sickly, disingenuous whiff of sentimentality that emanates from aggressively emotional wording. That cliched, pandering thing that so many writers fall into the trap of.
All of my mean adjectives aside, it’s usually not something that happens deliberately. It’s not like people are just padding out their writing with sentimentality, knowing that it sounds awful but doing it anyway just because they want to.
What’s going on is probably more of a misguided attempt at something that is actually sincere. When we’re writing something creative and artistic, it’s almost always going to be an expression of emotion.
12 Ideas for Writing Through the Pandemic With The New York Times
nytimes.com – Thursday April 16, 2020
The coronavirus has transformed life as we know it. Schools are closed, we’re confined to our homes and the future feels very uncertain. Why write at a time like this?
For one, we are living through history. Future historians may look back on the journals, essays and art that ordinary people are creating now to tell the story of life during the coronavirus.
But writing can also be deeply therapeutic. It can be a way to express our fears, hopes and joys. It can help us make sense of the world and our place in it.
Plus, even though school buildings are shuttered, that doesn’t mean learning has stopped. Writing can help us reflect on what’s happening in our lives and form new ideas.
Literary Magazines Published by Libraries
bookriot.com – Tuesday April 14, 2020
As both an author and library employee, I’m intrigued by libraries that publish literary magazines. Since so many libraries offer services for local writers and writer organizations, it seems like a natural extension.
In fact, last month I had the pleasure of being a judge—along with authors Sarah McGuire and Peter Raymundo—for the Osceola Library System’s third annual literary contest for kids aged 8–17. The theme was “There’s a Monster in My Lit Mag!” and while the ceremony for the winners has been cancelled, the winners will be read in an upcoming episode of the library’s Nonfiction Friends podcast by Jonathan, the amazing Youth Specialist who coordinated the contest.
Is Your Covid-19 Novel Going to Be THE One?
By G. Miki Hayden
Instructor at Writer's Digest University online and private writing coach
firstwriter.com – Sunday March 29, 2020
“I have no idea what's awaiting me, or what will happen when this all ends. For the moment I know this: there are sick people and they need curing.”― Albert Camus, The Plague
One of the best-known and most well-respected written works in the world is Camus’ novel The Plague. Although the story reads as if Camus personally went through a pestilence, he actually had “only” researched the many plagues that had come before to write his book.
Lights, camera, fiction: a film lover’s guide to writing a novel
irishtimes.com – Thursday March 26, 2020
I have always had a yearning to capture the visual. When I was very young, and before I owned a camera, I’d use my fingers as a frame and peer through them to see what a photograph of the scene before me would look like.
I went on to study film at third level, and when I set out to write my debut novel, You Have to Make Your Own Fun Around Here, I decided that I wanted the reader to see the story unfolding in their mind’s eye, much like a film.
I asked myself, if I was to make a film of this novel, what would it look like? Whose perspective would work best? How could I heighten the narrative’s impact through the use of pictures and visions? The film student in me was excited at the prospect of creating a visually driven story, and putting the storytelling skills I’d gained at film school to good use.
Our Books, Our Shelves: BE A QUITTER, or HOW TO WRITE THE NOVEL OF YOUR HEART
themarysue.com – Tuesday March 24, 2020
Sometimes, you quit.
Quitting isn’t something we’re taught to do, especially not as writers. Established authors share stories of rejections and perseverance. Of the manuscript they refused to give up on. That they published to great acclaim and poo-poo on those editors who rejected them! It’s supposed to inspire—and goodness knows we need all the inspiration we can get in this field.
When I was in graduate school, I started writing my first novel. A novel that my mother recently retrieved from the depths of her house, printed and spiral bound. “In five years, we can put that on eBay,” my dad said, while fixing himself a burger. “Absolutely not!” I said. Probably should’ve snatched it from Mom when I had the chance. (Please, if in five years you see an eBay listing titled “K M SZPARA UNPUBLISHED MANUSCRIPT RARE,” report it.)
Shakespeare in lockdown: did he write King Lear in plague quarantine?
theguardian.com – Sunday March 22, 2020
While those of us stuck in self-isolation or working from home watch TikTok videos and refresh liveblogs, a meme has been going around that claims Shakespeare made use of being quarantined during the plague to write King Lear. The Bard supposedly took advantage of the Globe’s lengthy closure to get on top of his writing in-tray – coming up with Macbeth and Antony and Cleopatra to boot. If you weren’t panicky enough about how little you’ve achieved recently, this is surely a way to feel worse. Why aren’t you finally dusting off that novel or screenplay you’ve been itching to write? It’s what the Bard would do, surely.
How to publish a book: The publishing process, explained
goodhousekeeping.com – Saturday March 14, 2020
You've had the killer idea, you've developed your book characters, planned and plotted, and found the motivation to finally write the novel you've always dreamed about.
You may even have found an agent. But when it comes to a publishing a book, how does the industry actually work?
There are so many stages, so many edits and buzzwords - it can feel impossible to navigate. Before my first novel, Five Steps To Happy, came out last year, I felt utterly lost, confused about the role of an editor and full of questions about the publishing process.
If you feel the same, fear not. In this piece I'll explain the publishing industry, rounding up the people who know to answer the most common questions about writing a book.
How to publish a book: Finding an agent
goodhousekeeping.com – Saturday March 14, 2020
Publishing a book can feel like a minefield. There are so many ways to go about it - from the traditional agent and publisher route, to entering writing competitions to self publishing.
Before my first book, Five Steps To Happy came out last year, I was pretty much clueless as to the process. I took a 3 month novel writing course with Curtis Brown Creative, which offered a valuable insight into how the industry works.
A couple of years (and a lot of rejections) later, I signed with literary agent Richard Pike, at C&W, Curtis Brown's sister agency. My novel was bought by Trapeze, an imprint of Orion - and my dream came true.
Going through the process first-hand, I've gained a lot of useful knowledge. Burning questions about where an agent fits in with publishing a book? Read on!
Why Woody Allen's publisher was wrong to drop his memoir
theguardian.com – Tuesday March 10, 2020
What a strange, through-the-looking-glass world we live in, when people who consider themselves to be liberals celebrate suppressing others’ words. A little background on the latest chapter in the saga that is Woody Allen and the Farrow family. It’s a lot less fun than Hannah and Her Sisters, although it does feature many of the same cast and crew members.
It was announced last week that Hachette was publishing Allen’s memoir. Reactions were as predictably swift as they were just plain predictable, with public opinion very much against Allen these days. The Farrow family was especially vocal in its condemnation: Ronan Farrow posted a statement to express his “disappointment” that Hachette, which published his book, Catch and Kill, hadn’t told him it was publishing his estranged father’s memoir. He expressed especial frustration that his sister Dylan “has never been contacted to respond to any denial or mischaracterisation of the abuse she suffered at the hands of Woody Allen”. Farrow describes this now infamous allegation of abuse as “credible”, but it has never actually resulted in any charges. Was Allen ever contacted to respond to Farrow’s statement in his book that his father “penetrated [Dylan] with a finger”? He has been as consistent with his denials as Dylan has been with her accusation.
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