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Paranormal and romance- a shared magic by Tracey Shearer, author of Raven

femalefirst.co.uk – Tuesday November 17, 2020

Two years ago, when my literary agent had to suddenly retire to take care of her ailing hubby, I prepared to pitch to new agents at a local writers’ conference. Before I could join the pitch session, an agent buddy pulled me aside and told me not to tell anyone my book was a Paranormal Romance. Call it anything else, but not that.

We stood in a quiet hallway at the conference while I tried to process what she’d just shared. Then she leaned in close and whispered, “Tracey, Paranormal Romance is dead.”

I couldn’t hold back my disbelief, mouth dropping open, eyes blinking, seeing nothing. Paranormal Romance dead? How could that be when I see bookshelves, both physical and virtual, filled with books in this genre? Readers are hungry for these stories.

The agent went on to share that the Big 5 publishers weren’t actively acquiring Paranormal Romance. They had too much already on their author roster. So agents were steering clear of anything with even a whiff of Paranormal Romance. It would be a hard “no.”

I believed my friend, I truly did. But in my heart, I knew that nothing would ever kill this genre.

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NaNoWriMo: how to make best use of the annual writing month

theguardian.com – Monday November 2, 2020

If everyone has a book in them, then November is the month that many of those books are conceived. NaNoWriMo, or National Novel Writing Month, comes of age this year with its 21st birthday, and the concept remains as simple as it was in 1999: over 30 days, write at least 50,000 words of your novel.

Almost 368,000 novels have been completed by participants. There are no prizes or league tables, just the satisfaction of taking part – and the potential creation of something publishable.

There remains some sniffiness over NaNoWriMo in some quarters, usually published novelists who like to point out that some people write all year round. Half the world wants to write, it seems, and that means they think they can. Yes, writing a novel is hard work. And for every author that gets published, hundreds – possibly thousands – fail. But does that mean that we shouldn’t write novels just for sheer enjoyment?

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Making $$ Editing Freelance With Your Skills

By G. Miki Hayden
Instructor at Writer's Digest University online and private writing coach

firstwriter.com – Wednesday October 28, 2020

Writers can always use “extra” dollars, and these days the “extra” is very much necessary. Okay, we may not know how to do much other than push words here and there, but if we do that well, our abilities, honed over the years, may bring in the hoped-for bucks—freelancing as an editor for other writers. The nice thing about taking on projects this way is that we can sleep late and work at home in our sweats, another important point these days. Some of us do it, so why not you?

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Hilary Mantel, Lee Child, Elizabeth Day and more novelists reveal their secret writing habits

inews.co.uk – Saturday October 17, 2020

Anthony Horowitz is two chapters away from finishing his latest “whodunnit” murder mystery and something is worrying him. If anything should happen to him before he has finished, how will anyone know whodunnit? This week he revealed that, when a book is in progress, he puts the name of the killer in an envelope to be opened by his wife, Jill Green, just in case.

“I am terrified I will die before I actually manage to [finish a book],” Horowitz said at the Cheltenham Literary Festival. “There will be a car crash or a trip going down stairs or something. This is such a fear for me, such a paranoia that I actually write the solution to my murder mysteries and I put them in an envelope to be opened in the event of my death and stick it in my desk.”

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Top 10 books about creative writing

theguardian.com – Thursday October 15, 2020

The poet Rita Dove was once asked what makes poetry successful. She went on to illuminate three key areas: First, the heart of the writer; the things they wish to say – their politics and overarching sensibilities. Second, their tools: how they work language to organise and position words. And the third, the love a person must have for books: “To read, read, read.”

When I started mapping out How to Write It, I wanted to focus on the aspects of writing development that took in both theoretical and interpersonal aspects. No writer lives in a vacuum, their job is an endless task of paying attention.

How do I get myself an agent? What’s the best way to approach a publisher? Should I self-publish? There is never one way to assuage the concerns of those looking to make a career out of writing. Many labour tirelessly for decades on manuscripts that never make it to print. The UK on average publishes around 185,000 new titles per year, ranking us the third largest publishing market in the world, yet the number of aspiring writers is substantially greater.

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How to Find Your Own Writing Style

authorlink.com – Saturday October 3, 2020

The definition of what style in writing represents is often blurry and elusive. While some authors are very distinctive when it comes to their wordiness, syntax, tone, and mood, others seem to stand out by nothing in particular—yet create high-quality works and are inspirational and praised nonetheless.

Finding your writing style can last for a year, two, three, or become a journey that never ends: for some authors, experimentation and adaptation are the most exciting parts of the writing process.

Before getting to work on your voice and tone and coming up with a great book title, the first thing you should do is decide what type of writing you’re the most interested in. This decision will help you direct your attention appropriately once you begin to practice your wordcraft.

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How to Become a Comedy Writer

backstage.com – Wednesday September 23, 2020

We’ve all seen a hilarious TV scene that’s stuck with us or read a satirical essay that’s made us giggle for weeks. But have you ever wondered what it actually takes to become a comedy writer? There are many different avenues to achieving a career writing comedy, whether you have aspirations of writing a late-night monologue or getting a humorous book published. Some writers like Aidy Bryant begin with a career in comedic performance before using those skills to transition behind the scenes. For others, it can be a more streamlined process of sticking with one format (like comedic playwriting) and simply expanding within that niche over time. Comedy writing is such a broad field full of differing perspectives and paths and there’s no one way to become a comedy writer. As long as you’ve got a passion for comedy and a desire to express it through written work, you can find success as a comedy writer.

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Why are cliches in writing so bad?

authorlink.com – Tuesday September 1, 2020

Writing is a craft that requires constant improvement, whether you are a beginner working to develop their first story or a seasoned author with many accomplishments under their belt.

Among other aspects, writing without cliches is one of the vital skills prospective essayists and novelists have to master before they start to consider publishing their works. If you’re struggling with this challenge and feel insecure about your texts, you can easily avoid cliches in writing in 6 simple and actionable steps.

But first, let’s talk about what cliches are, why you should steer away from them, and which ones are the most common (and, therefore, the ones you should be on the lookout for the most).

Why are cliches in writing so bad?

Cliché (past passive participle form of the French word clicher, referring to a stereotype) is a word or a phrase used so often in writing and speech that they’re no longer appealing or effective.

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A Few Amateur Goofs to Avoid

By G. Miki Hayden
Instructor at Writer's Digest University online and private writing coach

firstwriter.com – Tuesday September 1, 2020

Your novel won’t be rejected just because the red flag is raised that you’re an amateur; however, the clues that you don’t know the rules of the road won’t endear you to agents, and unless the writing is otherwise good and the concept extraordinary, you may not be invited to join the agency gang. Have a read below to find out what errors to watch for.

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Magazine Rejections and Learning to Love the Hate

splicetoday.com – Tuesday August 25, 2020

Many years ago, an editor at The Chicago Quarterly Review sent me one of the most colorful rejections I’ve gotten from a magazine: “I can’t think of a single person who’d want to spend thirty seconds with these morons,” meaning the characters in my short story but also, in a way, me.

It was a story about falling in love with a stripper in Missoula, titled “The Machinery Above Us,” and Eclipse Magazine took it some time after that. There were graphic parts in it and I noticed that the rejections came most fluidly from the Ivy and Ivy-adjacent literary journals on my submission A-list. The Partisan ReviewThe Paris ReviewDoubletakeStory, and Boulevard rejected it with a quickness. They seemed to find the material distasteful.

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