The Publishing Industry Has a Gambling Problem
thewalrus.ca – Wednesday October 1, 2025

Companies keep betting on the next bestseller. Literature is poorer for it
In 1970, a New York publishing company put out a debut novel by an editor and former teacher from Ohio. The press, then known as Holt, Rinehart and Winston, had taken a chance on the book, which had been rejected by numerous other houses. The initial print run was somewhere between 1,200 and 1,500 units—modest expectations that looked justified when, in the first year, sales barely cleared 2,000. This despite getting positive reviews in the New York Times and The New Yorker and being assigned to freshman classes at the City College of New York. The attention wasn’t enough. Four years later, the novel was out of print.
The author stayed in the game, albeit precariously. While working on her second book, she was a single parent commuting to Manhattan for a job in publishing. At the time, she was “so strapped for money that the condition moved from debilitating stress to hilarity.” Despite her first book’s lacklustre sales, she found a publisher for her second. The debut had attracted the admiration of a high-profile editor, one who happened to work in the same building she did. He acquired her next title, and the next, keeping her in house as she steadily built acclaim and an audience.
Eventually, the writer scored an opportunity still regarded as a grail of book marketing: her debut was chosen for Oprah’s Book Club. Sales reportedly soared to 800,000 copies. Today, publishers hope that their titles will nab the book club stamp—and the ensuing bump in sales—straight out of the gate. But, in this case, the Oprah endorsement came only at the turn of the millennium, thirty years after the novel was first released. By then, the author had published some half dozen other books and cleared the stable of major literary accolades. She had won the National Book Award, the Pulitzer, the Nobel. The author was Toni Morrison. The novel was The Bluest Eye.
To read the full article on thewalrus.ca, click here


It’s Time To Save Literature From The Woke Publishing Industry
Ten Things Nobody Tells You About the Publishing Industry
Publishing's 'American Dirt' Problem
'A Plague on the Industry': Book Publishing's Broken Blurb System
Author productivity is a publishing problem
8 Newsletters Demystifying the Publishing Industry
Publishing wants debut authors to produce bestsellers. What happens if they don't?
Publishing is a $26 billion industry, with self-publishing growing as a popular side hustle
What It Would Take to Disrupt the Publishing Industry
On navigating the publishing industry
Lasting reputations: why have some authors dominated the publishing industry?
Staying positive about publishing
Simon Linacre assesses the state of predatory publishing, 15 years since the term was first coined
The publishing industry has turned into modern-day book burners
A manifesto for self-publishing authors
How I got a publishing deal - An interview with author, Francis Sookraj
When the Sharing Economy Comes to Publishing
New Magazine Listing: Fictive Dream
New Literary Agency Listing: Selby Howard
New Literary Agency Listing: Renegade Literary
New Publisher Listing: Weatherglass Books
Call for Submissions: Dominion II Seeks Speculative Fiction of Black Resistance | Submit by February 28, 2027
New Magazine Listing: The Poke
New Literary Agent Listing: Lucy Malone
“An Icon of Distrust”: Publishing Industry Turns Its Back on Generative AI as Labor and Copyright Disputes Mount
RBmedia Acquires Award-Winning U.K. Indie Boldwood Books
Author 'devastated' after festival judges accuse her of using AI to write novel
New Publisher Listing: Post Hill Press
The Next Brilliant Career: Netflix Launches Nationwide Search for Australia's Next Great Screenwriter
$2m crime novel deal collapses amid questions over AI use
Nero New Writers Prize launched
