On writing women
dawn.com – Sunday January 22, 2017
In researching my previous column on the work of Elena Ferrante, I read how certain critics were convinced that the author was actually a man writing under a woman’s pseudonym because she wrote assertively and confidently about the domains of men, especially politics, crime, and violence. In return, Ferrante’s supporters asserted that not only could a woman write well about these domains, but that “only a woman” could know of the secret interior worlds of women and write about them as truthfully and authentically as Ferrante.
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