firstwriter.com's database of literary agents includes details of 775 English language literary agencies that don't charge reading fees. The database is continually updated: there have been 33 listings added or updated in the last month. With over a dozen different ways to narrow your search you can find the right literary agent for your book, fast.
Talent agency ICM Partners has promoted three to agents.
ICM upped Celestine Au and Madeline Feder to agents in the talent department, and Viviane Telio to agent in the motion picture literary department.
Au started at ICM in 2015, spending two years as a talent department assistant before being promoted to talent department coordinator last year. Au was recognized as one of Variety’s 10 Assistants to Watch in 2017 and is part of Time’s Up Next Gen. She was born in Hong Kong and raised in Shanghai before moving to the U.S. to attend UCLA, where she completed 12 internships and graduated with a degree in communication studies. She is fluent in Mandarin and has traveled to China with ICM agents, acting as an interpreter, and helping the team close deals and sign clients.
The children’s book publishing world has been roiling for the past week over the disclosure that Danielle Smith, the principal of Lupine Grove Creative, an agency specializing in children’s and YA authors, acted more like a literary grifter than a literary agent. Since Smith emailed a letter to her clients on July 24, confessing that recently she had “not handled a situation as well as I should have” and thus was dissolving the agency effective immediately, 19 former clients have reached out to PW, sharing tales of a pattern of malfeasance that has shaken their confidence and adversely affected their careers.
According to some former clients, she claimed to have had offers in hand that didn’t exist, such as, one author requesting anonymity disclosed, a $50,000 two-book deal. She informed others that editors had expressed interest in their submissions, but subsequently told them that either the editors had then lost interest or had outright rejected those submissions. Clients also complained about Smith’s refusal to communicate with them honestly and in a timely fashion, as well as the lack of transparency, including a reluctance to render submission lists to them upon request. A few clients allege that she even forged emails from editors and passed this correspondence along to them.
Charlotte Robertson, sales and marketing director and paperback publisher at Faber, is to leave the company to become managing director of a new literary agency in association with Arlington Management.
Robertson will leave the company at the end of the year and start her own literary agency with Arlington Management, a talent agency which represents people such as Kirstie Allsopp and Ben Fogle. Faber will announce plans regarding the appointment of a successor in due course.
More than 35 writing agencies are coming together for this year’s National Writing Day, which will take place on Wednesday (27th June).
Author William Fiennes, who is co-ordinating the day, said there were “too many events to count” this year, with scheduled highlights including a workshop with writer Sabrina Mahfouz in London, a Twitter Q&A with Jed Mercurio on the BBC website Writers Room, and a poetry workshop with Polly Atkin in Cumbria.
National Writing Day is an annual celebration designed to inspire people across the UK to get writing and grew out of Fiennes’ experience with First Story, the charity he set up with Katie Waldegrave.
Rae Phillips recently acquired an agent using firstwriter.com's database of literary agencies. We asked her about her writing, and how she found success.
In last month's article, Avoiding literary agency scams (fwn 44), we identified the warning signs to watch out for in order to avoid bad agents. In this article I'll be reversing the question and providing tips on how to find good agents.
James R. Larson recently acquired an agent using firstwriter.com's database of literary agencies. We asked him about his writing, and how he found success.
For as long as there have been writers eager to get published, there have been con artists ready to prey upon them for a quick buck. Nowadays, the internet is rife with phony literary agencies offering writers false hope in return for a small (or not-so-small) sum of money. In this article I'll look at some of the ways you can spot a dodgy agency, and avoid your time, money, and aspirations being abused. While none of the points below guarantee by themselves that an agency is dubious, together they can make a compelling case, and they should all make you tread a little more cautiously.
Submit a listing
If you run, are involved in, or just know of an agency not included in our literary agents database, you can suggest a new listing by clicking here. You can also use this form for suggesting amendments to existing listings.
To view our inclusion policy, click here.